The Black Sitcom
The Black Sitcom: A Comprehensive Survey with Critical Essays
1950 – 2000
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The Black Sitcom: A Comprehensive Survey with Critical Essays
1950 – 2000
March 6-9, 2027
Newport, RI
Convention Site: Salve Regina University
March 6-9, 2027
Newport, RI
Convention Site: Salve Regina University
Environmental racism predates its own name. The term entered public discourse in 1982, but the conditions behind it, namely exposure to hazard and unequal claim to safety, go back to slavery itself. Historian Carl Zimring traces this to a basic split in American thought: white meant clean, Black meant dirty. That split decided who did the dirtiest, most dangerous work, and who lived closest to pollution, for generations. In 1968, Memphis sanitation workers went on strike over exactly that: unsafe, degrading labour shaped by the same racial split. Martin Luther King Jr. was assassinated in Memphis while there in support of the very strike. That split still operates today.
James Baldwin and the Work of Witnessing, Teaching, and Public Intellectualism
I am seeking James Baldwin scholars and contributors to a forthcoming/newly completed Baldwin anthology who are interested in participating as virtual guest lecturers in my Fall 2026 course, ENG 393: Special Topics: James Baldwin, at Philander Smith University, an HBCU in Little Rock, Arkansas.
CALL FOR PAPERS
In Brightest Day: Race, Justice, and the Speculative in HBO's Lanterns and the Green Lantern Mythos
Proposed for New Suns: Race, Gender, and Sexuality in the Speculative -- The Ohio State University Press
Edited by Julian C. Chambliss, Ritesh Khandelwal, and Harry M. Foster (Michigan State University)
ABSTRACT DEADLINE: October 15, 2026
Send abstracts (300-500 words) and a bio (approx. 100 words) to greenlanternbookproject@gmail.com with the subject line "Lanterns CFP -- [your surname]."
OVERVIEW
Call For Papers: 2027 ALA Symposium
“Music and the American Literary Imagination”
January 28 – January 30, 2027
Hyatt Centric Downtown Nashville
210 Molloy Street
Nashville, TN 37201
The idea of hospitality as a simple, symmetrical exchange of welcome becomes fraught in the context of travel to the various places associated with the African Diaspora. For example, in Lose Your Mother, Sadiya Hartman considers the symbolic loss of a homeland and the sense of relation between her and the people of Ghana. Like many other African Americans, she questions whether a connection to Africa is real or just a necessary fiction. Her narrative marks the loss of identifiable origins or homeland as the primal loss for African Americans. The loss of this connection creates issues of subjectivity for the African diasporic community in general and for individuals who intimately feel this loss.
International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
https://flyccs.com/jounals/IJHASS/Home.html
*** September Issue***
Call for papers, international conference, University of Nantes, 24 and 25 March 2027
The Subversive Work of Gayl Jones Beyond Borders: Rediscovering a “Liberating Voice” of the Black Atlantic World
American Literature Association: “Music and the American Literary Imagination” Symposium
January 28-30, 2027 in Nashville, Tennessee
CFP: “Sounding the Subject in the Nineteenth Century”
Call fort submissions
"Conversations with the Dead: Excavation as Re-vision"
Chair: Edvige Giunta, Kean University
The session invites presentations of prose, poetry, and/or hybrid writing that “turn” to the dead—not for the purpose of elegiac reminiscence but to unsettle or dismantle notions of chronology, inheritance, and other forms of linear, unidirectional connection between the living and the dead. Writers who turn to the dead find that that past transforms the present through the very process of excavation: communities are remade in the turning. This session will examine what that practice looks like across genres such as intergenerational memoir, speculative memoir, investigative essays, and personal rewritings of myths.
Inspired by the emptiness of the National Mall celebration of America’s 250th, we invite 300 word abstracts that consider enclosure and vacancy in Americana and its related aesthetic categories, like the Western and Southern Gothic.
Presenters might engage with a variety of fields, especially black, feminist, and indigenous studies, and take up media across time periods, including contemporary art by Bisa Butler and Jeffrey Gibson, Beyoncé’s Cowboy Carter, Ryan Coogler’s Sinners, Aleshea Harris’ Is God Is, and many more.
https://mla.confex.com/mla/2027/webprogrampreliminary/Paper36527.html
Call for Chapters
The Routledge Handbook of Hip Hop and Sport, Culture, and Activism
The idea of home is curious concept for African Americans. Though integral to the development and sustainability of the United States, the social death and cultural trauma of slavery render this country inhospitable to Black bodies and the psyches that inhabit them. African Americans are both at home and homeless. This tenuousness places them in a liminal space in which identity is simultaneously self-asserted and assigned, multifaceted, while limited, a fount of agency and a tool for impotence. The intersectional nature of Black femininity further complicates notions of identity and American hospitality. Black men have unsuccessfully employed patriarchy as an intraracial tool to combat the aforementioned social death.
Poetic Responses to Prisons and Policing (SAMLA Panel #19707) - DEADLINE EXTENDED
How do postcolonial literatures imagine hospitality in a world shaped by colonial histories, forced migration, displacement, and contested belonging? This panel invites papers that examine the ethics and politics of hospitality through postcolonial, diasporic, and transnational literary and cultural texts. Moving beyond hospitality as a simple act of welcome, the panel seeks to explore its tensions, contradictions, and possibilities: Who is welcomed, excluded, or rendered perpetually a stranger? How do migration, exile, memory, language, and cultural difference reshape notions of home, community, and kinship?
