Reconstruction 17.2: Fantasy Sports
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Call for Critical or Creative Work
"New Writing: the International Journal for the Practice and Theory" is open for submissions for Volume 12 (Issue 12.3, in 2015) and Volume 13 (13.1, 13.2, 13.3, 2016).
The journal considers critical work relating to Creative Writing practice and the critical examination of Creative Writing. Strong pedagogically focused papers are considered.
Creative work (in any genre) is also welcome.
Word length and submission guidelines at: www.newwriting.org.uk
Submissions welcome via this journal submission site.
Studies in the Novel is seeking pedagogical content for inclusion in the "Teaching Tools" section of its website. Content should address approaches to teaching either 20th- and 21st-century novels or interdisciplinary approaches to teaching novels, in general.
Submissions may include sample course syllabi, assignments, or short reflections on a "teachable moment"—a passage, a conflict, a scene, a pattern of meaning, or a character—from a novel. See https://studiesinthenovel.org/interact/teaching-tools.html for sample submissions and the complete guidelines.
The editorial team at _Studies in the Novel_ is seeking content for its online archive of indexed teaching tools on the journal's affiliate website: https://studiesinthenovel.org/interact/teaching-tools.html
I am currently seeking pedagogical materials related to Graphic Novels and World Literature such as syllabi, assignments, textual reflections, etc.
This is a continuous project with monthly opportunities to submit.
The link(s) between academia and activism are nothing if not complex. In many ways, the academy rewards activist scholarship that challenges systemic inequality. Yet, as recent articles and testimonies in the Chronicle demonstrate, some scholars – especially those who make their activism public – are punished by their institutions and shamed by public audiences. In light of these potential consequences, how and where do 21st century scholar-activists pursue their activism? Why do they participate in public activism, and should they?
Taking place for the first time in a non-Southern venue, SSSL's conference next year in Boston will focus on challenges to and reconfigurations of North/South binaries in regional, national, hemispheric, and transatlantic literary and cultural studies. The foundation of traditional US Southern literary studies on domestic regional difference and distinctiveness has been expanded over recent decades to encompass broader study of Southernness within national and global rubrics.
Panel 15980: Religious Authority in American Literature
As the historian Thomas Schlereth noted in an essay from which this panel takes its name, the memory and image of Christopher Columbus were appropriated by citizens of the United States for a wide variety of purposes during the long nineteenth century. A feminine personification of the new republic signifying liberty and progress was named Columbia in his honor; the exploits of a newly recovered historical Columbus were invoked in support of western expansionism and Manifest Destiny; and the naturalization of various ethnic groups was a process of Columbianism, whereby the Admiral's status as an immigrant to the New World rhetorically sanctioned the integration of Italians, Jews, and other groups into the American body politic.
Negotiating identity has become more complex in this era of globalization than ever before. As cultural norms dictate what is considered acceptable, worthy, and ideal in all areas of life, academics considered "other" have historically had to fight their way in to the university, first as students and then as faculty to gain tenure and promotion. Specifically, being of color warrants a difficult environment as racial profiling extends across campus. The university's security guards constantly require us to show our identification badges.
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.