all recent posts

Vampire Studies (2019 PCA/ACA National Conference)

updated: 
Tuesday, July 3, 2018 - 9:27am
Lisa Nevarez and U. Melissa Anyiwo/Popular Culture Association
deadline for submissions: 
Monday, October 1, 2018

The co-chairs of the PCA/ACA Vampire Studies area are soliciting papers, presentations, panels and roundtable discussions which cover any aspect of the Vampire for the Annual National Joint Popular Culture Association/American Culture Association Conference to be held in Washington, DC from April 17-20, 2019. We are particularly interested in papers, presentations, and panels that cover:

● The vampire on television (i.e. The Vampire Diaries, The Originals, The Strain)

● Recent vampire films, such as Byzantium, Only Lovers Left Alive, What We Do in the Shadows, and A Girl Walks Home Alone at Night

(Kalamazoo 2019) Making Time in Medieval Literature

updated: 
Tuesday, July 3, 2018 - 9:25am
Kaylin O'Dell (Suffolk University); Hannah Byland (Univ. of Pennsylvania)
deadline for submissions: 
Saturday, September 15, 2018

Making Time in Medieval Literature 

St. Francis Writers' Conference

updated: 
Tuesday, July 3, 2018 - 9:20am
University of St. Francis in Joliet, IL
deadline for submissions: 
Sunday, September 30, 2018

CALL FOR PAPERS

from current and prospective undergraduate students

27th Annual St. Francis Writers’ Conference

to be held at the
University of St. Francis in Joliet, IL on Saturday, November 17, 2018

featuring poet and editor Simone Muench as Keynote Speaker (https://www.simonemuench.com)

Please submit abstracts for papers or presentations or samples of creative writing no later than Sept. 30, 2018 in any of the following categories:

FABIENNE KANOR IN TRANSGRESSION: Documenting, Performing, Writing, and Filming the Insufferable A Multivolume Anthology

updated: 
Tuesday, July 3, 2018 - 9:18am
Dr. Gladys M. Francis
deadline for submissions: 
Saturday, September 15, 2018

CALL FOR CONTRIBUTIONS

 

 

Fabienne Kanor in Transgression:

Documenting, Performing, Writing, and Filming the Insufferable

A Multivolume Anthology

 

This multivolume anthology project centers on Fabienne Kanor’s performance, literary, filmic and journalistic works through critical examinations of their embedded transgressive aesthetic.

 

Intended Focus:

Universal Design for Learning (UDL) in the College Writing Class

updated: 
Tuesday, July 3, 2018 - 9:14am
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

Universal Design for Learning (UDL) is an approach to education that emphasizes inclusivity in the design of curricula, instructional strategies, and assessment. Inspired by a movement in architecture to create accessible built environments, the UDL framework is intended to foster learning environments that provide welcoming spaces for learners of all types, according to the premise that structural “accommodations” intended to benefit particular students (closed captioning on videos, digital copies of print documents, alternative assessments, etc.) enhance the learning environment for all students. Increasingly, the UDL model is influencing public policy and the pedagogical climate of educational institutions from elementary schools to colleges.

Re-conceptualizing Peer Assessment

updated: 
Tuesday, July 3, 2018 - 9:09am
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

The practice of peer assessment encompasses various strategies ranging from peer review, peer editing, peer evaluation, peer tutoring, and peer critique, among others. With so many labels and definitions, it is no wonder the use of peer assessment techniques remains erratic and poorly defined. Continued widespread uncertainty over how students should provide feedback during the assessment phase of the writing process has resulted in the need for further analysis. Little has been done to standardize the way in which peer assessment is implemented. It remains necessary to identify the nature of the content of student feedback, the kind of assistance teachers can provide, and how students might better support one another.

Call for papers re-opened for collection of vintage science fiction

updated: 
Tuesday, July 3, 2018 - 9:08am
Ivy Roberts / Virginia Commonwealth University
deadline for submissions: 
Wednesday, August 15, 2018


The CFP for Histories of the Future: Proto-Science Fiction, 1800-1925 (Mcfarland Press) has been re-opened! We are looking for short articles that introduce, contextualize, and / or put a critical lens up to science fiction written between 1800 and 1925 (Victorian era and the Machine age). Submit proposals by August 15. Please include your in your proposal a biography, and the title and author of the work that your essay will examine.

