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CFP: Communication and Society: A New Era

updated: 
Monday, August 13, 2018 - 2:44pm
NAQD Journal
deadline for submissions: 
Saturday, December 1, 2018

The first “controlled openings” in the Algerian mediatic space occurred in the aftermath of the 1988 social movements. NAQD partially examined this phenomenon in its issue number 8/9 (1995). At this time, the unequal flows of North-South information had been reinforced by the launching of numerous satellites that covered most of the planet. Everywhere, from Tonga to Ahmedabad, trans-border television was deployed without any constraints other than the acquisition of parabolic antennas by the public. In that special issue of NAQD we sought to interrogate the position of television which, in the context of post-modernity, appeared both as a privileged object of mass communication and an instrument of democracy.

Gender, Identity, and Belonging in Minority Women Artistic Production

updated: 
Monday, August 13, 2018 - 2:32pm
Riham Ismail; Tulin Ece Tosun / Purdue University
deadline for submissions: 
Thursday, September 20, 2018

Within the current political discourse and political turmoil, representation of women’s races, identities, cultures, precisely of minority women, continue to be under discussion.  Women critics and writers have discussed and examined how current political discourse have changed the understanding of identity in connection with ethnicity, race, color, and language. Identity is formed and shaped by culture, beliefs, race, ethnicity, and space among several other factors.Stuart Hall argues “Identity is never complete, always in process, and always constituted within, not outside, representation.” With this in mind, howcomplex then this process of construction becomes when color, race, or religion emerges as defining factor of whether or not one belongs?

Working the Frame: Derrida, Harman, and the Language-Object Debate in the Humanities

updated: 
Monday, August 13, 2018 - 2:30pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

“How are you framing that?” It’s a frequent question we hear in the theoretically pluralistic world of the contemporary humanities. The question is seldom complimentary. As an interrogatory salvo, it frequently means: “What are the epistemological assumptions that undergird your conclusions?” The question is often meant to expose undertheorized terrain so that it can be made more intellectually robust with deeper thinking—or set aside as insufficient. Visual culture scholar John Tagg concisely defines framing, used in this sense, as “discursive constraint.” All framing, however, could arguably be seen as a problem of such constraint, regardless of how big or how refined the frame gets.

ACLA 2019 Seminar: Cli Fi and Beyond

updated: 
Monday, August 13, 2018 - 2:30pm
Brooke Stanley and Martin Premoli
deadline for submissions: 
Thursday, September 20, 2018

Cli Fi and BeyondSeminar at the American Comparative Literature Association (ACLA) Annual Meeting, March 7-10, 2019, at Georgetown University in Washington DC Contact the Seminar Organizers

Digital Humanities and Narratives of Science, Technology, and Medicine

updated: 
Monday, August 13, 2018 - 2:28pm
Northeast Modern Language Association Conference
deadline for submissions: 
Sunday, September 30, 2018

Digital Humanities and Narratives of Science, Technology, and MedicineNeMLA 50th Anniversary Convention in Washington DC (March 21-24, 2019)

Women Writing Crime

updated: 
Monday, August 13, 2018 - 2:27pm
NeMLA
deadline for submissions: 
Sunday, September 30, 2018

Women’s interest in crime, and violent crime in particular, has become increasingly apparent in recent years. Women now read more crime fiction and thrillers than men, are the primary audience for a number of popular true-crime podcasts (listeners of My Favorite Murder even refer to themselves as “Murderinos”), and increasingly enter fields of study that put them in close contact with the after-effects of violent crime, making up approximately 75% of current forensic science graduates.

[SCMS 2019] Up to and Including Its Limits: Rethinking Experimental Cinema(s)

updated: 
Monday, August 13, 2018 - 2:27pm
Swagato Chakravorty / Yale University
deadline for submissions: 
Saturday, August 25, 2018

This panel invites new positions from which to conceptualize postwar moving-image art, extending into the contemporary moment. Anglo-American and European scholarship on moving-image art through the 1960s and 70s has largely privileged formalist thinking. There is, as Jonathan Walley has written, a “general agreement…that avant-garde filmmakers of this period followed the trend within modernist art toward medium-specific purification: the reduction of the art object to the essential physical or material components of its medium.”[1] In recent years, however, we have witnessed a number of crucial revisionist interventions.

Shifting the Absent Present: Pedagogical Approaches for More Inclusive Spaces

updated: 
Monday, August 13, 2018 - 2:26pm
Northeast Modern Language Association (NeMLA)
deadline for submissions: 
Sunday, September 30, 2018

This session seeks to use the concept of the absent present (that which is embodied by students but unacknowledged) within the classroom as a method of disclosure. Such a method is dedicated to both the literal and figurative spaces that foster agency for students and instructors as they embody and articulate multiple critical identities. Particular focus will be placed on the ways student backgrounds and identities are erased or ignored through various means including syllabi, modeled language, instructor feedback, and assignment and assessment structures. Attention to that which is present within our students but goes unacknowledged or undervalued allows for the exploration of ways to better foster more inclusive spaces.

