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Grammar/ Linguistics at CEA (Due 11/1 for CEA 4/5-4/7/18)

updated: 
Monday, September 25, 2017 - 12:52pm
College English Association
deadline for submissions: 
Wednesday, November 1, 2017

Call for Papers: Grammar/ Linguistics at CEA 2018

 

Call for Papers, Grammar/Linguistics at CEA 2018

April 5-7, 2018 | St. Petersburg, Florida

Hilton St. Petersburg Bayfront

333 1st St South, Saint Petersburg, Florida  33701 | Phone: (727) 894-5000

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Grammar/Linguistics for our 49th annual conference. Submit your proposal at www.cea-web.org

Conference Theme: Bridges

ReFocus: The Films of F. Gary Gray

updated: 
Monday, September 25, 2017 - 12:45pm
James Harris, Dickinson College
deadline for submissions: 
Wednesday, November 15, 2017

Call for papers: ReFocus: The Films of F. Gary Gray

Contact email: harrisja@dickinson.edu

Deadline: 15 November 2017

 

CFP: Black Performing Arts (Popular Culture Association, 28-31 March, 2018)

updated: 
Wednesday, September 20, 2017 - 3:46pm
Black Performing Arts Area, Popular Culture Association
deadline for submissions: 
Sunday, October 1, 2017

Black Performing Arts: Sound, Movement, Image, Text

Popular Culture Association

2018 National Conference

JW Marriott Indianapolis

10 S West St

Indianapolis, IN

46204

March 28th -31st, 2018

Call For Proposals:

Sessions, Panels, Papers

DEADLINE: October 1, 2017

REMINDER: ACLA seminar: Teaching Race in the 21st Century: Anti-Racist Pedagogies in Literary, Media, and Performance Studies (paper proposals DUE by September 21)

updated: 
Wednesday, September 20, 2017 - 3:46pm
ACLA Conference 2018 (March 29-April 1), University of California, Los Angeles, CA
deadline for submissions: 
Thursday, September 21, 2017

ACLA Seminar: Teaching Race in the 21st Century: Anti-Racist Pedagogies in Literary, Media, and Performance Studies

ACLA Annual Meeting (March 29-April 1, 2018)
University of California, Los Angeles, CA

https://www.acla.org/seminar/teaching-race-21st-century-anti-racist-peda...

Seminar Description:

Reminder: Women and Archives

updated: 
Wednesday, September 20, 2017 - 3:45pm
Tulsa Studies in Women's Literature
deadline for submissions: 
Thursday, March 15, 2018

Special Issue of Tulsa Studies in Women's Literature, edited by Emily Rutter and Laura Engel

The Pastoral Hegemony: Innocence, Denial and Justice (ACLA, Los Angeles, 3/29-4/1/2018)

updated: 
Wednesday, September 20, 2017 - 3:42pm
American Comparative Literature Association
deadline for submissions: 
Thursday, September 21, 2017

This call is for a seminar to be held at the American Comparative Literature Association (ACLA) Convention, March 29-April 1, 2018 on the campus of the University of California, Los Angeles (UCLA).

The purpose is to re-think, re-tool and re-invigorate "versions of pastoral" as the medium of critique, and of the subsumption of the literal in particular. The supplementary purpose is to unearth a new series of pastoral figures, possibly beginning with that of a refugee.  

Post45 Graduate Symposium: March 2-3, 2018 (Yale University)

updated: 
Wednesday, September 20, 2017 - 1:21pm
Post45 Graduate Symposium
deadline for submissions: 
Wednesday, November 1, 2017

Third Annual Post45 Graduate Symposium

March 2 - 3, 2018

Yale University

Keynote Speakers: Professors Amy Hungerford & Anthony Reed

 

Post45 seeks graduate-level works-in-progress related to post45 literature and culture.

Appropriation and Its Discontents (ACLA 2018)

updated: 
Wednesday, September 20, 2017 - 1:20pm
ACLA at UCLA, 3/29/18-4/01/18
deadline for submissions: 
Thursday, September 21, 2017

A couple of years ago, when the conceptual poet Kenneth Goldsmith read “The Body of Michael Brown,” an appropriation of Brown’s autopsy report for a conference at Brown University, he unleashed a furious debate about the politics of speaking for another people’s pain or experience.  While some accused him of bad taste and pointed to the long, colonial history of white male artists using black bodies as fodder for their art, others defended the right of the artist to provoke and explore, and decried what they considered the essentialism behind condemnations of Goldsmith’s pieces.  Appropriation’s discontents are also evident in such recent controversies as the protests against the exhibit of Dana Schutz's "Open Casket" at the Whitney Biennial (and the subs

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