Keeping with the conference theme of Literature and the Other Arts, The Eudora Welty Society invites papers that explore multimodality and interdisciplinary collaboration within the works of Eudora Welty. What elements in Welty's fiction, essays, or photography connect to her contemporary moment or a timeless part of human nature? Examples might concern the role of and engagement with politics, jazz and the blues, newspaper and magazine, television and film, translation of oral fairy tales into a written medium or Welty's Robber Bridegroom into a play.
Religion and American Literature panel at PAMLA seeks papers that address how questions of faith have shaped literary works and cultural meanings. How do American writers negotiate faith or unbelief? What are the varieties of secularism articulated in their work? How do they explore faith within a post-secular context? The panel especially welcomes papers on the following authors: Cormac McCarthy, Marilynn Robinson, and Jeffrey Eugenides.
Panel: American Travelers and the City
Organizer: Society for the Study of American Travel Writing
Event: ALA Symposium on The City in American Literature
Details: Sept 10-11, 2015 New Orleans, LA
Proposals: Due June 27, 2015 to Andrew Vogel
The Society for the Study of American Travel Writing is organizing a panel for the American Literature Association Symposium on The City in American Literature to be held in New Orleans, Louisiana, September 10-11, 2015. More information is available at The City in American Literature Symposium.
Persona Studies is seeking papers and creative projects that investigate the ways in which personas are produced, managed, used, and disseminated in the contexts of our working lives and careers. What work do these personas do? How does our work shape and dictate them? What are the constraints and effects of these personas?
Abstracts and Expressions of Interest (250-300 words) should be submitted by 19 June 2015 to email@example.com with the subject heading "2015 Issue 2 Abstract." Full papers may also be submitted at this time.
Deadline extended: August 20, 2015
The Journal of Improvisation in Professional Practice [Improv Practice] will create a discourse community that explores major inquiries about improvisation in our professional lives. Improv Practice will facilitate the exploration of how improvisation plays out in our work and in our learning, teaching and becoming as professionals. Please join an interdisciplinary conversation about the complex improvisational practices of professional action, about how we learn as professionals and about how professional education can be understood.
The journal will publish two kinds of papers:
Narratives/ explorations in improvisational work
Renascence, a peer-reviewed critical and scholarly journal, is published by Marquette University as an expression of its Jesuit mission of the search for truth and the exaltation of human dignity. The journal's essays explore how literature is informed by and contributes to our understanding of fundamental questions concerning moral philosophy, theology, and spirituality. Though Renascence is an English language journal and has an emphasis on literature in English, studies on works and authors from a diversity of times, countries, and cultures are welcome. Essays should make a well-defined, original scholarly argument, run 4,000-7,000 words, and document sources using MLA style.
23rd AISNA Biennial Conference "Harbors -- Flows and Migrations of Peoples, Cultures, and Ideas -- The U.S.A. in/and the World" 24-26 September 2015 Naples, Italy (deadline June 3)
Panel: "Beautiful Vessels and Shrouded Ghosts: Harbors and Enslavement"
Call for Book Reviews and Book Reviewers
The CLAJ is currently considering unsolicited book reviews for publication and sending books out to qualified members for solicited reviews. If you wish to submit a book review or receive a review assignment, please follow these guidelines:
In our rapidly shifting culture, what defines the contemporary moment is fluid and impossible to pin down. This conference will look at the relations between newness, sameness, fluidity, and change in cinema and cinematic technologies from all eras. The cinematic apparatus itself is a technology of repetition and replication, and the effects of postmodern culture are marked by self-replication, simulation, and mediation. Postmodernism is about the now, and borrows from the surfaces of history while losing the history itself. Cinema and the cinematic is increasingly marked by intermediality of both culture and "text" and constant expansion of what these terms can mean.
Reclaiming the "F" Word: Historical and Contemporary Feminist Performance as Theatrical Activism
Conveners: Victoria P. Lantz (Sam Houston State University) and Angela Sweigart-Gallagher (Northeastern Illinois University)