WILLIAM O'FARRELL FELLOWSHIP 2020Northeast Historic Film, Maine www.oldfilm.org_____________________________________________________________________________Northeast Historic Film announces the eleventh year of the William O’Farrell Fellowship, awarded toan individual engaged in research toward a publication, production, or presentation based on movingimage history and culture, particularly amateur and nontheatrical film.
This panel invites papers addressing how seventeenth-century women’s authorial labor constituted and/or negotiated practices of persistence that were considered necessary to confront the transatlantic New World, including but not limited to willfullness, fortitude, sacrifice, and endurance. A variety of disciplinary and methodological approaches welcome. Please submit 250 word abstract and brief biography to email@example.com.
CALL FOR PAPERS
2020 MMLA Conference’s MVSA-Affiliated Panel
November 5-8, 2020
“Cultures of Collectivity”
In keeping with the MMLA conference theme, “Cultures of Collectivity,” the Midwest Victorian Studies Association panel welcomes proposals that explore myriad examples of cultural collectivity in 19th century Britain.
Possible topics include but are not limited to:
From ‘city symphonies’ to the German querschnitt or ‘cross-section’ films of the 1920s and 1930s, cinema and the modernist city are tightly bound in a catalytic dialogic.
Human/Kind Press seeks submissions of craft essays for an anthology exploring connections between identity and narrative craft. How can a marginalized identity bring a new perspective to how writing works? How can a marginalized identity challenge and/or complicate an old idea about how writing works? Essays should explore the connection between at least one marginalized identity and one craft element of fiction (such as characterization, interiority, or verisimilitude). This anthology seeks to give a platform to writers of diverse backgrounds and identities, including but not limited to queer writers, writers of color, and disabled/chronically ill writers. 1,500-4,500 word craft essays accepted. No submission fee. Contributors will be paid $20.
Back Talk: Women’s Writing, Modernism and Resistance
The Third Modernist Network Cymru Conference
Cardiff University, Cardiff, Wales, UK
17-18 June 2020
Keynote speakers: Prof. Kirsti Bohata (CREW, Swansea University), Prof. Diana Wallace (University of South Wales)
Co-organised by Josie Cray, Elizabeth English and Siriol McAvoy
Political Demonologies: Race, Gender, and Coloniality in a Postsecular Age
May 15–16, 2020, University College Dublin, Ireland
EXTENDED ABSTRACT DEADLINE: March 22.
Confirmed Keynote Speakers:
C. Heike Schotten (University of Massachusetts, Boston)
Selamawit D. Terrefe (Tulane University)
The word boredom has been in circulation since Ancient times, in the shape of a variety of synonyms --acedia, taedium vitae, horror loci, melancholy, ennui, spleen-- and bearing a theological stamp, since it was believed to be a demonic sin in the Christian tradition. In modernity, however, for the “enlightened subject” (Goodstein, 4), as a response to social and economic transformations, boredom has become a secular experience concerned with temporality, signifying loss of meaning and feeling of emptiness in the pace of modern life. In critical circles, boredom remains a hybrid phenomenon that brings together a variety of contradictory definitions.
Conservative Counter-Revolutions: Papers on Nineteenth-century conservatism(s) that emerged in reaction to the century's revolutions and reforms, and on the consequent radicalization of conservatism that still informs it today. 300-word abstracts by March 15th to firstname.lastname@example.org
The Body at Work: Gender, Labour, Migration
University of London, Paris
20 November 2020
Keynote Speaker: Manuela Martini, Université Lumière Lyon 2
The LLC 16th-Century English Forum invites submissions for "Inventing Time in the Sixteenth Century" at MLA 2021 in Toronto:
How does sixteenth-century writing challenge current critical approaches to time and/or the future? What unique investigations might it prompt or support? What kinds of time has it invented? Have such temporal experiments and inventions persisted? Send 300-word abstract and two-page CV to J.K. Barret (email@example.com) no later than March 15, 2020.
For its next session at the MLA Convention 2021 (7-10 January, Toronto), the International Vladimir Nabokov Society welcomes proposals on the following theme:
Playing with/for Time: Nabokov's Persistent Images
Nabokov created persistent images (visual and other), which mark readers' minds not unlike the phenomenon of retinal persistence. How do such images survive, confer timelessness to his fiction, or anchor it in a specific temporality? Please send a 250-word abstract to Lara Delage-Toriel (firstname.lastname@example.org) and a very short bio by March 24th, 2020.
The Southern Writers/Southern Writing Conference (SW/SW) is an interdisciplinary graduate student event hosted by the University of Mississippi from July 16-18, 2020.
This special issue of ELN takes up the complex relationship between clothing and place and seeks to examine the transcultural flow of commodities (specifically clothing and fashionable objects) both within and across national borders. Fashion, we assert, is the cultural medium through which borders shift and move.
« Archives de l'émigration. Études - Esquisses – Documents »
Numéro coordonné par: Magdalena Kowalska
ISSN Online 2391-7911
Date limite d’envoi des propositions : le 9 avril 2020
Date limite de réception des articles : le 30 juin 2020
APPEL À CONTRIBUTIONS
What is the place of unwilling travel(er)s in travel studies? What are the costs of travel? This roundtable considers travels that are not undertaken strictly by choice. We welcome proposals from any field or period on topics such as: climate-related relocations, internal/political migrants, self-liberation from slavery or captivity, literal/figurative boundaries, eco/animal movements, borderlands/crossings, economic exigencies that require travel, narratives of new beginnings.
