"Bridging the Distances between Text and Reader: Strategies for Teaching Multicultural Literature in the Undergraduate Classroom"
Call for Papers: MCEA Conference on Friday, October 16 and Saturday, October 17, 2015
Theme: Conflicts and Resolutions
Featured Luncheon Speaker: Poet Linda Nemec Foster
Location: Davenport University, Robert W. Sneden Center, 6191 Kraft Avenue, Grand Rapids, Michigan, 49512
The theme of the 2015 Conference on the Black Experience (COBE) is: Civil Rights and Student Activism in America: Unfinished Business. The COBE Committee has selected this theme to mark the 50th anniversary of events, such as the 1964 Civil Rights Act, Bloody Sunday, and the Voting Rights Act of 1965. Such events are still very relevant and should be studied and discussed for insights into not just individuals, but ideas, organizations, and actions that changed the trajectory of America for the good.
Wreck Park: Interesting Literatures, Interested Criticism
Wreck Park is a double-blind, peer reviewed publication run out of Binghamton, New York. The journal publishes prose, poetry, criticism, and interviews, and is particularly interested in conceptual frameworks and developments that set to disrupt the canonical and standardized discourses of the contemporary academic and literary landscapes. The journal welcomes authors, poets, researchers, and thinkers whose work reflects an interrogation of engendered norms and traditions within societies, cultures, intellectual circles, and beyond.
The force of biopolitics in contemporary society marks boundaries beyond geopolitical borders, inscribing otherness on bodies simultaneously necessary to the functioning of society, while abjecting them as dangerous to the very fabric of that society; an anxiety that reimagines and reproduces disciplinary power structures employed in the regulation, control, and subjugation of the collective, as well as individual, body. In this panel we seek to examine the material implications of the construction and bordering of such biopolitical otherness in our contemporary moment as imagined across multiple modes of literary and scholarly production.
With the theme of "Arts and Sciences" in mind, we welcome papers exploring the relationship between the artistic and the scientific in American literary texts produced before 1870. Possible topics might include: representations of artistic or scientific innovation or discovery, explorations of pseudo-science and its cultural effects, the influence of literary texts on scientific and/or medical knowledge and practice, the influence of scientific and/or medical progress on the literary imagination, doctors and/or patients as characters in literary texts, art and/or artifice as theme, and the role of the arts and/or the sciences within the larger American culture.
The Apollonian: A Journal of Interdisciplinary Studies (ISSN 2393-9001)
Call for Papers
Volume 2, Issue 2 | June 2015
FOCUS: Reading Queer in Literature, Film and Culture
Submissions are invited for the forthcoming issue of The Apollonian (Vol. 2, Issue 2) on the representations of the 'queer' in the various genres and sub-genres of literature, art, cinema, culture, critical theory, philosophy and history. The papers are expected to be scholarly in nature, and yet accessible to a fairly general readership.
Topics may include, but are not limited to:
What about those ideas you entertain but never fully develop? Those notions which are reviled and dismissed by peer gatekeepers? Follies so whimsical they unsettle even you?
We're looking for those submissions, the ones shunned by polite society and keepers of the status quo.
Let us be up front: Abstractshuns endeavors to become an ersatz academic journal, middlebrow at best. If Grindr/Tinder (depending on the orientation of the idea) spent a really naughty weekend with Notes and Queries, this would be the spawn, with Courtney Love and Jack Halberstam as godparents.
Please consider submitting 250-word abstracts to the following panel at the 2016 MLA in Austin, Texas.
We invite essays focusing on representations of death and/or violence in U.S. religiously-inflected fictions of the nineteenth century.
Essays might examine consider, for example:
-the ways authors associated with religious traditions have embraced or rejected imagery commonly associated with death and/or violence
-the kinds of spaces in which violence and/or death are figured
-death and/or violence as metaphors for religious experience
-the rhetorical strategies deployed to use religion as a justification for sectional, racial, and territorial violence
The modernist period, as the theme of this year's conference suggests, was a period marked by revolutions of various stripes: aesthetic, social, cultural, and political. Among these, political revolutions often occupied center stage, both in terms of public awareness but also in terms of modernist praxis. Many modernists participated in radical political actions even as they experimented or facilitated experimentation with radical aesthetics.