 

Failed Cinema

updated: 
Tuesday, July 3, 2018 - 9:05am
SFSU Cinema Studies Graduate Student Association
deadline for submissions: 
Wednesday, August 1, 2018

 

Conference Dates: October 18th-19th, 2018.

Keynote Speaker: Richard T. Rodriguez, University of California, Riverside

Deadline for Submissions: August 1st, 2018

 

Interrupting Globalisation: Heterotopia in the Twenty-First Century

updated: 
Tuesday, July 3, 2018 - 9:03am
Simon Ferdinand, Irina Souch and Daan Wesselman (the University of Amsterdam)
deadline for submissions: 
Saturday, September 15, 2018

Call for Chapters

Confirmed contributors:

Kevin Hetherington, author of Badlands of Modernity: Heterotopia and Social Ordering

Lieven De Cauter, editor of Heterotopia and the City: Public Space in a Postcivil Society

 

Editors: Simon Ferdinand, Irina Souch and Daan Wesselman (the University of Amsterdam)

Keywords: heterotopia, globalisation, discourse, space, art, literature, film, popular culture

Diasporic Spaces

updated: 
Tuesday, July 3, 2018 - 8:26am
Jude V. Nixon, Salem State University
deadline for submissions: 
Sunday, September 30, 2018

For NeMLA 50th Annual Conference, 21-24 March 2019, in Washington, DC, this session is seeking proposals exploring Diasporic Spaces in keeping with the theme of the conference, Transnational Spaces: Intersections of Culture, Language and People. The diaspora is an important cultural phenomenon in the formation of national identities and opposing attempts to develop forms of transnationalism. Categories such as national identity, migration, exile, war, colonialism, post-colonialism, race, and gender shape the diasporic experience.

FINAL REMINDER: Il Parlaggio - new issue September 2018

updated: 
Tuesday, July 3, 2018 - 5:10am
Edizioni Sinestesie (Italy)
deadline for submissions: 
Wednesday, August 1, 2018

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

Dissensus in the Postcolonial Anglophone World: History, Politics, and Aesthetics

updated: 
Tuesday, July 3, 2018 - 3:53am
Université de Lille, France
deadline for submissions: 
Thursday, September 6, 2018

 

The first international conference under the aegis of the French Society for Commonwealth and Postcolonial Studies (the SEPC), and supported by the Institut Universitaire de France and the laboratory CECILLE (EA 4074), will take place at the Université de Lille SHS on January 31st and February 1st 2019.

 Keynote speaker: Dr Meg Samuelson, University of Adelaide, Australia

Northern Osmosis: Literary Viscosity as Material Solidarity

updated: 
Monday, July 2, 2018 - 3:30pm
Early Medieval Studies on the Islands of the North Atlantic (IONA)
deadline for submissions: 
Tuesday, July 10, 2018

Ic þa wiht geseah

heo wæs wrætlice

Wundor wearð on wege

on weg feran

wundrū gegierwed

wæter wearð to bane

 

I saw the wight

It was splendidly,

The wonder was on the wave;

 

going on its way.

wonderfully arrayed

water became bone.

— Exeter Book, Riddle #7 (Baum)

 

Comics and Magazines: An (Italian) Phenomenon

updated: 
Monday, July 2, 2018 - 1:12pm
NeMLA
deadline for submissions: 
Sunday, September 30, 2018

Since its inception in 1908, the development of the comics medium in Italy has been marked by a profound symbiosis with magazines. Throughout the decades, the magazine as a container of cartoon strips and children’s stories (e.g. Corriere dei Piccoli) has evolved into different forms to cater to a broader and more varied readership. From the 1960s, family and adventure weeklies for children and adolescents (e.g. Il Giornalino, Intrepido, Lanciostory, etc.) coexisted with the so-called auteur comics magazines, which provided adults with both classic Anglo-Saxon comic strips and the latest comics stories by renowned Franco-Belgian, Argentinian, and Italian authors.

Romantic Transnationalism

updated: 
Monday, July 2, 2018 - 9:53am
L. Adam Mekler/NeMLA
deadline for submissions: 
Sunday, September 30, 2018

NeMLA 50th Annual Convention
March 21-24, 2019
Washington, DC

This panel will explore the changing sense of British identity for writers of the Romantic period. Papers are invited that consider the ways in which such writers as Lord Byron in Italy and Greece, Mary Shelley in Italy, William Wordsworth in France, and Samuel Taylor Coleridge in Germany may have developed new conceptions of themselves beyond their status as British subjects and revealed those conceptions in their writings of the period. Discussion of lesser known writers of the period is certainly encouraged.

