How have new technologies transformed literary and cultural histories? How do they enable critical practices of scholars working in and outside of digital humanities? Have decades of digital studies enhanced, altered, or muted the project to recover and represent more diverse histories of writers, thinkers, and artists positioned differently by gender, race, ethnicity, sexualities, social class and/or global location?
The E. E. Cummings Society and the Society's journal, Spring, invites abstracts for 20-minute papers for the 43rd annual Louisville Conference on Literature and Culture since 1900, February 26-28, 2015, at the University of Louisville (http://www.thelouisvilleconference.com).
Papers are invited for the Volume 2, Issue 3 of the Global Journal of English Language and Literature (ISSN 2320-4397) to be published in August 2014. The forthcoming issue will be an Open Issue. The journal features densely theoretical and analytical writings that focus on various aspects of English Studies which address/approach the research problems with methods of and insights borrowed from multiple established disciplines. Accepted papers will be published after peer-review process. This is an online electronic journal and there will be no hard copy of the issues. There are no publication fees or handling charges. The last date for submission is 10th August, 2014.
Proposed Panel for SSAWW's Triennial Conference (Philadelphia, PA, November 4-8, 2015). Theme: Liminal Spaces, Hybrid Lives
U.S. literature and culture, at least since Franklin, have been perpetually preoccupied with mythologies of both the self-made man and confidence-man. What accounts for this preoccupation, and where do the two identifications of these 'men' intersect or blur? Further, why are they 'men,' and how do women and people of color fit into these categories? This panel seeks papers that investigate these connections, depicted both in literature and periodical publications of the late nineteenth and early twentieth centuries, with a goal to solicit new inquiry into discussions of U.S. imposture and self-making, including but not limited to discussions of self-making within passing, gender imposture, and criminal imposture in American culture.
As LGBTQ Studies finds disciplinary space on a growing number of university and college campuses, questions about the cultural and intellectual effects of academic institutionalization have become progressively more urgent:
• Where is the broad field of LGBTQ Studies heading?
• Where has it been? How might we negotiate the relationship between intellectual inquiry and social movements?
• In what ways might the epistemological concerns of LGBTQ Studies affect the pedagogical imperatives of the classroom (and vice-versa)?
"The Coming of Age of LGBTQ Studies" is a two-day conference devoted to exploring these and related questions.
EXTENDED CONFERENCE CFP DEADLINE: 1 August 2014.
46th Annual Convention, Northeast Modern Language Association (NeMLA)
April 30-May 3, 2015
Hosted by Ryerson University
EXTENDED DEADLINE: JULY 20, 2014
Keynote Speakers (Updated): Jane Gaines, Columbia University
Peter Goodrich, Cardozo School of Law
Dates: September 26-27, 2014
We invite presentation proposals pertaining to any aspect(s) of film stardom in the 1950s, to be featured in a special series of panels at the Analyzing the 1950s: Media, Politics, Culture Conference, which will be held at Texas Christian University (Fort Worth, Texas) on Saturday, November 15, 2014. This daylong conference promises to provide an intellectually stimulating investigation into the complex phenomenon that was "The Fifties," whether cinematically or otherwise.
Broken narratives abound in literary and cultural history. Serialized literary works, serial television, fragmented novels, and shuffle literature are among the many forms that use brokenness as a resource for unfolding narratives. The eclectic nature and the many avatars of "broken narratives" make them valuable sites for comparative studies. Arguably, brokenness remains integral to certain textual forms more than others: Segmentation and sequentiality, for instance, are identified as key to the comic form (McCloud) as well as narrative poetry (McHale; DuPlessis) and television series (O'Sullivan).
The Garth Institute for Music Research and Performance will host a small symposium at the University of Michigan on Friday, October 24, 2014 from 10:00 a.m. to 4:00 p.m. We are seeking presenters whose research relates to the current theme. Presenters may be at any stage in their research and topics may include, but are not limited to:
-Research or analysis on folk or popular music characteristic of a particular ethnic group
-Research on a composer/songwriter or musician from an ethnic group (Ethiopian, Jewish, Albanian, etc.)
-Research on a woman composer/songwriter or their music
Call for Papers: Special edition of Symbiosis: A Journal of Transatlantic Literary and Cultural Relations on the 'Irish Transatlantic: Act of Union (1800) to the Present Day'
CFP: Medievalism in Popular Culture
PCA/ACA 2015 National Conference
April 1-4, 2015 – New Orleans, Louisiana
New Orleans Marriott
The Medievalism in Popular Culture Area (now the combined areas of Arthurian and Other Medievalism) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year's conference, I would like to encourage submissions on some of the following topics:
Research Papers/ Manuscripts and Articles are invited For Consideration of Publication in the up-coming EDITION - II VOL: III ISSUE - SEPTEMBER 2014 of SOCRATES ISSN 2347-6869 AND ISSN 2347-2146.
Coverage of the journal :