The International Journal of Humanities and Cultural Studies (ISSN 2356-5926) invites original, unpublished, quality research articles/case studies in the fields of humanities, anthropology, business studies, communication studies, criminology, cross-cultural studies, development studies, economics, education, ethics, geography, history, international relations, linguistics, media studies, methodology, philosophy, political science, psychology, sociology, literature, discourse studies, performing arts (music, theatre & dance), religious studies, visual arts, women and gender studies, queer studies etc…for the June 2015 Issue (Volume Two, Issue One). Manuscripts Submission Deadline: May 20, 2015. Issue Publication Date: June 2015.
Reading and Writing Uncle Remus:
Soliciting proposals for an essay collection on the legacy and future of the Uncle Remus stories.
The editorial team of Studies in the Novel is seeking affiliate editors to solicit and oversee content development for the journal's online archive of indexed teaching tools.
We welcome applications representing each of the content areas below:
• Origins of the novel
• Non-Western novels
• Eighteenth-century novels
• Nineteenth-century novels
• Twentieth-century novels
• Contemporary novels
• Interdisciplinary and theoretical approaches to the novel
• Genre Fiction (individual editors needed for: YA literature, Science Fiction, Graphic Novels, etc.)
This panel explores SAMLA 87's theme of "literature and the other arts" through the unique dynamic of word-image interaction situated in the poet-artist collaboration. Paper proposals addressing poet-artist collaborations found in book arts, broadside printings, and museum/site-specific installations and exhibits are welcome. By May 15, 2015, please submit a 300-word abstract, brief bio, and A/V requirements to Anne Keefe, University of North Texas, at email@example.com.
Modernism's Revolutionary Geographies*
*Please send 300-word abstract and brief CV (one page) to Candis Bond at firstname.lastname@example.org by April 01, 2015.
Building on the recent "spatial turn" in modernist studies exemplified by scholars such as Andrew Thacker in Moving through Modernity: Space and Geography in Modernism (2003) and Rebecca Walsh in The Geopoetics of Modernism (2015), and in keeping with the conference theme of revolution, this panel considers modernism's innovative contributions to the ontology and perception of urban space, focusing particularly on counter-normative cartographies and deviant spatial practices.
This year's Fabricating the Body panel is soliciting proposals for papers that explore the notion of bodies in our post-human or post-modern culture. Given this year's theme of "Arts and Sciences," this panel seeks papers that consider how scientific inquiry and philosophy has impacted our understanding of bodies in media (literature, film, comics, video games etc.) or as consumers of media. Possible topics include, but are not limited to, theories of the post-human or post-modern body; (dis)abled, queer, global, marginalized, etc.
Panel Title: Dystopia and Race in Contemporary American Literature.
This panel is sponsored by College English Association (CEA).
Chapter proposals are invited for an edited volume on ecofeminist literary criticism titled Literature and Ecofeminism. Contributions covering a range of literary forms from diverse cultures and national traditions are welcome. Interested authors should send a 300-word abstract, 200-word biography, and sample of a previously published chapter or article to email@example.com by April 1, 2015. Proposers will be notified about whether their submissions are accepted for the book by April 15, 2015. For accepted proposals first drafts of full chapters (8,000 – 9,000 words) are due by September 1, 2015, and final versions are due November 1, 2015.
In "Tradition and the Practice of Poetry", T.S. Eliot states that "The perpetual task of poetry is to make all things new. Not necessarily to make new things." In a similar vein, in ABC of Reading, Ezra Pound famously argues that literature is "news that stays news". Years after its hey-day, how do we understand modernism's commitment to the "new"? From a contemporary standpoint, how has modernism's past been made new again? From W.B. Yeats' turning gyre, to Charlie Chaplin's persistent factory gears in Modern Times, we can gather that when it comes to modernism, "revolution" need not only mean change, but also the very cyclicality of change itself.