Race and Versification in Anglophone Poetry

updated: 
Monday, July 2, 2018 - 9:53am
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Sunday, September 30, 2018

Panel: Race and Versification in Anglophone Poetry

NeMLA Annual Convention

March 21-24, 2019, Washington D.C.

Contact: Caleb Agnew (cpa9fd@virginia.edu)

 

Hogarth in the 21st Century: Panel at NEMLA

updated: 
Monday, July 2, 2018 - 9:53am
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

William Hogarth’s engravings invite us to view the streets, parlors, insane asylums, prisons and gambling houses of 18th-century London. Through his “modern moral subjects,” his satirical eye exposed hypocrisy, aristocratic excess and overwrought devotion to foreign artists. His influence can be seen in political cartoons, graphic novels and even cinema. This panel will discuss Hogarth’s place in 21st century culture. During this time that seems desperately to need keen, perspicacious satire, can we turn to Hogarth as a paragon? What can an artist so inextricably linked to 18th-century life teach us about ourselves?

Stephen King Area (2019 PCA National Conference)

updated: 
Monday, July 2, 2018 - 9:53am
Patrick McAleer/Popular Culture Association
deadline for submissions: 
Monday, October 1, 2018

Stephen King Area

2019 PCA/ACA Annual National Conference

Washington D.C.: Wednesday, April 17th-Saturday, April 20th

“Early Modern Women’s Mobilities”

updated: 
Monday, July 2, 2018 - 9:52am
Early Modern Women: An Interdisciplinary Journal
deadline for submissions: 
Sunday, September 30, 2018

Early Modern Women:

An Interdisciplinary Journal

 

Volume 14.1 (Fall 2019) will feature a forum on

“Early Modern Women’s Mobilities”

 

The scholarship on early modern women has moved far beyond the long-held notion that women remained in the home. Indeed, mobility was a defining feature of many women’s lives.  For this forum, we are interested not only in examples of women’s mobility, but also research that interrogates the far-reaching implications of that mobility for women and considers how it informs our understanding of gender in the early modern world.

 

Call for Proposals - The Oxford Handbook of Children's Film

updated: 
Monday, July 2, 2018 - 9:51am
Noel Brown (Liverpool Hope University)
deadline for submissions: 
Tuesday, July 31, 2018

Calls for Proposals: The Oxford Handbook of Children’s Film

Edited by Noel Brown (Liverpool Hope University, UK)

Deadlines

  • Abstracts (300–400 words): 31 July 2018
  • First Drafts (8,000 to 10,000 words): 31 May 2019

I am seeking proposals for chapters for possible inclusion in the forthcoming Oxford Handbook of Children’s Film, under contract with Oxford University Press. Oxford Handbooks are intended to offer authoritative and up-to-date surveys of original research in a particular subject area, with essays giving critical examinations of the progress and direction of debates, as well as a foundation for future research.

(Kalamazoo 2019) Returning and Not Returning from War: Interdisciplinary Approaches to Loss of Self and Others in Medieval Depictions of Conflict

updated: 
Monday, July 2, 2018 - 9:50am
Stefanie Goyette, Société Rencesvals, American-Canadian Branch
deadline for submissions: 
Saturday, September 15, 2018

Warriors in medieval epic and chivalric romance often seem to return whole from battle even if they lose body parts or family members. They grieve deeply and vocally on the battlefield and then return to their homes or cities, seemingly ready to continue battle in the name of lost kin. Charlemagne is devastated by pain over Roland’s death in Roncevaux, demonstrated with tears and swooning. Others, like William “Short-Nose” of Orange, become famous for their lost parts, which, in absence, may even become emblematic of such warrior heroes. But do these warriors exhibit symptoms of trauma stemming from their constant exposure to violence?

History, Identity and Emotions in Italian Literature

updated: 
Monday, July 2, 2018 - 9:39am
NeMLA 2019
deadline for submissions: 
Sunday, September 30, 2018

In the last decades, the general perception that emotions are opposed to history and that politics is unemotional has been challenged by a number of scholars in various disciplines: Sara Ahmed’s, for example, has argued that emotions ‘stick’ to objects in a social context, while others consider affect as a fundamental aspect of citizenship (among them, Graziella Parati). This panel seeks to continue a conversation started at NeMLA 2018 about the role and representation of emotions and affect in Italian history and literature. We will accept proposals that analyze the intersectionality between history, identity and emotions from early modern to contemporary Italian literary texts.

