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african-american

The Archive and African American Literature in the 21st Century

updated: 
Wednesday, July 22, 2015 - 10:19am
Northeastern Modern Language Association - Hartford CT, March 17-20, 1016

In an age when technology and digitalization continue to redefine how we think about and explore African American literature, this panel invites considerations of the critical yet ever-evolving relationship between the archive and African American literary production. While possible papers might explore the role of traditional institutional collections in informing us about particular writers and periods, the panel also welcomes broad and open interpretation of the term "archive." How do texts, bodies, and performances function as archives? How does collecting, cataloguing, and curating impact modern racial formation? What is the relationship between the archive and pedagogy? How does the archive relate to contemporary discussions of post-blackness?

Use, Abuse, Abstinence: Reading Alcohol in Literature | NEMLA 2016, March 17-20 | Submission Deadline Sept. 30, 2015

updated: 
Wednesday, July 22, 2015 - 10:08am
Northeast Modern Language Association

This panel calls for papers that stake a claim in the cultural significance of representing alcohol or alcohol consumption. How do these representations relate to alcoholism as a disease and the alcoholic as an identity category? Does the text evaluate alcohol abuse morally or politically? Do communities organized around alcohol consumption facilitate social movements based on class, race, sexuality, or gender?

[UPDATE] THE LAND HAS A STORY

updated: 
Wednesday, July 22, 2015 - 10:01am
Pennsylvania College English Association

CALL for PROPOSALS

The Land Has a Story

Pennsylvania College English Association (PCEA) 2015 Conference
October 1-3, 2015
Hilton Scranton and Conference Center
100 Adams Avenue, Scranton, PA 18501

Keynote by Sarah Piccini, Assistant Director
Lackawanna Historical Society

Papers and Panels: Sports and Violence Conference

updated: 
Wednesday, July 22, 2015 - 9:46am
Ashland Center for Nonviolence

Interdisciplinary Conference on Sports and Violence, March 19, 2016, Proposals due by October 31, 2015

Americans love sports. An estimated 35 to 50 million American youth play organized sports, the Super Bowl regularly attracts over 160 million viewers, and sports figures are among America's most recognized celebrities.

Unsettling Objects: Collecting in Nineteenth-Century America

updated: 
Tuesday, July 21, 2015 - 10:16am
Reed Gochberg / C19: The Society of Nineteenth-Century Americanists

This proposed panel for the 2016 C19 conference seeks paper proposals on the topic of collectors and collections in nineteenth-century American culture. In keeping with the conference's theme of "Unsettling," this panel aims to explore how examining practices of collecting opens up new approaches to considering American literature in relation to institutions, print and material culture, and scientific study. How does literature engage with the efforts of individual collectors or institutions to organize texts, natural specimens, material objects, and other forms of information? How did competing taxonomies unsettle existing modes of categorizing objects?

"Remeasuring Lyrical Pain" -- Seminar CFP -- ACLA Annual Meeting, Cambridge, MA, March 17–20, 2016

updated: 
Monday, July 20, 2015 - 10:30pm
Jessica Tabak / Brown University

In recent scholarship, lyric emerges as a privileged form for expressing, simulating, and circulating pain: its formal flexibility, non-narrative structure, and somatic elements allow lyric to evoke an embodied sensation whose "resistance to language," as Elaine Scarry memorably argues, "is essential to what it is." Yet these characteristics do not adhere neatly to lyric. Not all lyrics are formally free and non-narrative. Furthermore, various literary genres employ the formal invention, non-narrative digressions, and somatic elements most often identified with the lyric form.

NeMLA Roundtable: "Beyond the Monster Inside: The Ethics of Fragmentation in the Long Nineteenth-Century": Due 9/30/15

updated: 
Monday, July 20, 2015 - 3:36pm
NeMLA 2016: March 17-20, 2016

Doubles and doppelgangers abound in the Victorian Gothic novel and Miltonian readings have emphasized the inner monster as a nod to the period's desire to, in Tennyson's terms, "Move upward, working out the Beast, / And let the ape and tiger die" (In Memoriam). How does the trope of doubleness figure in other nineteenth-century contexts beyond the Gothic and its subterraneous influence?

Panel: Visualizing Diversity in Children's Literature

updated: 
Monday, July 20, 2015 - 11:55am
Diversity Committee, Children's Literature Association

Call for Papers
Visualizing Diversity in Children's Literature
Panel Sponsored by Children's Literature Association Diversity Committee
2016 Children's Literature Association Conference

1968 and Global Cinema - panel at SCMS Atlanta 2015 - Abstracts due AUG 5

updated: 
Monday, July 20, 2015 - 9:46am
Society for Cinema and Media Studies

CfP- 2016 SCMS - 1968 + Global Cinema - 3/30-4/3/16 - Atlanta, Georgia

1968 and Global Cinema

Society for Cinema and Media Studies Annual Conference

Hilton Atlanta, March 30 - April 3, 2016

Although scholarship exists on the late 1960s New Waves, especially on in French New Wave vis-à-vis May '68 in Paris, scholarship that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking.

The Unsettling Politics of Nineteenth-Century Print, Abstract Deadline August 20

updated: 
Monday, July 20, 2015 - 5:01am
C19: The Society of Nineteenth-Century Americanists

While earlier centuries had witnessed the global spread of print, the nineteenth century contributed a new major chapter to the history of print in the Atlantic world, a chapter full of unsettling ironies. In this century, print became more accessible, since printing offices, owing to improved printing technologies, effective dissemination channels, and low-cost formats, were able to produce more efficiently. With print more accessible and affordable, printed material soon developed into a product of mass consumption that formed an integral part of everyday culture in the nineteenth century. Consequently, nineteenth-century print generated new audiences throughout the Atlantic world, such as working-class, black, and female readers.

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