Traditional format panel for NeMLA 2016 Convention in Hartford, CT, March 17-20, 2016.
Call for papers for Book Essays in edited collection
Traditionally defined by an individual's membership and level of participation within a community, scholars such as Eric Hobsbawm describe how "citizenship" results in access to benefits or rights. Yet citizenship moves beyond political framings. According to Aiwha Ong, cultural citizenship is a "dual process of self-making and being-made" but done so "within webs of power linked to the nation-state and civil society." Taking citizenship as a political position, cultural process, and intertwining of both, this book seeks essays that examine the role of art and visual culture in the Modern and Contemporary eras.
Tuning Speculations III, November 20-22 2015
Plenary Speakers: Anna Munster (University of New South Wales) and Rebeka Sheldon (Indiana University)
Call for Papers for Albany State University Department of English, Modern Languages, and Mass Communication
Circling The Elements Conference: The State(s) of Hip Hop & Rap
April 7-10, 2016
Call for Papers for an Interdisciplinary Workshop as part of the research project Cultural Exchange in a Time of Global Conflict: Colonials, Neutrals and Belligerents during the First World War.
Colonialism, War & Photography
London - 17 September 2015
Theme: Natural and Unnatural Histories
Keynote Speakers: Kate Flint (University of Southern California) and Elaine Freedgood (NYU)
March 10-13, 2016, Renaissance Asheville Hotel, Asheville, NC
Hosted by Appalachian State University
(Re)forming the Progressive Era
The Progressive Era (1890-1920) occupies an unsettled place in Americanist literary studies, despite the period's claims to forward-looking progress. To some extent, this uneasy relationship to the discipline-- whose professional protocols, pedagogy, and scholarship often operates by means of century-based periodization-- reflects the period's own wildly unsettled nature.
This special issue will focus on literary texts by African writers in which the protagonist returns to his/her 'original' or ancestral 'home' in Africa from other parts of the world. Oxfeld and Long, writing on the ethnography of return suggest that it differs from globalization and transnationalism since 'it is situated in particular events and experiences' reflecting 'particular historical, social, and personal contexts' (2004: 3). Nevertheless, they go on to state that returns do have an effect not only on the communities the returnee leaves or joins but also on 'global ways of relating and interacting with one another' (2004: 3-4).
Popular Modernisms: Then and Now
Proposed Edited Collection
Abstract Deadline: July 26, 2015
CALL for PROPOSALS
The Land Has a Story
Pennsylvania College English Association (PCEA) 2015 Conference
October 1-3, 2015
Hilton Scranton and Conference Center
100 Adams Avenue, Scranton, PA 18501
Keynote by Sarah Piccinni, Assistant Director
Lackawanna Historical Society