The year 2016 marks the 125th anniversary of the birth of Nella Larsen. In spite of the modest size of her œuvre and her early departure from the scene, by all accounts she ranks as one of the leading writers of the Harlem Renaissance. Well regarded during her brief literary career and for a few years thereafter, her works—like their creator—nevertheless slipped into obscurity. In 1986, Deborah McDowell's publication of a new edition of Larsen's two novels was a key element in sparking a revival of interest that took hold in the 1990s and has continued to this day.
Call For Proposals: Sessions, Panels, Papers
DEADLINE: October 1, 2015
The Black Performing Arts Area provides a scholarly forum to share and disseminate research pertaining to the Black performing and visual arts. Broadly defined, the area focuses on all forms of performing and visual arts, including jazz, blues, gospel, hip hop, rhythm and blues, Caribbean music, dance, poetry, drawing, painting, sculpture, ceramics, photography, and acting, in the mainstream marketplace.
Placing Bilingualism: Bilingualism in Comparative Perspective
Seminar at ACLA Annual Meeting
March 17-20, Harvard University, Cambridge MA
Submission deadline: September 23
Bilingualism is a phenomenon that unites literary creation across geographic and temporal boundaries. Yet questions about the role of bilingual competencies in literature often remain overlooked. This panel seeks to bring together scholars across disciplines in exploring the place of bilingualism in literary production and the comparative potential of bilingualism in literary criticism.
Co-organizers: Jacquelyn Ardam, UCLA; Ronjaunee Chatterjee, CalArts
2015 marked the 30-year anniversary of the publication of Donna Haraway's "A Cyborg Manifesto," whose radical questioning of the divisions between human and machine, matter and meaning, and gendered and "postgendered" existence continues to animate our social reality. Recent discussions in the field of new materialism, which grapple with questions of embodiment and materiality, have opened up new avenues for theorizing femininity outside of conventional frameworks.
Call for Papers for Edited Books with ISBN
Last Date 31st December 2015
Generally, most people have their own ideas of what literature is. When enrolling in a literary course at university, you expect that everything on the reading list will be "literature". Similarly, you might expect everything by a known author to be literature, even though the quality of that author's work may vary from publication to publication. Perhaps you get an idea just from looking at the cover design on a book whether it is "literary" or "pulp". Literature then, is a form of demarcation, however fuzzy, based on the premise that all texts are not created equal. Some have or are given more value than others.
Bakhtin For Tomorrow!
We seek additional presenters for a panel aimed at contributing to conference discussion about intersections between formally innovative poetry and recent findings in empirical linguistics speech research. Please send an expression of interest and 100-word bio by September 8 so that we can constitute a 4-5-member panel. Conference abstracts (250 words) for 10-12 minute papers would be due 15 September (extended deadline).
ICAF, the International Comic Arts Forum, invites proposals for scholarly papers for its eighteenth annual meeting, to be held at the University of South Carolina in Columbia, from Thursday, April 14, through Saturday, April 16, 2016. Confirmed guests include comics artists Howard Cruse, Keith Knight, Cece Bell, and Prof. Michael Chaney of Dartmouth College.
The deadline to submit proposals is November 6, 2015.
Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.
This seminar seeks papers that interrogate, trouble, and (re)articulate the interrelations of performance, poetics, and community within a critical hemispheric lens. Papers that examine how publics enacted through poetry and/in performance can potentially reaffirm, realign, and reorganize themselves out from the obfuscations of contemporary living are particularly welcome.