Bearing Witness: Reading James Baldwin in the 21st Century (A Critical Anthology)

updated: 
Monday, August 13, 2018 - 2:25pm
Yasmin Y. DeGout, Howard University
deadline for submissions: 
Friday, November 2, 2018

CALL FOR PAPERS

Bearing Witness: Reading James Baldwin in the 21st Century

(A Critical Anthology)

“Perhaps I did not succumb to ideology . . . because I have never seen myself as a spokesman. I am a witness. In the church in which I was raised you were supposed to bear witness to the truth. Now, later on, you wonder what in the world the truth is, but you do know what a lie is.”—James Baldwin, Interview by Julius Lester

 

Celebrating WPA, 1979–2019: Forty Years of Research, Collaboration, and Community

updated: 
Monday, August 13, 2018 - 2:24pm
WPA: Writing Program Administration (Journal)
deadline for submissions: 
Monday, October 1, 2018

CFP: Celebrating WPA, 19792019: Forty Years of Research, Collaboration, and Community

The editors of WPA: Writing Program Administration seek proposals for a variety of historical works to be included in a special issue of the journal to appear in summer 2019. To commemorate the 40th anniversary of WPA as a peer-reviewed publication and celebrate this journal’s evolutionary and revolutionary contributions to the field of writing program administration, we encourage proposals for the following:

Workshops of Horrible Creation: 200 Years of Imagined Humans

updated: 
Monday, August 13, 2018 - 2:15pm
Jadavpur University, Department of English
deadline for submissions: 
Thursday, August 30, 2018

Workshops of Horrible Creation: 200 Years of Imagined Humans

International Conference and Workshop on Science Fiction

Organized by the Centre of Advanced Study, Department of English, Jadavpur University,
and Kalpabishwa Webzine

 

22-24 November 2018

 

This year marks the bicentennial of Mary Shelley’s Frankenstein. To commemorate this occasion, the Department of English, Jadavpur University and the Kalpabishwa Webzine collective are co-hosting an international conference and workshop on SF. The conference will feature:

  • academic papers

CFP - Third Annual Ann Radcliffe Academic Conference at StokerCon 2019

updated: 
Monday, August 13, 2018 - 2:06pm
Ann Radcliffe Academic Conference / Horror Writers Association
deadline for submissions: 
Wednesday, October 31, 2018

Call for Presentations:

 

The Third Annual Ann Radcliffe Academic Conference at StokerCon 2019

Abstract Submission Deadline: October 31, 2018

 

 

The Third Annual Ann Radcliffe Academic Conference at StokerCon 2019

Conference Dates: May 9 – 12, 2019

Conference Hotel: Amway Grand Plaza Hotel, Grand Rapids, MI

Transnational Romanticism

updated: 
Monday, August 13, 2018 - 1:45pm
Dr. Agnieszka Gutthy
deadline for submissions: 
Thursday, December 20, 2018

Papers are invited for a volume on Transnational Romanticism. I have contract with Peter Lang Publishing and I still need a few papers to complete the book. Please send a 400-word abstract by September 20. If accepted the final paper will be due by December 20.

 

The possible topics include, but are not limited to 

- exile and displacement

- literary responses to various historical or cultural moments of transition or crisis

- translation as a movement of texts across cultural and national boundaries

- Goethe’s concept of Weltliteraturand its modern reinterpretations

- Romantic philosophy and nationalism

- Romantic imagination and the modern world

Rap and Hip Hop Culture CFP

updated: 
Monday, August 13, 2018 - 1:42pm
Popular Culture and American Culture Association
deadline for submissions: 
Thursday, November 1, 2018

Call for Papers
Rap and Hip Hop Culture
Southwest Popular / American Culture Association (SWPACA)
40th Annual Conference, February 20-23, 2019
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico
http://www.southwestpca.org
Proposal submission deadline: November 1, 2018

“Contemporary Humanities”

updated: 
Monday, August 13, 2018 - 1:11pm
Watchung Review
deadline for submissions: 
Monday, December 31, 2018

“Contemporary Humanities”

 

Tenth Biennial Blackfriars Conference

updated: 
Monday, August 13, 2018 - 1:06pm
American Shakespeare Center
deadline for submissions: 
Monday, September 10, 2018

For the Tenth Biennial Blackfriars Conference, colloquies will take one of three formats: Research Paper Discussion, Actor Facilitated Exploration, and Round Table Discussion. All colloquies are 75-minute sessions. This new format paves the way for focused, research-driven exploration and discussion of Early Modern theatre practice and academia.

RESEARCH PAPER DISCUSSION:

Self-Translating as Creative Act

updated: 
Monday, August 13, 2018 - 1:05pm
Mona Eikel-Pohen, Syracuse University
deadline for submissions: 
Sunday, September 30, 2018

“Self-Translations are No Translations at All” was the title of a roundtable discussion at the 2018 NEMLA in Pittsburgh, where participants discussed both their own self-translations and those by renown self-translating authors such as Nabokov and Miłes and also spatial metaphors occurring in theories of self-translation.

