First Year Seminar courses provide a way for first year students to undertake the rigors of intellectual study in an environment supportive of the transition they undergo as they enter college. As such, First Year Seminars can be sources of tension, discovery, frustration, and connection. From the instructor's point of view, the experience of teaching a first year seminar can cause new understandings to emerge—understandings of disciplinary value, of first year students, of institutional culture, and of effective pedagogy.
From artist Hans Bellmer's distorted dolls, to Rupert Brooke's "dust" in a "corner of a foreign field," to Virginia Woolf's "orts, scraps, and fragments," bodies – textual, phenomenological, cultural, political, and physical – seem to fall to pieces in modernism. How can we conceptualize the modern body in light of its affective and ecological surrounds?
On January 31st 2015, we started the CFP for the fourteenth issue of the 452°F Journal of Literary Theory and Comparative Literature, to be published on January 31st 2016.
- Deadline for submissions is July 31st 2015; all articles received after this date will be rejected.
- To be considered for the peer review process, all articles must follow the regulations described in the style-sheet.
- The monographic section will bring together a body of texts dealing with "Thinking about Affect in Culture and Art". A non-comprehensive list of possible topics is:
Please consider submitting a proposal for the following panel at the Universities Art Association of Canada. The conference takes place in Halifax, NS, Canada, November 5-7, 2015.
Conceptual Art Now: Rethinking Conceptual Art
Traffic: Conceptual Art in Canada 1965-1980 at the Vancouver Art Gallery in 2012-2013 posited conceptual art as "the most transformative art movement of the 20th century," signifying conceptual art as a discrete moment, whereas the Power Plant's Postscript: Writing After Conceptual Art in 2013 sought to explore conceptualism as a continuum in contemporary as well as historical art and writing.
What Is Queer About Horror?
Society for Cinema and Media Studies: Atlanta GA, March 30 - April 3rd, 2016
"Misery acquaints a man with strange bedfellows."-Shakespeare's The Tempest (2.2)
UC Riverside's (dis)junctions conference invites papers and panels that push at the boundary of contemporary scholarship. Our critical focus, "Strange Bedfellows," is geared specifically toward innovative and interdisciplinary approaches to cultural, literary and theoretical texts. We are looking particularly for scholarship that emerges from the disjunction of incongruent forms, that thrives on the border of the unfamiliar, and that transgresses the boundary of the expected.
Call for Papers
RESISTANCE: LIVES OF DISSENT AND REVOLT
18th Annual Building Bridges Graduate Conference
Southern Illinois University
November 6-7, 2015
Dr. Shireen Roshanravan, Kansas State University
Dr. Stacy Keltner, Kennesaw State University
The theme for this year's graduate conference will address the powers and limits of resistance. What constitutes resistance and how is resistance embodied? How do we think through our experiences of dissent and revolt? As recent decades have been shaped by struggles of resistance, this conference considers the various possibilities that resistance opens for our futures of revolt.
Since the era of slavery and continuing through the present, Black women have articulated a vision of freedom, equality, anti-racism, and racial uplift, drawing from Scripture to sustain their work of promoting equal rights for African Americans. From the early female abolitionists such as Maria Stewart, Sojourner Truth, and Harriet Tubman, to the anti-lynching activists Ida B. Wells and Mary Talbert, to the twentieth-century civil rights activists Ella Josephine Baker and Septima Clark, and countless others, these "churchwomen" actively challenged the status quo that relegated Black women to the least empowered positions in the social order.
After receiving an astounding feedback for the first issue of Elenchus Law Review (Elen.L.R), it is with pride and privilege that we call forth papers for the December issue (2nd issue of Volume I) of the journal.
A twenty-chapter collection of essays on confessionality (self-referencing, first-person and/or autobiographical stories, testimonies or performances) around sexual identity, desire and practices in moving image media over the last quarter-century, principally in the Global North.