2026 marks multiple milestones for the legacy of legendary Afrofuturist author Octavia E. Butler: fifty years since the publication of her first novel, Patternmaster (1976), and the twentieth anniversary of her passing, on February 24, 2006. It also marks the announcement of a film version of one of her most famous and most prophetic works, Parable of the Sower (1993), as well as the surprise republishing of her disavowed novel, Survivor (1978), for the first time since the 1980s. These anniversaries arrive at a moment when Butler’s work continues to gain public attention for its prescience and political relevance, and as she continues to amass scholarly attention across scholarly disciplines.
Call for Papers | Society of Early Americanists
American Literature Association | “The American Novel: Forms, Genres, and Traditions”
November 5–7, 2026 | Santa Fe, NM
The Novel in/and Early America
For this upcoming ALA Symposium, the SEA invites papers and presentations that deal with any aspect of “The American Novel: Forms, Genres, and Traditions” prior to (approximately) 1830. Topics might include (but are not limited to):
In the summer of 2026, Elizabeth and Ines Soto were sentenced to fifty years in prison for their participation in the anti-ICE protests at Prairieland, including a charge of “providing material support to terrorists.” In the trial that led to these exorbitant sentences, the Sotos’ production and distribution of zines, including literature on protest strategy, anti-ICE arguments, gay and trans issues, and plant propagation, were used as evidence in their conviction. Their printing press (a home office printer) was confiscated by the FBI. At the same time, Daniel Sanchez Estrada, who was not present at the protest, was sentenced to thirty years for “concealing documents,” including zines labeled as “political literature.”
The College Language Association Journal invites submissions for a special issue inspired by Adam J. Banks’s 2016 CLA Journal essay, “Dominant Genre Emeritus: Why It Is Time to Retire the Academic Essay.” In that essay, Banks challenges writing teachers to reconsider the privileged position of the academic essay and to imagine alternative forms of composing, meaning-making, and knowledge production.
Transatlantic Connections and the ‘Special Relationship[s]’: BAAS Postgraduate Symposium, 2026
V&A East Storehouse, London
9th November
In 1946, Winston Churchill declared the need for a “special relationship between the British Commonwealth and Empire and the United States” in order to maintain world diplomacy, citing our shared language and cultural values as connecting the two countries. Although this ‘special relationship’ has continually been called into question by scholars, there is undoubtedly a channel of cultural and political exchange between the US and the UK, as well as with other countries, which has become even more urgent for discussion in recent years.
CFP – “BLACK ESSAYSM: FORMAL EXPERIMENTATIONS IN BLACK CREATIVE/CRITICAL PRACTICES”
liquid blackness: journal of aesthetics and black studies 12, no. 1, Spring 2028
Guest editor: Walton Muyumba
Submissions due: January 30, 2027
Conventional cinematic views of New York City are often characterized by aerials, panoramas, and long shots of the archetypal Manhattan skyline, montage of crowded sidewalks, and quick shots of the yellow cabs in congested traffic. Scholars have regularly linked such city views to their historical urban contexts: studies of city symphonies emphasize the concomitance of capitalist modernity, scholars of film noir associate the genre with Cold War anxieties magnified by urban disorientation, while studies of Blaxploitation link the films to the immediate precedents of urban crisis in the 1960s and 1970s.
In keeping with the theme of Empowering Communities, this panel looks at the ways in which scholarship can make visible the previously obscured agency of women and other historically marginalized groups. Invisible labor is a concept frequently applied to the domestic sphere to describe the work women do to maintain households. In the literary world, too, women have shaped the canon in ways that have been overlooked.
Panel topic: "Consuming Serialized Fiction in the US, from 1800 to today.”
Venue: American Literature Association Symposium, Santa Fe, NM; Nov. 5-7, 2026
Note: as indicated here, ALA does not require presenters to be paying members of the organization
This virtual seminar takes its inspiration from Saidiya Hartman’s citation of the Greek etymology of the word chorus: “to dance within an enclosure.” For Hartman, the chorus also furnishes a paradigm for thinking—to play on Jean-Luc Nancy’s notion—Black (non)being singular plural. In Wayward Lives, Hartman suggests that any of the minor figures can stand in for the others, not as a claim of homogeneity, but rather as a contention that their singularity can be read as paradigmatic of waywardness—in its queer heterogeneity—in general. The chorus of black femme and queer youth is thus at once a singular plurality and a plural singularity as they make beautifully riotous lives within the enclosure of social death.
I'm seeking participants for an APPA roundtable discussion on "The Poet in the Novel" at the upcoming ALA symposium "The American Novel: Forms, Genres, Traditions," to be held at the Drury Plaza Hotel in Santa Fe, NM, 5-7 November 2026.
Proposals on novels or experimental prose forms that feature a poet as protagonist will be welcome for this session. Our definition of "novel" can be as broad as your claims for it will support. Samuel R. Delany is likely to feature significantly.
For best consideration, please send a precis of no more than 500 words to mrh@unm.edu by Sunday, 19 July
Where and how does African American culture begin?
Every story has a beginning, yet every beginning is a choice: a conscious decision about where, when, and how to start. Beginnings are contextual constructions as are endings.
Joyce Studies Annual invites submissions for a special issue featuring the topic of “Echo-Joyce: Reading Joyce in Relation” to be guest edited by Amadeo De La Pava, Faye Liu, and Jordan Smith.