‘I was Born a Naturalist’: Charles Darwin and Shrewsbury
Friday 3rd July 2020, University Centre Shrewsbury.
We would like to invite you to a one-day symposium exploring Darwin’s origins in Shropshire. We will discuss the effects of Shrewsbury and its surrounding area on the young Charles Darwin. What were the influences of the Darwin and Wedgwood family members on Darwin’s ambitions? What role did female relatives such as his mother Susannah Darwin (née Wedgwood) and his sister Caroline have on Darwin’s formation as a scientist?
The First Annual Interdisciplinary Humanities Conference at California Polytechnic State University, San Luis Obispo, April 25 and 26, 2020
Performing Labor: (Re)Evaluations within the Humanities
The International Harold Pinter Society welcomes papers that explore Harold Pinter and laughter. What is significant about laughter in Pinter's work and how might it concern or complicate the reception of his creative output. Please send abstracts of no more than 300 words and a CV to email@example.com
This panel considers the legacy of anti-fascist culture. How can we articulate a persistent anti-fascism that outlasts the forces of capital and ethno-nationalism in the present?
Send 250-word abstracts to firstname.lastname@example.org by March 16.
The American West has been depicted for decades through comic books and graphic novels, including by many authors living outside the U.S.
Midway through New Grub Street (1891), Reardon reunites with his wife Amy. In preparation, he leaves behind his overcoat. This attire, once “fairly good,” is now long past its prime, “the edges of the sleeves were frayed, two buttons were missing, and the original hue of the cloth was indeterminable.” Reardon knows Amy well, but not well enough: her attention at the meeting is quickly directed to “his muddy and shapeless boots,” and her desire for “a renewal of amity” conflicts with her shock over her husband’s appearance: “[S]uch attire degraded him in her eyes; it symbolised the melancholy decline which he had suffered intellectually.
ACROSS is a biannual, peer-reviewed online journal which addresses mainly humanities scholars. Exploring themes of cultural diversity from the interrelated perspectives of cultural studies and history, literary studies, media studies, linguistics and critical discourse analysis, the journal welcomes contributions with a potential for enhancing the global, multicultural dialogue in the ever-changing world of the twenty-first century.
ACROSS promotes research excellence. We are certain that your expertise will help us build a space of imparting knowledge in the field of multiculturalism and multilingualism across the world.
Subject areas include but are not limited to:
An Interdisciplinary Conference
on Storytelling and Identity in Popular Culture
Popular Culture Research Centre,
Auckland University of Technology
7-9 July 2020
The Popular Culture Research Centre (Auckland University of Technology) welcomes papers for its upcoming interdisciplinary conference on the theme of ‘storytelling and identity’ in popular culture. The conference will be held in Auckland on 7-9 July 2020.
Justin Edwards (University of Stirling)
Lorna Piatti-Farnell (Auckland University of Technology)
Constantine Verevis (Monash University)
Latina/o Cultural Productions as Provocation: Breaking Rules, Making Texts.
The cultural production of US Latina/os, as any other so-called minority discourse, can be analyzed as defiant voices that aim to provoke dialogue with the hegemonic discourse and the mainstream culture. As such, these discourses can be more or less combative in their struggle to break and resist the rules imposed by the status quo.
This panel welcomes submissions in English or Spanish on any aspect of Latina/o cultural products (literature, fashion, film and visual arts, etc.) that aim to contest hegemony, including but not limited to:
Extended Deadline - Ghost Stories Call for Submissions
Tell me a story. A simple request made by children across the world every night and one we seek to fulfil even as adults. But… it is the stories that excite, that make our hearts beat faster, and the hairs on our necks stand on end that bewitch us most. It is these stories we want to hear. Spectral Visions Press (University of Sunderland) are now accepting submissions for a short story collection, Spectral Visions: Ghost Stories. Due to the fantastic response, we've extended the deadline in hopes of a bumper collection or even a separate poetry collection.
Submissions are invited for any aspect of the conference theme "Scandal! Literature and Provocation: Breaking Rules, Making Texts." Please note that the "Long Nineteenth Century" encompasses works published between 1789 and 1914.
By May 30, please submit a 500-word abstract for your proposed presentation and a brief biography to
Dr. Anita Turlington
Associate Professor, English
University of North Georgia
This panel, sponsored by the College English Association, explores how the concept of alienation can be applied to a field in which it has not received very much attention: composition pedagogy. Generally meaning an undesirable separation between self and world (i.e., other human beings, nature, and social roles, norms, and institutions), alienation has been analyzed in various contexts by philosophers, psychologists, sociologists, theologians, and critical theorists. While it came to be viewed as problematic and outmoded with the rise of postmodernism, the concept is far from obsolete today. On the contrary, alienation remains both a widely experienced psychosocial issue and a vital theoretical and diagnostic tool.
Our panel invites papers that consider the relationship among disciplines in the Victorian period. What can we learn about our present from the intertwined Victorian modes of knowledge production and distribution?