Everything Old Is New Again: Adapting the Classics in Contemporary Young Adult Novels

updated: 
Monday, July 2, 2018 - 9:39am
Drs. Dana Lawrence and Amy L. Montz
deadline for submissions: 
Saturday, September 1, 2018

CALL FOR PAPERS

Everything Old Is New Again:

Adapting the Classics in Contemporary Young Adult Novels

“An adaptation is not vampiric: it does not draw the life-blood from its source and leave it dying or dead, nor is it paler than the adapted work. It may, on the contrary, keep that prior work alive, giving it an afterlife it would never have had otherwise” (Linda Hutcheon, A Theory of Adaptation, 2006).

The Haitian Revolution in the Transatlantic Literary Imagination, NeMLA

updated: 
Monday, July 2, 2018 - 9:38am
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Sunday, September 30, 2018

A growing body of recent scholarship argues that the Haitian Revolution is one of the defining events of modernity. But from 1791 until 1804, the fog of war distorted and obscured Western perceptions of Haiti. From independence until official recognition by France in 1825, isolation did likewise. Fear, mythmaking, and bigotry filled the void. In Tropics of Haiti, Marlene Daut states that “[a] great portion of the texts within the transatlantic print culture of the Haitian Revolution reveal themselves, upon closer examination, to be unsure about what they ‘think’ they are: novels or memoirs, histories or dramatizations… [they] blur the lines between history and fiction, biography and memoir, philosophy and science”.

NeMLA 2019-Intersecting Classes, Races, and Women in American Literature

updated: 
Monday, July 2, 2018 - 9:37am
Hediye Ozkan
deadline for submissions: 
Sunday, September 30, 2018

In her groundbreaking book titled Women in the Nineteenth Century, Margaret Fuller suggests a remedy for the degradation of work for women stating, “Women are the best helpers of one another” (117). Fuller’s statement has reflections in many works written at the end of the nineteenth century such as Elizabeth Stuart Phelps, The Silent Partner (1871),  Alcott’s Work (18739, and Blake’s Fettered for Life (1874) all of which focus on sisterhood, solidarity, and feminine bond among women across class, race, and nationality as a survival mechanism within capitalist economy.

Joseph Conrad and the Uses of Influence

updated: 
Monday, July 2, 2018 - 9:37am
M. Nezam-Mafi/ Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Sunday, September 30, 2018

Even among the modernists with whom he is frequently grouped, Joseph Conrad, the Polish-born former mariner who, in his third language, reinvented himself as a British novelist, is a singularly resonant and deeply fraught figure.  Conrad’s biography and work anticipate both the figure and the preoccupations of the transnational and transcultural artist.  In a 1906 letter, Henry James wrote to Conrad, “No one has known – for intellectual use – the things you know.”  How Conrad rendered what he “knew” is critical to literary developments of the last century.  Much of the scholarship on Conrad, however, has focused on his impressionism or, more controversially, on his view of imperialism.  Was he, in his partial sympathy for subjugated people, and his attack

Tourists, Tourism, and Transnationality in the Victorian Cultural Imagination

updated: 
Monday, July 2, 2018 - 9:37am
Joellen Masters/Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Sunday, September 30, 2018

Travel, travel writing, and the rise of mass tourism in the nineteenth century have received an impressively wide scholarly focus. In informing the willing sightseer, guidebooks like Baedeker’s or Murray’s constructed a particular approach to the foreign and the unknown. Obligatory rather than spontaneous, requisite rather than discretionary, the experience guidebooks delineated and that powerful tourist agencies like Thomas Cook regulated, produced an intrepid British traveler whose thirst for the new and the exotic challenged conventional notions of relaxation and knowledge, while, at the same time, remained a carefully governed cosmopolitan identity.

Cinema, Cognition and Art

updated: 
Monday, July 2, 2018 - 9:36am
Babeș-Bolyai University
deadline for submissions: 
Saturday, September 1, 2018

Call for papers Ekphrasis. Images, Cinema, Theory, Media. Vol. 19, Issue 2/2018

Ekphrasis is a peer-reviewed academic journal, edited by the Faculty of Theatre and Television, “Babes-Bolyai” University, Cluj-Napoca, Romania, indexed by Clarivate Analytics Emerging Sources Citation Index, ERIH +, EBSCO, CEEOL

For more information and submission guidelines, please visit: http://ekphrasisjournal.ro

 

Cinema, Cognition and Art

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