This proposed panel seeks to present new and challenging perspectives on the history of the slave narrative genre. Recent studies have sought to recontextualize and/or reconsider the generic contours of the Anglo-American slave narrative. For example, Daphne Brooks has suggested the development of a "sonic slave narrative"; Nicole Aljoe and Ian Finseth have drawn attention to the "journeys" of the form in the early Americas; Deborah Jenson has highlighted popular sources from the Haitian Revolutionary period; John MacKay has written comparatively about the autobiographical writings of American slaves and Russian serfs.
We are looking for a third contributor for a panel on "Localities" at Rice University in Houston, Texas. The idea is to examine Modernist narratives that theorize, explore, or trouble notions of the "local." If you have a project that might fit this theme please write up a 250 word abstract and send it to email@example.com by July 14th. I have included our panel's abstract (which will be amended once a third contributor is added), as well as the general conference CFP below.
Air and the Visual Session
Association of Art Historians 2016 Conference
University of Edinburgh
7–9 April 2016
'The air is unique among the elements in having this affinity with nothingness, in signifying the being of non-being, the matter of the immaterial' (Steven Connor, The Matter of Air, 31).
The study day we organized on April 21st 2015 investigated the theme "Order and Disorder" in different fields. Several participants were enthusiastic about the theme and presented an important selection of papers which covered such panels as reflections on order and disorder in the literary imagination, innovation and education, formation and information, social and political order in the contemporary world.
As a theme for an international symposium, we need to pursue the investigation into these fields but also extend it to other spheres such as art and linguistics.
It is our pleasure to inform you that the deadline for manuscript submission for the 8th issue of Reči: a Journal of Language, Literature and Culture has been extended to 31 July 2015. All submissions should be sent as e-mail attachments to firstname.lastname@example.org. The journal welcomes contributions in all research areas pertaining to language, literature and culture. Manuscripts should be prepared according to the instructions given at http://fsj.edu.rs/images/instructions-for-contributors.pdf.
First Year Seminar courses provide a way for first year students to undertake the rigors of intellectual study in an environment supportive of the transition they undergo as they enter college. As such, First Year Seminars can be sources of tension, discovery, frustration, and connection. From the instructor's point of view, the experience of teaching a first year seminar can cause new understandings to emerge—understandings of disciplinary value, of first year students, of institutional culture, and of effective pedagogy.
From artist Hans Bellmer's distorted dolls, to Rupert Brooke's "dust" in a "corner of a foreign field," to Virginia Woolf's "orts, scraps, and fragments," bodies – textual, phenomenological, cultural, political, and physical – seem to fall to pieces in modernism. How can we conceptualize the modern body in light of its affective and ecological surrounds?
On January 31st 2015, we started the CFP for the fourteenth issue of the 452°F Journal of Literary Theory and Comparative Literature, to be published on January 31st 2016.
- Deadline for submissions is July 31st 2015; all articles received after this date will be rejected.
- To be considered for the peer review process, all articles must follow the regulations described in the style-sheet.
- The monographic section will bring together a body of texts dealing with "Thinking about Affect in Culture and Art". A non-comprehensive list of possible topics is:
Please consider submitting a proposal for the following panel at the Universities Art Association of Canada. The conference takes place in Halifax, NS, Canada, November 5-7, 2015.
Conceptual Art Now: Rethinking Conceptual Art
Traffic: Conceptual Art in Canada 1965-1980 at the Vancouver Art Gallery in 2012-2013 posited conceptual art as "the most transformative art movement of the 20th century," signifying conceptual art as a discrete moment, whereas the Power Plant's Postscript: Writing After Conceptual Art in 2013 sought to explore conceptualism as a continuum in contemporary as well as historical art and writing.
What Is Queer About Horror?
Society for Cinema and Media Studies: Atlanta GA, March 30 - April 3rd, 2016