This creative session would build upon that discussion and in this specific format allow participants to focus on presenting their own experiences with self-translation and expound phenomena and examples of their own writings and translations to be shared with other creative writers and/or (future) self-translators. Topics to be discussed could include:

American Postmemory: Slavery in Black and White

updated: 
Monday, August 13, 2018 - 1:04pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

Recognizing that the New World economy was historically based on the system of slavery and that the United States came into being as a slave-holding nation, we experience the lasting effects of slavery in all facets of contemporary US society and culture. This panel seeks papers analyzing contemporary representations of slave history from the black and white perspectives. While we are very familiar with African American representations of slavery in a number of cultural media, this panel is particularly interested in how contemporary representations of slavery created by people of European descent differ from those of African Americans. How is slavery remembered differently in black and white?

Complications of Eating: Investigating (In)digestion in Literature and Film

updated: 
Monday, August 13, 2018 - 1:03pm
Niki Kiviat
deadline for submissions: 
Wednesday, September 5, 2018

As recent literary and cultural critics have shown, food, and its presence in literature and film, is not solely linked to corporeal survival. The relationship between food and the body is also one of chemical and physical processes, and of tolerance and rejection (both individual and societal). Food—eating, preparation, choice—therefore also embodies social and cultural nuances and, in their evolution, processes of change. What is more, in the acts of consumption and digestion, food can re-emerge in various, and often socially taboo, ways and, in so doing, highlight sociocultural boundaries and normativities. In other words, food not only reflects on individual biological needs, but it also exposes larger social ontologies.

Mythology in Contemporary Culture

updated: 
Monday, August 13, 2018 - 1:01pm
Popular Culture Association
deadline for submissions: 
Monday, October 1, 2018

2019 Popular Culture Association (PCA) & American Culture Association (ACA) Joint National Conference

April 17-20, 2019  

Washington Marriott Wardman Park                                                                   

MYTHOLOGY IN CONTEMPORARY CULTURE

Call for Papers

NeMLA 2019 panel: The Use of Audacity and Candor in Women's Literature (Panel)

updated: 
Monday, August 13, 2018 - 1:01pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

“Audacity” is having a moment in the women’s movement. Festivals, conferences and training sessions have used the term as shorthand for women speaking their truth and owning the power to direct the outcomes of their lives. (The Audacious Women Festival in Scotland and the Audacious Women’s Network in South Africa are two examples.)

Yet audacity is not new. Throughout history, outspoken women writers of fiction, poetry, and plays have positioned themselves in the vanguard of audacity, defying public censure and personal isolation to write candidly about their world. Transgression is a disruptor of patriarchal norms. Candor is transformational when it is deployed to pose questions, shatter stereotypes, and incite change.

Il Parlaggio - new issue January 2019

updated: 
Monday, August 13, 2018 - 12:59pm
Edizioni Sinestesie (Italy)
deadline for submissions: 
Saturday, December 1, 2018

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

NEMLA 2019: Decolonial Approaches to Literature, Film and Visual Arts

updated: 
Monday, August 13, 2018 - 12:39pm
Badreddine Ben Othman and Danielle Schwartz (Binghamton University SUNY)
deadline for submissions: 
Sunday, September 30, 2018

According to Walter Mignolo (2013, 2007), the triumphal narrative of modernity is inseparable from coloniality, or the logic of domination, exploitation, and oppression. While modernity builds itself on a triumphal narrative of civilization, progress, and development, modernity hides its darker side, “coloniality.” “Modernity/coloniality” shows that while modernity materializes in the rhetoric of salvation, modernity, capitalism, and coloniality are inseparable aspects yoked to authority and the control of economy. The first conceptualizations of modernity/coloniality/decoloniality, launched by Quijano (2007), focus on economic-political dimensions and the question of knowledge and racism.

Stages of Knowing in Shakespeare (NeMLA 2019 -- roundtable)

updated: 
Monday, August 13, 2018 - 12:37pm
Northeast Modern Language Association / NeMLA
deadline for submissions: 
Sunday, September 30, 2018

Shakespeare gave and withheld knowledge to craft his plot and engage his audience. We are taken on a guided ride from which we glimpse what the playwright chooses thus forming our layers of knowledge through which we are manipulated. What we know can be what we knew before attending the play, based on dialogue from the characters, or from reported speech of events off stage and even in times before the play.

 

NEMLA 2019 Panel: The Animal-Human Divide in Victorian Fiction

updated: 
Monday, August 13, 2018 - 12:36pm
Shun Kiang / University of Central Oklahoma
deadline for submissions: 
Sunday, September 30, 2018

The quest for science and progress at the expense of ethical concerns of (animal) pain is laid bare in Chapter XIV, “Doctor Moreau Explains,” of H. G. Wells’s science fiction The Island of Doctor Moreau (1896). In this chapter, Edward Prendick, protagonist and narrator, discovers that the creatures he has previously encountered on the deserted island are not “animalized victims . . . animal-men," but what Moreau refers to as “humanized animals—triumphs of vivisection” instead. At this juncture, Prendick hears from Moreau “‘[his] colourless delight of . . . intellectual desires,’” which has led the doctor to experiment on different animals to gauge their malleability and submission to human will.

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