Vladimir Nabokov famously expressed that the theme of "a Negro-white intermarriage which is a complete and glorious success resulting in lots of children and grandchildren" has been "utterly taboo" in Western literature. This was a taboo that British women writers of the eighteenth and nineteenth centuries regularly explored, and even challenged. From the explosively doomed union between Rochester and Bertha Mason in Charlotte Bronte's Jane Eyre, to the fetishistic gaze within which the female narrator holds the protagonist of Aphra Behn's Oronooko, to the forced erasure of the happy marriage between Juba and Lucy from Maria Edgeworth's Belinda, British women's fiction represents a range of interests in and encounters with interracial relationships.
We are accepting submissions through January 30:
Rules for submission:
Mapping Fields of Study: Renegotiations of Disciplinary Spaces in the English-Speaking World
9-11 June 2016
Call for Papers – Extended Deadline: 15th January 2016
Fantasy sports are one of the most popular and rapidly expanding areas of contemporary culture. Despite the immense interest in them, however, fantasy sports remain an insufficiently mined scholarly resource. While studies on the topic have been published over the past fifteen years, they have focused almost exclusively on issues of law (e.g., Are fantasy sports a form of gambling?), economics (e.g., Who should profit from sports statistics?), and sports management (e.g., Who plays fantasy sports and why?). We contend that this limited approach has contributed to fantasy sports research being considered a minor scholarly niche, rather than a diverse subject area rife with its own unique cultural insights.
We seek to organize a panel at the Narrative 2016 conference in Amsterdam 16-18 June around innovative papers that engage with the different ways space, environment, and nature are both represented and perceived in literature through the experience of reading.Focus on description has recently received a wide range of methodological approaches by narratologists. For example, Monika Fludernik is developing an interesting disentanglement of the "description / narration" binary through an updated linguistic model, and Melba Cuddy-Keane integrates second-generation cognitive science to put dynamic, navigational action into the way we think about mental images in description.
Contemporary Women's Writing (Oxford University Press) is pleased to announce the launch of a new annual Essay Prize. This prize aims to encourage new scholarship in the field, recognise and reward outstanding achievement by new researchers, and support the professional development of next generation scholars.
Entries are now open for the first prize. The deadline for submissions is 25 January 2016.
The winner will receive:
Publication in Contemporary Women's Writing
One year's free membership of the Contemporary Women's Writing Association (including one year's free subscription to the journal)
£100 worth of Oxford University Press books
Other entries of sufficient quality may also be considered for publication.
Boundaries and intersections -- two contrasting metaphors and yet not quite a binary. On the one hand, these words spatially remind us of Venn diagrams: two bound circles with a space of intersection where they overlap. On the other hand, intersections can be places of traffic, movement over time, streams of cars or pedestrians crossing boundaries. Spatial overlap or temporal crossing--the stability of categories or their rupture. The humanities are constantly defined and redefined by the churning of boundaries and intersections.
Abstract Submission Deadline for Students, Faculty, and Staff: March 16, 2016
The Morehouse College English Department in collaboration with the Office of the Provost invites all students, faculty, and staff to participate in the Tenth Annual Symposium to be held on Tuesday, April 19, 2016, from 5:30 p.m. to 8:30 p.m.
Call for Papers
It is an undeniable fact that indeed literature has moved from the realm of mere entertainment to one of commitment. Any survey of contemporary literature proves more than ever before that there can be no talk of "arts for art's sake". Hardly any writer who wishes to be taken seriously writes for the sake of writing or to entertain his readers. Entertainment has rapidly given way to commitment and today writers are interested in appraising the world in which they live and write and thereby imagine a better world for humankind. This has infused a political dimension into literature such that it is mainly concerned with a critique of the society. Thus literature today has come to occupy an important position as political discourse.
Postcolonial theory has been engaged in uncovering and castigating the legacies of the colonial contact on the colonized. This has seen a lot of discussions on postcolonial theory which focus on the material effects of colonialism such as the identity crisis occasioned by the loss of culture, the new boundaries created by colonialism and which continue to have far-reaching effects decades after the formal demise of colonialism, and the gross exploitation and humiliation of the colonized which has resulted in the inferiority complex and a loss of self- esteem. Postcolonial theory in a general sense therefore often involves the response of the colonized to the cultural and human consequences of colonial control.