In response to an echoing call for a renewed attention to form, this ACLA seminar will examine a particularly rich formal classification: the serial. Conceiving of serial form broadly to encompass a variety of sequential and collected narratives, from installments and episodes to versions, revisions, witnesses, releases, copies, variations, collections, and cycles, we will ask how narratives in parts challenge and invigorate our critical approaches to narrative form. While criticism of serial form tends to center on Charles Dickens and look forward to twentieth-century radio and television, the formal conventions of seriality – the sequence and collection of narratives – extends far beyond this fictional field.
• What Do Students Learn & How Do We Know They Have Learned It?: Closing the Loop Through Assessment in Composition & Literature Courses
Universal Design & Other Challenges: Accommodating Disability Through Accessibility in the English Classroom
Service Learning in English Courses—Composition and Literature: How Far Have We Come?
Fictional Economies: Inequality and the Novel
Joseph Donica is an Assistant Professor of English at Bronx Community College.
Rami Shamir is the author of TRAIN TO POKIPSE (Grove Press 2011, http://traintopokipse.com/)
Abstracts of 300 words and full CVs due November 1, 2015 to
Full articles due March 1, 2015
Projected publication fall 2016
JOSAAC AN ANNUAL RESEARCH JOURNAL OF SCIENCE, ARTS AND COMMERCE, PUBLICATION CELL, DKD COLLEGE, DERGAON, ASSAM (ISSN 2348-0602) invites article submissions by for its January' 2016 Issue. The journal is a peer-reviewed and published annually and publishes research base articles on various subjects of Arts, Science and Commerce.
1. The contributions should be original and not published earlier or submitted elsewhere for publication simultaneously.
2. The paper should be typed in MS Word in A4 size paper, times new roman font, 12 point font size in the text and all heading should be 14 font size bold with 1.5 line spacing.
The veil's ancient and modern history and its resurgence in our time is an important subject for discussion for those of us posing new questions about women and Islam in literature, film, and fine arts. In Europe and the U.S., the veil is often presented through errors of conceptualizations. The frequent and numerous discussions on the veil's role and function prove that the media, in particular, seems to be obsessed with it. Recurrently, these discussions run along essentialist and ahistorical lines associating Islam with the ideology of shame and honor. Moreover, the Muslim immigrant "problem" in Europe and the U.S. and the fear of Islam and Muslims in connection with terrorism has heightened the controversy on the issue of the veil.
16th Annual Craft Critique Culture Graduate Conference
April 8-9, 2016
University of Iowa
CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing both within and beyond the academy. This year's conference will encourage an examination of the "inter" of interdisciplinary—as well as the construction and deconstruction of boundaries between and within academic, public, private, personal, critical, and creative discourses—through an inquiry into bridging divides.
This roundtable discussion seeks participants whose work rethinks the relationship between Black diasporic and queer activism in academic spaces. Fighting to create habitable spaces for their respective communities, activists repeatedly find themselves on what appears to be opposing sides on the same issue. To propel the movement forward and dismantle the economies of heteropatriarchal white supremacy, we invite scholars and activists who investigate exclusionary practices by both Black diasporic and queer activism. Queer and Black diasporic activism reflects, what Jasbir Puar has identified as, the "global political economy of queer sexualities" that "repeatedly coheres whiteness as a queer norm and straightness as a racial norm" (xxiv).
The history of the commodification of Black bodies within a global context has been central to the Afro-diasporic experience. While in conversation with the Transatlantic Slave Trade and colonization; contemporary scholarship grapples with what it is to interrogate the consumption of Black bodies. Working from the perspective of Blackness and commodification in Black Looks: Race and Representation, bell hooks argues that the "contemporary commodification of Black culture by whites in no way challenges white supremacy when it takes the form of making Blackness the 'spice' that can liven up the dull dish that is mainstream white culture" (14).