Subscribe to RSS - african-american

african-american

Reading the Queer in Literature, Film, Culture and Theory [Journal Issue & Ed. Vol.]

updated: 
Sunday, May 17, 2015 - 5:31pm
The Apollonian: A Journal of Interdisciplinary Studies [http://theapollonian.in]

The Apollonian: A Journal of Interdisciplinary Studies
[http://theapollonian.in]
Vol. 2, Issue 2

Reading the Queer in Literature, Film, Culture and Theory
[Journal Issue & Ed. Vol.]

Submissions are invited for the forthcoming issue of "The Apollonian" on the representations of the 'queer' in the various genres and sub-genres of literature, art, cinema, culture, critical theory, philosophy and history. The papers are expected to be scholarly in nature, and yet accessible to a fairly general readership.

Topics may include, but are not limited to:

[UPDATE] SAMLA 87, 13-15 Nov. 2015--Shared Politics: Political Adaptations, Appropriations, and Influences

updated: 
Saturday, May 16, 2015 - 5:03pm
Phillip Zapkin

This panel seeks interesting and innovative papers in the field of adaptation studies. As Linda Hutcheon writes in A Theory of Adaptation, adapters "are just as likely to want to contest the aesthetic or political values of the adapted text as to pay homage." Our panelists will explore the political uses to which adaptation is put, considering why and how authors adapt specific texts for political purposes. We will consider the possibilities and limitations of using adaptation as a political tool.

Making Connections Special Issue: 50th Anniversary of the Selma March

updated: 
Saturday, May 16, 2015 - 4:34pm
Making Connections: Interdisciplinary Approaches to Cultural Diversity

Inspired by the 50th year anniversary marking the landmark march from Selma to Montgomery, the journal Making Connections: Interdisciplinary Approaches to Cultural Diversity invites submissions for a themed special issue on Race and 'Normalcy.'

"Race and 'Normalcy,'" builds on Dr. Martin Luther King's (1965) address at the conclusion of the march, in which he states:

Update: "The Songs They Sang on Seventh Street": Tracing the Inter-Arts Collaborations of the Harlem Renaissance Era

updated: 
Saturday, May 16, 2015 - 6:00am
Christopher Allen Varlack

From Langston Hughes' 1955 collaboration with photographer Roy DeCarava in The Sweet Flypaper of Life, Wallace Thurman's 1929 collaboration with William Jourdan Rapp in Harlem: A Melodrama of Negro Life in Harlem, and the infamous collaboration of Langston Hughes and Zora Neale Hurston in Mule Bone: A Comedy of Negro Life, the Harlem Renaissance era was a time of flourishing inter-arts collaborations under-examined in contemporary criticism. This panel therefore welcomes papers about the inter-arts collaborations of the Harlem Renaissance inspired by the SAMLA 87 theme, In Concert: Literature and the Other Arts.

[UPDATE] "Collaboration & Betrayal" (Deadline: June 1, 2015)

updated: 
Friday, May 15, 2015 - 4:26pm
South Atlantic Modern Language Association (SAMLA), Durham, NC

In its aesthetic and political senses, "collaboration" has a twofold, seemingly contradictory meaning. On the one hand, collaboration names a creative and democratically communicative sharing between individuals, disciplines, traditions, etc. Yet, on the other hand, this positive sense is countered by negative connotations of traitorous and nefarious "collaborationism." While the positive sense of collaboration has found academic credibility in its interdisciplinary and multidisciplinary guises, the negative connotations of collaboration refer us to traditions of appropriation, marginalization, and usurpation.

"New Directions in Africana Literature" - Abstract Deadline 6/10/15 - SAMLA 87 Conference (November 13-15)

updated: 
Friday, May 15, 2015 - 3:55pm
South Atlantic Modern Language Association

"New Directions in Africana Literature"

This panel welcomes papers that explore the contours and contexts of contemporary Africana Literature. We invite presenters to consider potential new scholarly directions for emerging writers of African descent as well as established writers whose recent works address the imperatives of the current moment. We especially welcome papers that address the SAMLA 87 theme ("In Concert: Literature and the Other Arts"). Other themes that panelists might address in their work include, but are not limited to:

· Contemporary literary works that challenge or disrupt conventional understandings of form and/or genre

Adaptations and the Metropolis: 10th Annual Conference of the Association of Adaptation Studies, Senate House, London, 24-25 Sep

updated: 
Friday, May 15, 2015 - 6:37am
Deborah Cartmell, De Montfort University, Leicester, UK

Adaptations and the Metropolis: 10th Annual Conference of the Association of Adaptation Studies, Senate House, London, 24-25 September, 2015

*CFP DEADLINE REMINDER: 31st MAY 2015*

The Association of Adaptation Studies invite proposals for papers for the 10th Annual Conference in London on 24-25 September, 2015, organised with the Institute of English Studies, University of London. Confirmed speakers are: Andrew Davies, screenwriter and patron of the Association of Adaptation Studies, Jonathan Powell, former Head of BBC Drama and Controllor of BBC1, now Professor of Media Arts, Royal Holloway University, and Professor Graham Holderness, critic, novelist, poet and dramatist.

Special Issue of Wenshan Review: "Affective Perspectives from East Asia," deadline: 15 October 2015

updated: 
Friday, May 15, 2015 - 4:37am
Wenshan Review of Literature and Culture, National Chengchi University, Taiwan

Since the turn of the new millennium, affect studies has emerged as one of the most burgeoning fields within literary and cultural studies, a theoretical trend in the West which we now designate as "the affective turn." Over the years a myriad approaches to affect have appeared one after another, which helped contribute to a discursive heteroglossia in which its scope of influence and visibility proves increasingly vast. Some critics followed in the footsteps of queer theorist Eve Sedgwick's psychological model, a school which had played a key role in the institution of affect studies per se, whereas some insisted upon the an intervention into affect's socio-political implications from the perspectives of cultural criticism or classical psychoanalysis.

Pages