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Call for Submissions: Renascence

updated: 
Friday, May 29, 2015 - 1:52pm
Renascence

Renascence, a peer-reviewed critical and scholarly journal, is published by Marquette University as an expression of its Jesuit mission of the search for truth and the exaltation of human dignity. The journal's essays explore how literature is informed by and contributes to our understanding of fundamental questions concerning moral philosophy, theology, and spirituality. Though Renascence is an English language journal and has an emphasis on literature in English, studies on works and authors from a diversity of times, countries, and cultures are welcome. Essays should make a well-defined, original scholarly argument, run 4,000-7,000 words, and document sources using MLA style.

CFP " Beautiful Vessels and Shrouded Ghosts: Harbors and Enslavement" 24-26 September 2015 Naples, Italy (deadline June 3)

updated: 
Friday, May 29, 2015 - 1:35am
Sonia Di Loreto and Katherine Lynes / 23rd AISNA (Italian Association of North American Studies) Biennial Conference

23rd AISNA Biennial Conference "Harbors -- Flows and Migrations of Peoples, Cultures, and Ideas -- The U.S.A. in/and the World" 24-26 September 2015 Naples, Italy (deadline June 3)

Panel: "Beautiful Vessels and Shrouded Ghosts: Harbors and Enslavement"

Call for Book Reviews and Reviewers for College Language Association Journal

updated: 
Thursday, May 28, 2015 - 11:53am
College Language Association Journal

Call for Book Reviews and Book Reviewers

The CLAJ is currently considering unsolicited book reviews for publication and sending books out to qualified members for solicited reviews. If you wish to submit a book review or receive a review assignment, please follow these guidelines:

[UPDATE-deadline extended] CFP: Repetitons, Permutations, Becoming -- SFSU Cinema Studies Conference [Oct 22-24, 2015]

updated: 
Thursday, May 28, 2015 - 2:31am
Cinema Studies Graduate Association / San Francisco State University

In our rapidly shifting culture, what defines the contemporary moment is fluid and impossible to pin down. This conference will look at the relations between newness, sameness, fluidity, and change in cinema and cinematic technologies from all eras. The cinematic apparatus itself is a technology of repetition and replication, and the effects of postmodern culture are marked by self-replication, simulation, and mediation. Postmodernism is about the now, and borrows from the surfaces of history while losing the history itself. Cinema and the cinematic is increasingly marked by intermediality of both culture and "text" and constant expansion of what these terms can mean.

[UPDATE] The Feeling of Time in Contemporary American Literature [EXTENDED DEADLINE]

updated: 
Wednesday, May 27, 2015 - 2:41pm
2015 PAMLA Conference - Nov. 6-8 in Portland, OR

Briefly: A reader's sense of time in literature rests upon a fully embodied and affective reading experience. Amongst an author's mechanisms for communicating a shared sense of time with one's readers is the use of highly affective, visceral, and/or proprioceptive linguistic cues. I'm looking for work that either explains or demonstrates how the affective communication of felt time works in contemporary American literature. Interdisciplinary work especially encouraged. Panel to take place at the 2015 annual PAMLA conference in lovely Portland, OR, Nov. 6-8, under the title "Ethics and Affect III: Temporalities." Submit 300-word paper proposal to pamla.org/2015 by June 10 (this is an extended deadline).

CFP for Edited Collection: Complicated Masculinities in Popular Culture (June 28, 2015)

updated: 
Tuesday, May 26, 2015 - 10:18pm
Dr. Merry G. Perry and Dr. Cherise A. Pollard

CFP: Complicated Masculinities in Popular Culture

Recent scholarship supports the notion that contemporary American masculinity is complex and problematic. Many scholarly projects seem to reflect a "crisis" perspective and focus on the negative or limiting aspects of changing masculinities. In contrast, this edited collection will focus on the possibilities of multiple, fluid, complex, twenty-first-century masculinities.

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