Abstract Deadline: November 15, 2015.
This panel calls for papers that stake a claim in the cultural significance of representing alcohol or alcohol consumption. How do these representations relate to alcoholism as a disease and the alcoholic as an identity category? Does the text evaluate alcohol abuse morally or politically? Do communities organized around alcohol consumption facilitate social movements based on class, race, sexuality, or gender?
Postcolonial Studies @Emory Solicits Book Reviews
Postcolonial Studies @Emory: https://scholarblogs.emory.edu/postcolonialstudies/
Faculty Developer: Deepika Bahri, Deepika [dot] bahri [at] emory [dot] edu
Book Review Editor: Caroline Schwenz, cschwen [at] emory [dot] edu
Postcolonial Studies @ Emory is a long standing website that aims to create a more inclusive digital community for postcolonial studies scholars across the globe. Our website accepts book review submissions as well as summaries of important postcolonial works for our Digital Bookshelf.
Contributions are being sought for a proposed edited collection that explores the portrayals of Black men in reality television. This collection aims to address representations of masculinity, comparisons to Black women in reality TV, class issues, queer theory, masculine psychology, patriarchal constructions, sexuality, invisibility, respectability, and social activism or lack of activism. This collection, tentatively titled There's No Blachelor: Portrayals of Black Men in Reality TV, is a follow-up to the book Real Sister: Stereotypes, Respectability, and Black Women in Reality TV (Rutgers University Press Oct/Nov 2015 - http://bit.ly/1NL1HdV ).
2017 Special Issue Call For Papers in MELUS
Teaching Multi-Ethnic Literatures of the United States: Pedagogy in Anxious Times
Guest Editors: Cristina Stanciu and Anastasia Lin
In her recent study, The Forms of the Affects (2014), Eugenie Brinkema announces, "We may well be at the beginning of what will eventually be called the twenty-first century 'return to form' in the humanities" (39). Brinkema marks MLQ's special issue, "Reading for Form" (2000), which was later published as a collection of essays under the same name (2006), both edited by Susan J. Wolfson and Marshall Brown, as the beginning of this return to form. Meredith Martin's The Rise and Fall of Meter: Poetry and English National Culture, 1860-1930 (2012) and Derek Attridge's Moving Words: Forms of English Poetry (2013), to name only two of the many recent publications that address form, seem to support Brinkema's claim.
Mapping Fields of Study: Renegotiations of Disciplinary Spaces in the English-Speaking World
9-11 June 2016
Call for Papers
"The visionary starts with a clean sheet of paper, and reimagines the world." — Malcolm Gladwell
"It's a very salutary thing to realize that the rather dull universe in which most of us spend most of our time is not the only universe there is." — Aldous Huxley
Philosophers, poets, and artists in every era have revisioned and reimagined the world in ways that have inspired historical transformations. Visionary texts – whether they reach proleptically into an imagined future, analeptically reconsider the past, or urgently re-envision the present – have offered us alternative possibilities of understanding who and where we are.