The deadline for the call for papers for this special issue has been
extended to November 15, 2003.
Call for Papers: The Sounds of Vision: Spectatorship and Aural Perception
The musical score, dialogue, and sounds of contemporary screen based
products of the past ten years have addressed a far more aurally
aware spectator, as demonstrated by the increasing complexities of
style and construction of the sound track. What might be some of the
methodological approaches that can account for the direction of the
spectatorial eye via the ear?