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2020 C19: Reforming Women

updated: 
Friday, July 19, 2019 - 1:57pm
Emily Banta / Rutgers University
deadline for submissions: 
Friday, August 16, 2019

Please consider submitting an abstract for this proposed panel for the 2020 C19 conference in Coral Gables.

Reforming Women

Women were powerful activists in a range of nineteenth-century reform movements, agitating for abolition, temperance, prison reform, education reform, and women’s suffrage, to name a few. This panel asks how women’s reform work participated in the practices of dissent and consent, exploring the politics and poetics of nineteenth-century women’s activism. The very term “reform” bridges material change and continuity in the act of making: the work of re-forming involves repetition, revision, and return, which present substantial political possibilities as well as distinct limits.  

“Imagined Blackness in Imagined Communities”

updated: 
Wednesday, July 17, 2019 - 12:54pm
DeLisa Hawkes/ U of Maryland, College Park
deadline for submissions: 
Saturday, August 31, 2019

Afrofuturism has become increasingly central to critical conversations about Afro-pessimism, race relations, and cultural histories. This proposed panel draws from Benedict Anderson’s conception of “nation” in his pivotal text Imagined Communities as a generative starting point for thinking about black community formations, black futurity, and cultural histories represented in literature. Anderson claims that “since World War II every successful revolution has defined itself in national terms” (2). However, nations are merely “imagined political communities… as both inherently limited and sovereign” (6).

Desegregating Comics: Debating Blackness in Early American Comics, 1900-1960

updated: 
Friday, July 19, 2019 - 1:52pm
Qiana Whitted / University of South Carolina
deadline for submissions: 
Friday, November 1, 2019

Contributions are invited for a collection of original essays that explore race and blackness in American comic books, comic strips, and editorial cartoons from the turn of the twentieth century through the industry’s Golden Age in the 1940s and 1950s. The historical perception of black people in comic art has long been tied to caricatured images of indecipherable minstrels, witch doctors, and brutal savages, yet archives reveal a more racially complex narrative and aesthetic landscape, one that was enriched by the debates among comics artists, writers, editors, and readers about how blackness could be expressed on the page.

The Absurdity of Racism: an International Chester Himes Conference.

updated: 
Friday, July 12, 2019 - 11:10am
William Dow The American Univeristy of Paris
deadline for submissions: 
Tuesday, October 15, 2019

The Absurdity of Racism: an International Chester Himes Conference.

4-6 June, 2020

Co-Directors Alice Mikal Craven and William E. Dow

American University of Paris

 

 

 

 

Chester Himes quotes Albert Camus in the opening to the second volume of his autobiography:  "Racism is absurd. Racism introduces absurdity into the human condition…If one lives in a country where racism is held valid and practiced in all ways of life, eventually, no matter whether one is a racist or a victim one comes to feel the absurdity of life". 

 

78-88: Prince, The First Decade: An Interdisciplinary Conference.

updated: 
Friday, July 12, 2019 - 11:06am
Dr Mike Alleyne, Dept. of Recording Industry, College of Media & Entertainment, Middle Tennessee State University. Dr Kirsty Fairclough, School of Arts and Media, University of Salford, UK. Kristen Zschomler, Minneapolis-based historian and writer, Soun
deadline for submissions: 
Wednesday, June 3, 2020

78-88: Prince, The First Decade: An Interdisciplinary Conference.

A two-day international conference hosted by The School of Arts and Media, University of Salford, United Kingdom and the Department of Recording Industry, Middle Tennessee State University, USA.

June 3 & 4, 2020, The Robert E. Jones Urban Research and Outreach-Engagement Center, University of Minnesota, 2001 Plymouth Ave. N., Minneapolis, Minnesota, USA.

Organising Committee:

Dr Mike Alleyne, Dept. of Recording Industry, College of Media & Entertainment, Middle Tennessee State University.

Dr Kirsty Fairclough, School of Arts and Media, University of Salford, UK.

Fantasy, Horror, and the Supernatural

updated: 
Thursday, July 11, 2019 - 12:40am
Kate Watt / PAMLA
deadline for submissions: 
Friday, July 19, 2019

From golems to Gollum, ghosts to Ironman, hobbits to succubi, zombies to dopplegangers, the possessed to those who wield the dark arts, the not-human, the almost-human, the was-human, the wants-to-be-human, the beyond-human, and those who use unknown powers to prey on humans have populated human culture and narrative from the beginning. Analysis from any critical perspective, exploring texts drawn from literature, film/TV, graphic novels, manga, comics, visual arts, and elsewhere, is welcome.

Us, Get Out, The Walking Dead, Cthulhu, It, and a wide variety of other texts would be appropriate topics. 

Please submit through the PAMLA.org website directly. 

PAMLA is in San Diego, November 14-17, 2019. 


Black Men, White Publishers (NeMLA Panel)

updated: 
Tuesday, September 10, 2019 - 11:56am
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Monday, September 30, 2019

In November 2018, The New York Times published “Black Male Writers for Our Time,” an article that highlights some of the African-American male writers who have won prestigious awards in recent years. For instance, Gregory Pardlo won the Pulitzer Prize for poetry in 2015, while Colson Whitehead won the National Book Award in 2016 and the Pulitzer in 2017. In 2018, Kendrick Lamar made history as the first rapper to win the Pulitzer Prize for music. Although they have been writing for generations, the literary establishment is now recognizing and rewarding Black male literature.

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