(Im)Migration and Postcolonial Women's Novels
The Journal of Pan African Studies (JPAS) is joining The Black Scholar, The Journal of African American History, Souls: A Critical Review of Black Culture, the Journal of Black Psychology, African American Learners and other scholarly publications in a Call for Papers on the "Ten Point Program for Reparations for African Americans" devoted to the discussion and analysis of what might be included in a "Ten Point Program" for reparation payments to African Americans in the United States.
The relationship between the visual and the literary traces its origins to antiquity. In Rhetoric, Aristotle famously defines rhetoric as 'the ability to see the available means of persuasion' (I.2.1). Sight is a vital component of the human cognitive experience; neither education nor persuasion can take place without visualization. Throughout antiquity, philosophical concepts were often conveyed by artistic terminology and visual language and all genres of Classical literature contain lengthy ekphrases.
Interest in the fields of food and sustainability studies within the humanities is rapidly growing, in part due to their ability to investigate our perceived relationship with ecology. Food is a text that conveys identity, reflecting historically grounded or socially constructed attitudes through what is produced and consumed, both gastronomic and printed. Likewise, the connection between nature and culture as manifested in narratives allow us to recognize the discourse and disconnect between society and our environment, marking us through this relationship. Central to both fields is the interplay of humanity and environment, depicted in rural and urban ecologies, e.g. food deserts versus urban food jungles.
"Gothic Migrations" will concern the origins, transits, and transformations of global gothic in its various modes and cultural manifestations.
Concussions, Commotions, and Other Aesthetic Disorders
Annual Graduate Conference of the Department of English at the University of Chicago, November 20-21, 2014
Keynote Speaker: Claudia Rankine, Henry G. Lee Professor of English, Pomona College
With a public discussion conducted by Lauren Berlant, George M. Pullman Distinguished Service Professor of English, University of Chicago
Proposal submission deadline: July 25th, 2014
Recent publications, such as Amy Villarejo's _Ethereal Queer: Television, Historicity, Desire_ (Duke, 2014) and Jason Mittell's _Complex Television: The Poetics of Contemporary Television Storytelling_ (MediaCommons Press, 2012-13), among others, herald a paradigm shift in television theory and historiography, one that deepens and expands the current critical language of TV studies. This panel seeks to pursue this shift in critical and theoretical approaches to television studies, inviting papers that situate television in broader questions of narrativity, historicity, critical theory, and continental philosophy.
the quint's twenty fourth issue is issuing a call for theoretically informed and historically grounded submissions of scholarly interest—as well as creative writing, original art, interviews, and reviews of books, music, and films. The deadline for this call is 15th August 2014—but please note that we accept manu/digi-scripts at any time.
All contributions accompanied by a short biography will be forwarded to a member of the editorial board. Manuscripts must not be previously published or submitted for publication elsewhere while being reviewed by the quint's editors or outside readers.
What are the literary legacies of Malcolm X's life and death? In 1965, after Malcolm X's life came to an end, The Autobiography of Malcolm X cemented his status as icon. Malcolm's death galvanized a nascent Black Arts Movement, inspiring the generation of black nationalist artists that Amiri Baraka termed 'Malcolm's sons and daughters.' This panel invites papers that engage with the enduring resonance of Malcolm X's life and death for literary and black studies.
In light of Maya Angelou's most recent passing, I am inviting chapter essays that provide 21st century criticisms of Angelou's autobiographies, creative non-fiction, and poetry—preferably beyond I Know Why The Caged Bird Sings, "Phenomenal Woman," and "Still I Rise." While there are some criticisms of Angelou's work (Myra K. McMurry, 1976; Carol E. Neubauer, 1983; Francoise Lionnet, 1989; Mary J. Lupton, 1990; Harold Bloom, 1995; Pierre Walker, 1995; Joanne Braxton, 1999) they precede the 21st century. Others (Terrasita A. Cuffie, 1999; Judith E. Harper, 1999; Patricia Kite, 1999; Pamela Loos, 1999; Corrine J. Naden, 2005; Vicki Cox & Miles Shapiro, 2006) are basically biographies; and many of them are for juvenile readers.
CFP – Panel on Narrative, Intimacy, and the Sexual Revolution – SEPT 1st.
2015 International Conference on Narrative – March 5 – 8 2015, Chicago Illinois.
American Studies Association of Texas
58th Annual Conference
Call for Papers
REIMAGINING, REFRAMING, AND REFLECTING AMERICAN STUDIES IN THE 21ST CENTURY
Join us November 13-15, 2014, at Sam Houston State University in the beautiful piney woods of East Texas, as we celebrate multi-disciplinary interpretations and iterations of American Studies.
CFP for Panel: Society for Cinema & Media Studies Conference March 25-28, 2015 in Montreal, Quebec, Canada
"Gender and Genre Through a Post-9/11 Lens"
Gladiators in Suits:
Race, Gender, and the Politics of Representation in Scandal
Edited by: Kimberly R. Moffitt, Simone Puff, and Ronald L. Jackson II
Call for Contributors to Edited Collection:
We invite chapter-length essays that analyze the American Revolution as a global phenomenon for a volume of essays; we are particularly interested in chapters that examine a range of texts and cultural practices from around the world. A major academic press has expressed strong interest in publishing the volume.