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Placing Bilingualism: Bilingualism in Comparative Perspective Seminar at ACLA Annual Meeting

updated: 
Tuesday, September 1, 2015 - 11:55am
Kate Costello/ University of Oxford

Placing Bilingualism: Bilingualism in Comparative Perspective
Seminar at ACLA Annual Meeting
March 17-20, Harvard University, Cambridge MA

Submission deadline: September 23

Bilingualism is a phenomenon that unites literary creation across geographic and temporal boundaries. Yet questions about the role of bilingual competencies in literature often remain overlooked. This panel seeks to bring together scholars across disciplines in exploring the place of bilingualism in literary production and the comparative potential of bilingualism in literary criticism.

Feminist Singularities [UPDATE]

updated: 
Tuesday, September 1, 2015 - 11:31am
ACLA 2016: American Comparative Literature Association

Co-organizers: Jacquelyn Ardam, UCLA; Ronjaunee Chatterjee, CalArts

2015 marked the 30-year anniversary of the publication of Donna Haraway's "A Cyborg Manifesto," whose radical questioning of the divisions between human and machine, matter and meaning, and gendered and "postgendered" existence continues to animate our social reality. Recent discussions in the field of new materialism, which grapple with questions of embodiment and materiality, have opened up new avenues for theorizing femininity outside of conventional frameworks.

Publication of 5 Edited Books with ISBN

updated: 
Tuesday, September 1, 2015 - 8:50am
Professor B.Panda

Call for Papers for Edited Books with ISBN
Last Date 31st December 2015
Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be "literature". Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is "literary" or "pulp". Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others.

Bakhtin for Tomorrow! - April 9-10, 2016 @ SUNY Buffalo

updated: 
Tuesday, September 1, 2015 - 12:37am
University of British Columbia

Bakhtin For Tomorrow!

We seek additional presenters for a panel aimed at contributing to conference discussion about intersections between formally innovative poetry and recent findings in empirical linguistics speech research. Please send an expression of interest and 100-word bio by September 8 so that we can constitute a 4-5-member panel. Conference abstracts (250 words) for 10-12 minute papers would be due 15 September (extended deadline).

ICAF, 14-16 April 2016, University of South Carolina

updated: 
Monday, August 31, 2015 - 8:25pm
International Comic Arts Forum (ICAF)

ICAF, the International Comic Arts Forum, invites proposals for scholarly papers for its eighteenth annual meeting, to be held at the University of South Carolina in Columbia, from Thursday, April 14, through Saturday, April 16, 2016. Confirmed guests include comics artists Howard Cruse, Keith Knight, Cece Bell, and Prof. Michael Chaney of Dartmouth College.

The deadline to submit proposals is November 6, 2015.

Call for Papers by Graduate Students and Post-Graduates

updated: 
Monday, August 31, 2015 - 5:56pm
Text in Context: A Graduate Student Journal published at Southern Connecticut State University

Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.

ACLA 2016 "Performance, Poetics, and Publics"

updated: 
Monday, August 31, 2015 - 5:03pm
American Comparative Literature Association, March 17-20, 2016

This seminar seeks papers that interrogate, trouble, and (re)articulate the interrelations of performance, poetics, and community within a critical hemispheric lens. Papers that examine how publics enacted through poetry and/in performance can potentially reaffirm, realign, and reorganize themselves out from the obfuscations of contemporary living are particularly welcome.

(UPDATE) CFP: LITERATURE AND CENSORSHIP (DEADLINE, 30 SEP, 2015)

updated: 
Monday, August 31, 2015 - 4:53pm
Sanglap: Journal of Literary and Cultural Inquiry Volume 2 No 2

India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.

CFP: NEMLA 2016 Hartford What does Digital Humanities Enable Today?

updated: 
Monday, August 31, 2015 - 2:44pm
elif sendur/ Binghamton University

In their 1999 essay "Deformance and Interpretation," Lisa Samuels and Jerome McGann propose deformative criticism against a rigid, theoretical, informative mode of reading in humanities. Deformance is an action, an imaginative, creative poiesis that does not necessarily aim to set a meaning of a text but reimagines it as a performance. Usually perceived in opposition to the more analytical camp of Digital Humanities, deformative criticism or deformance seems to be one of the very real and material alleys that Digital Humanities has offered to the structured, institutional, and perhaps all too ossified forms of production and exposition of knowledge.

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