The Northeast Popular/American Culture Association is seeking papers on popular and American culture, broadly construed, for its annual fall conference to be held on Friday October 30 and Saturday October 31, 2015, on the campus of Colby-Sawyer College in New London, NH. NEPCA prides itself on holding conferences that emphasize sharing ideas in a non-competitive and supportive environment. We welcome proposals from graduate students, junior faculty, and senior scholars. NEPCA conferences offer intimate and nurturing sessions in which new ideas and works-in-progress can be aired, as well as completed projects.
Pomona Valley Review is extending its deadline for PVR 9 to May 16th. We are looking for poetry, short fiction, and artwork for our ninth online issue this June. PVR needs quality work from undergraduates and graduates alike from any college campus, but all are welcome to submit via our online submission system. We look forward to seeing your work.
The children's literature session of PAMLA 2015 invites your proposal on any theme or topic of study pertaining to children's literature and culture. We welcome engaging, provocative analyses of children's literature and texts (including graphic novels, comic books, video games, and/or films). Proposals attending to the conference theme "Literature and Time" are especially welcome.
The 2015 PAMLA conference special topic, "Literature and Time," is an invitation to reflect on the complex temporalities that inhere in the acts of reading and writing literature. We invite paper proposals that engage with the topic of literary temporalities, children, and children's literature in a variety of ways.
Topics may include but are not limited to:
- - -
Great Writing 2015
The 18th Annual Great Writing International
Creative Writing Conference
Imperial College London
Sat. June 20th - Sun. June 21st 2015
A SMALL NUMBER OF PRESENTER PLACES REMAIN - AUDIENCE PLACES ALSO AVAILABLE
Critical or creative presentations are invited for the 18th Annual Great Writing International Creative Writing Conference.
In this 18th conference we look to celebrate creative writing in all its forms and to explore topics in creative writing teaching and learning. Proposals are peer reviewed. The conference also features the Annual International Creative Writing Lecture.
This panel invites papers that investigate literary or popular representations of Southern swamps from any era. All approaches and topics are welcome but potential ones might include ecocritical, posthumanist, animal studies, Indigenous studies, slave narratives, nature writing, "cli fi," documentaries, and popular culture renderings. Please submit a 300-word abstract, brief bio, and A/V requirements to Kirstin Squint at email@example.com by May 15, 2015.
In its aesthetic and political senses, "collaboration" has a twofold, seemingly contradictory meaning. On the one hand, collaboration names a creative and democratically communicative sharing between individuals, disciplines, traditions, etc. Yet, on the other hand, this positive sense is countered by negative connotations of traitorous and nefarious "collaborationism." While the positive sense of collaboration has found academic credibility in its interdisciplinary and multidisciplinary guises, the negative connotations of collaboration refer us to traditions of appropriation, marginalization, and usurpation.
Writing from Below calls for submissions for a special themed issue on queer and non-normative masculinities – the diversity of masculinities, the disruption of traditional hegemonic heterosexual masculinity, the masculine written and rewritten from below.
We seek critical and creative works in any publishable format or medium on any aspect of masculinity and/or its critique in art, society and culture. Topics might include (but should not be limited to):
"Hera, give me strength!" Wonder Woman can do a lot of things, but writing your proposal for this panel isn't one of them.
Call for Papers: The Global South (Fall 2016)
Theme: Globalizing the Province
Guest Editor: Shirley Lau Wong
I am seeking essays for a proposed collection for Routledge, titled "Shakespeare's 'Mortal Living Ghost(s)': Supernatural Appropriations and Afterlives." The collection will take a broad approach to rethinking Shakespeare's use of the supernatural as well as how subsequent authors and artists have interpreted Shakespeare's image and/or works vis-à-vis the supernatural. Interdisciplinary approaches are welcome.