In the past two decades, universities, professional organizations, and businesses around the western world have placed a great emphasis on celebrating diversity on their grounds, welcoming members, students, faculty, and employees from different ethnic, religious, gender, sexual, and class identities. This trend toward embracing otherness has often been instituted and protected by laws and policies in different countries, and employees have been trained to effectively maintain agreeable and harmonious work atmosphere with each other.
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
Slick, lubed, squirting, dry: bodies, fluids and the act of sex have long been sensually, erotically intertwined. But what would it look like to move from a poetics to a queer politics of fluids? From the fluids of the sex act to liquid metaphors employed to express trans*/gender/sexual fluidity, to a broader, critical exploration of new (sensual, fluid) materialisms, this seminar centers on a hypothesis: a closer reconsideration of fluids, both literal and figurative, may open up new approaches to queer analysis.
DEADLINE EXTENDED: August 18
The Public Intellectuals Lecture Series has just wrapped up a successful spring lineup featuring four fantastic, well attended lectures. We are now planning a second series for the fall.
The Public Intellectuals Lecture Series aims to create a bridge between scholars in the Arts and the general public. While the complex ideas these scholars help develop have important, real world applications to the way we understand and interact with each other, they are often couched in jargon and confined to the journals and lecture halls of the academic sphere. This lecture series will offer a venue and format in which scholars can present these ideas to the public in an accessible manner.
2015 Theme: The Rise of Respectability and Rebelliousness: Gendered Perspectives of the New Negro Women and Men during the Renaissance
The Department of Humanities at Paine College is requesting proposals for the 19th Annual Conference on the Harlem Renaissance to be held on the campus of historic Paine College.
We are seeking presentations that draw from literature, history, philosophy, art, and music, as well as inter- and cross-disciplinary approaches from the social and political sciences, economics, and STEM.
The organizers of this panel session welcome papers that engage with any aspect of the word-image nexus in illustrated novels, stage productions, or film in Anglo-European or North American culture during the long nineteenth century.
In a letter to his friend and fellow jurist, Oliver Wendell Holmes, Jr.—son of the original Boston Brahmin, Oliver Wendell Holmes, Sr.—congratulated Frederick Pollock on his eightieth birthday saying, "Welcome to old age… So you are a child again in a new zone." In Geriatrics (1914), Ignatz Leo Nascher shared with Holmes the conception of old age as "a distinct period of life…a physiological entity as much so as the period of childhood." Both Holmes and Nascher utilize the comparison to childhood to suggest that by the end of the nineteenth century old age had become understood as a discrete stage of life.
Society for Cinema and Media Studies Annual Conference
Hilton Atlanta, March 30 - April 3, 2016
The irony of the title A Star Is Born is no longer surprising, as new histories have examined the way that publicity before, during, and after the Hollywood Classical Cinema has changed and developed the reception of films, stars, and more. While studying films can tell us much about the way they figure into larger histories, studying the way studios, agencies, and other distributors have presented and sold their work to the public can reveal much about both the economic and social issues of the time.
Ruth Rendell, who has recently died, was one of the most prolific and important female authors of the C20th/21st centuries, achieving many literary awards and honours, plus a Labour peerage. Her literary output, both as Ruth Rendell and Barbara Vine, transcended generic boundaries and conventional assumptions about character, the police procedural novel, class and gender, amongst many of her other concerns.
The rise of the modern museum was (and remains) a global event that resonates across literary cultures. Germain Bazin termed the nineteenth century the "Museum Age" for the myriad ways the new phenomenon of the public museum redefined the social status of art. This session investigates how this development was received by nineteenth- and twentieth-century Anglophone authors writing during and immediately following the rise of the modern museum.