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CFP: Toni Morrison (9/1/05; journal issue)

updated: 
Friday, April 1, 2005 - 9:48am
Modern Fiction Studies

Call for Papers for Modern Fiction Studies

      Toni Morrison * Summer 2006
      Deadline for Submission: 1 Sept. 2005

CFP: Frank Yerby (6/1/05; collection)

updated: 
Friday, March 4, 2005 - 3:31pm
Gene Jarrett

Editors seek critical essays on the literary life and legacy of
Augusta-born Frank Yerby, one of the greatest unknown writers in
American literary history. A reputable university press has expressed
interest in the collection, with an eye toward offering an advance contract.

CFP: Emerging African American Writers (4/15/05; collection)

updated: 
Friday, March 4, 2005 - 3:31pm
Eva Tettenborn

Call for Papers

Submissions are invited for a critical anthology entitled

NEW VOICES IN AFRICAN AMERICAN LITERATURE: CRITICAL ESSAYS ON WORKS OF
EMERGING AFRICAN AMERICAN WRITERS.

Essays should discuss works by African American authors
published during the 1990's and beyond.

We especially encourage essays pertaining to issues like
-canonicity and popular black fiction;
-pedagogical implications of incorporating new works by black writers
into more traditional syllabi;
-new directions/issues in African American writing;
-questions of genre crossing;
-intertextuality;
-film adaptations;
-the relation of recent work in critical race theory to praxis.

CFP: Black Gay Men's Anthology (3/15/05; anthology)

updated: 
Wednesday, February 16, 2005 - 11:45am
F. Leon Roberts

CFP: BLACK GAY MEN'S ANTHOLOGY (3/18/05;6.15.05)

Published by the New York State Black Gay Network, Institute for Gay
Men's Health (AIDS Project Los Angeles & Gay Men's Health Crisis);
Black AIDS Institute and The National Black Justice Coalition

Co-edited by Frank Leon Roberts and Marvin K. White

UPDATE: Teaching Toni Morrison (1/25/05; collection)

updated: 
Wednesday, January 12, 2005 - 5:38pm
Jami Carlacio

Revised JANUARY 10, 2005

Call For Papers: Collection of assignments and lesson plans on Toni
Morrison's prose and fiction

The Fiction of Toni Morrison: Teaching Race, Culture, and Identity

I am currently soliciting contributions from university instructors
(professors and graduate students/teaching assistants) for a collection of
materials -- teaching strategies and assignments -- on the work of Toni
Morrison. Contributions may come from a variety of disciplines, including
history, Africana Studies, American Studies, English, Rhetoric, and Women's
Studies.

CFP: African American Women Writers: An A to Z Guide (4/30/05; collection)

updated: 
Sunday, December 19, 2004 - 11:36pm
ypage_at_dillard.edu

Call For Contributors--African American Women Writers: An A to Z Guide

=20

Contributors are sought for a reference work that will be published by
Greenwood Press in 2006. =20

=20

The work, tentatively titled, African American Women Writers: An A to =
Z
Guide, will consist of 173 entries. Each entry will consist of four
parts and will vary in length from 750-6000 words. Each entry will
include the following components:

=A7 Biographical narrative

=A7 Analysis

=A7 Critical Reception

=A7 Bibliography

=20

CFP: Langston Hughes: Writer Without Borders (no deadline noted; journal issue)

updated: 
Sunday, December 19, 2004 - 11:36pm
Valerie Babb

The <Langston Hughes Review> is now accepting papers for a
special issue, "Langston Hughes: Writer without Borders"
Papers that treat Hughes as part of a global conversation:
Ideology , Aesthetics, Economics, Color, Class, and Sex,
Language and Translation are welcomed.

Please send hardcopy and diskcopy (no email attachments
please) to,

Valerie Babb, Editor
Department of English/Institute of African American Studies
University of Georgia
Park Hall 254
Athens, GA 30602-6205

Include a self-addressed postage-paid postcard if
acknowledgment of receipt is desired.

CFP: Afro-Diasporic Cinema (8/1/05; journal issue)

updated: 
Monday, November 1, 2004 - 3:30pm
White, Lowell M

C A L L A L O O

AFRO-DIASPORIC CINEMA
Callaloo seeks papers for a special issue on "Afro-Diasporic Cinema" to be
published in 2006. In addition to innovative, interdisciplinary, historically
informed, aesthetic analyses of film, television, video and digitial art
throughout the diaspora, Callaloo welcomes the submission of screenplays,
scenarios, interviews and images thatdocument black cinematic practices,
broadly conceived.

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