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Studies in Crime Writing (Open Access Journal) DEADLINE 15 AUG 2016

updated: 
Tuesday, April 5, 2016 - 7:50pm
Studies in Crime Writing

Call for Papers — Studies in Crime Writing

Newberry College is pleased to invite submissions for the inaugural issue of Studies in Crime Writing, which will appear in Spring 2017. Studies in Crime Writing is a peer-reviewed, open-access, online scholarly journal dedicated to crime writing, including true crime, thrillers, prison writing, detective fiction, and noir. The journal's focus is on written work, rather than film, computer games, or other electronic media. Beyond this, there is no fixed topic for the first issue. We are open to a variety of theoretical and scholarly approaches, and to bibliographic and textual scholarship as well.

CFP Race & Ethnicity Area 2016 MPCA/ACA

updated: 
Tuesday, April 5, 2016 - 12:28pm
Midwest Popular Culture Association/American Culture Association Annual Conference

Call for Papers, Abstracts, and Panel Proposals
RACE & ETHNICITY AREA
2016 Midwest Popular Culture Association/American Culture Association Annual Conference
Chicago, IL
Proposal Submission Deadline: APRIL 30, 2016

Thursday-Sunday, October 6-9, 2016
Hilton Rosemont Chicago O'Hare
Address: 5550 N. River Rd., Rosemont, IL 60018, Phone: (847) 678-4488

[UPDATE - REMINDER] Risking the Future: Vulnerability, Resistance, Hope - 12-13 July 2016, Durham University, UK

updated: 
Tuesday, April 5, 2016 - 10:46am
Durham University

RISKING THE FUTURE: VULNERABILITY, RESISTANCE, HOPE
An International Conference on the Risk Humanities

Durham University, UK
12-13 July 2016

Keynote Speakers:

MICHAELINE CRICHLOW
(Professor of African and African American Studies, Duke University)
SIMON DURING
(Australian Research Professor, University of Queensland)
WALTER MIGNOLO
(William H. Wannamaker Professor of Romance Studies, Duke University)

[UPDATE] MMLA American Literature 1 Panel; abstracts due APRIL 10

updated: 
Tuesday, April 5, 2016 - 9:08am
Shawna Rushford-Spence/ Midwest Modern Language Association

With the theme of "Border States" in mind, we welcome papers exploring the intersections between stubborn divisions and promising coalitions across lines of race, class, region, and nation in American literary texts produced before 1870. Possible topics might include: representations of border-crossing, migration and mobility, and/or troubled immigration; explorations of the cultural effects of urbanization and suburbanization, expansion, and/or technological innovation; the influence of literary texts on the cultural imagination and/or states of being and mind; the influence of "progress" on the literary imagination; and migrants and/or immigrants as characters in literary texts.

[UPDATE] Works in Progress, 7th July

updated: 
Monday, April 4, 2016 - 4:13pm
GradCATS / De Montfort University

Keynote speakers: Professor Julie Sanders, Newcastle University, and Dr Adam Smyth,University of Oxford.
Abstract Deadline: 15th April 2016

All texts and artworks will have at one stage been a work in progress, despite the tendency to value them as cultural artefacts once they are deemed finished and made available for consumption. Redrafting and editing are processes which strive towards a "final" product, meaning their publication often results in the loss or occlusion of multiple ancillary versions. Such materials are important to our understanding of how texts and works are shaped and reshaped, and by whom.

CFP: Long Beach Indie Film, Media and Music Conference (Deadline May 6, 2016)

updated: 
Monday, April 4, 2016 - 1:57pm
Long Beach Indie International Film, Media and Music Festival

Celebrating global diversity, the Long Beach Indie International Film, Media, and Music Festival (August 31-September 4,2016) is looking for scholars and entertainment industry professionals to bring their ideas and energy to our 2016 Film, Media and Music Conference.

We invite individual papers and full panels representing any topic (e.g. theory, production, history, criticism, preservation, etc.) related to film, television, music, mass communication, digital media and/or the entertainment industry broadly defined.

[UPDATE] MMLA Permanent Section - Collectives, Communities, and Print Culture

updated: 
Sunday, April 3, 2016 - 2:26pm
MMLA 2016

This permanent MMLA panel invites abstracts that engage with collectives, communities, and print culture, widely conceived. In line with the conference theme, "border states," how does print culture give us a sense of community boundaries? How are collective identities formed, altered, or dismantled? What role does print culture play in shaping collectives or communities? How can we (re)conceive solidarity or community through the literary? This panel can engage with but is not limited to the following topics: literary criticism, critical theory (including theories of affect), aesthetics, propaganda, literary texts, and print culture more broadly.

CFP: 9/11 Popular Culture (Panels for MPCA,Oct 6-9, 2016); April 30 deadline

updated: 
Sunday, April 3, 2016 - 10:50am
Paul Petrovic / Midwest Popular Culture Associatio

The 9/11 and Popular Culture area is looking for abstract proposals for the MPCA conference in Chicago, IL, at the Hilton Rosemont/Chicago O'Hare from Thursday-Sunday, October 6-9.

The 9/11 Popular Culture area seeks essays that explore the convergence of post-9/11 themes in contemporary television, film, fiction, poetry, comics, and other artistic expression. I am especially interested in essays that approach issues of trauma theory and Islamophobia, as well as critiques of American exceptionalism and politics across artistic expression.

I welcome papers that analyze

the immediate American literary responses and considerations of the 9/11 terrorist attack (Extremely Loud and Incredibly Close, The Writing on the Wall);

#IntellectualActivistMovement(s): Reconnecting University Scholarship and Community Action (CFP Deadline: 5/31)

updated: 
Saturday, April 2, 2016 - 1:21pm
Language, Literacy and Culture Program (University of Maryland, Baltimore County)

It has been more than 50 years since the beginning of an intense period of socio-political action around issues of race, gender, and class in the U.S. and beyond.  Once again, in 2016, we find ourselves in a moment of burgeoning activism around the unfinished work of earlier movements. As we celebrate our 50th anniversary at the University of Maryland, Baltimore County (UMBC), we offer this conference as an opportunity to look back as we look forward. Please join us at this 2nd LLC Graduate Student Conference, an all-day event on October 1st, 2016.

The SOCIAL

updated: 
Friday, April 1, 2016 - 1:41pm
Arts Administration @ Boston University

THE SOCIAL is the International Association for Visual Culture biennial conference that will take place at Boston University. IAVC2016@Boston invites papers, presentations, interventions, collaborations, and events from researchers, artists, academics, curators, and activists on post- democracy, post-society, anger, violence, future visions, crisis, zombie democracies, social media, neo-slavery, post-capitalism, post-data, social evolution, revolution, actionism, post-state, interventionism, cannibalizing corporativism, post- colonialism, economic vampirism, neo-serfs, globalized thievery, art activism, red art, insurrectional art and social exploitation.

Autofiction in English

updated: 
Friday, April 1, 2016 - 5:37am
Dr Hywel Dix, Bournemouth University, UK

Since the term was coined by Serge Doubrovsky in 1971, autofiction has become established as a recognisable genre within the French literary pantheon. Over the same period, it has attracted increasing critical and theoretical scrutiny so that it has developed into a dynamic field of scholarly research in France. Indeed, the increase and variety of autofiction scholarship has had the effect of placing the characteristics of the genre itself in question.

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