Carmen Maria Machado's short story collection, Her Body and Other Parties (2017), was the winner of the National Book Critics Circle's John Leonard Prize and Shirley Jackson Award, and the finalist for the National Book Award and PEN/Robert W. Brigham Prize for Debut Fiction. Received to great acclaim, Her Body and Other Parties provocatively navigates between eerie and moving narratives that toy between science fiction, speculative fiction, horror, and fan fiction to underscore the various violences inflicted on women's bodies.
NeMLA recognizes the significant contribution of visual presentations to the body of academic study of literature and other linguistic constructions. Posters can relay complex information in ways that text alone cannot. These sessions are an opportunity for NeMLA scholars to share visual representations of their research. The format of the session allows presenters to display their work in a casual setting and to engage in informal conversations with convention participants regarding their work at a designated place and time.
This session considers the relationship Nathaniel Hawthorne had with his home state. Topics may consider the incorporation of Massachusetts history into his fiction, who is included and excluded from that history, transatlantic elements to his writing, and the shadow of his family’s history and politics over his literature.
Submit short bios and 300-word abstracts with a free NeMLA CFP List account at https://www.cfplist.com/nemla/Home/S/18172.
As a constant and chilling presence in individual lives and the popular imagination, the supernatural, as a cultural phenomenon, is prone to repeated revivals and resurrections. Like some uncanny revenant, the supernatural re-emerges at crucial historical moments, often transforming to reflect the concerns of its epoch. Recent times have seen a sharp rise in occult practice amongst millennials, many of whom have rejected more traditional spiritual systems in favour of Wicca, witchcraft and astrology.
REVISION & REFORM: TEACHING WRITING ACROSS BORDERS
NEW YORK UNIVERSITY
APRIL 24-25, 2020
This two-day conference will explore connections between theatrical and non-theatrical texts in early modern England. Theatrical culture functioned in vibrant relation to both non-theatrical performances (such as sermons and entertainments) and non-dramatic poetry and prose. However, moments of exchange between different genres have too often been obscured by disciplinary silos.
By bringing together scholars with a wide variety of interests the conference will open up new research questions which address the creative exchanges between plays and a wide range of non-theatrical texts and performances.
Topics for consideration might include:
Postcolonial literary and cultural traditions have been always curious about worldmaking with nonhumans. In their introduction to Postcolonial Ecologies: Literatures of the Environment (2011), Elizabeth M. DeLoughrey and George B. Handley highlight how environmental elements and nonhuman characters have been key witnesses to the injustices of colonialism, globalization, and neo-liberal forms of violence in postcolonial fiction and non-fiction.
Seeking contributions for a seminar at the Annual Meeting of the ACLA in Chicago, March 2020. Deadline for paper proposals is September 23 via the ACLA portal.
The purpose of this supplemental text is to reinforce the concepts that are taught in developmental reading, developmental writing, and freshman orientation courses so that students may continue to address and improve those skills while mastering the material taught in their college-level writing courses. This text especially works well used in conjunction with a college writing textbook in co-requisite writing models where students are transitioning between both developmental and college-level writing courses in the same term.
Historically invisible, women from the Arab world have recently been writing themselves into visibility and they are becoming agents of possible transformations in their society. Their voices had not been heard traditionally, but the fact that they are inhabiting the space of diaspora as a result of migration helped them become effective agents of border crossing and gave them the tools necessary to shape new identities and sound themselves out at both national and international levels. Arab-American women intellectuals have found a medium through their narratives to address pressing issues in the current age of socio-political turmoil.
Southwest Popular / American Culture Association (SWPACA)
41st Annual Conference, February 19-22, 2020
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico
Proposal submission deadline: October 31, 2019
Call for Papers
We live in an age of global change, the culmination of a process that has been going on for more than two hundred and fifty years. Impressive technological, scientific and cultural achievements seem to have been accompanied by a deep erosion of the sense of meaning and the possibility of meaning. Along with economic well-being, enormous existential difficulties are revealed which are expressed in the demand for meaning. Along with the empowerment of and rights to the individual, there is an ongoing breakdown of communal life leading to loneliness and a crisis of meaning that has political and social implications.
Catholic Women’s Rhetoric in the United States: Antecedents and Analyses
Editors: Christina Pinkston and Elizabethada A. Wright
Call for Papers, Winter 2020 Issue
The Adolescence in Film and Television Area invites paper proposals for presentation at the annual Popular Culture Association Conference, to be held April 15-18, 2020 in Philadelphia.The official deadline for online submission of presentation abstracts (see below for additional information) is November 1, 2019.
Submissions that explore noteworthy coverage patterns, representations, and themes pertaining to the portrayal of adolescence/adolescents in film and television, during any historical era, are desired from scholars, educators, and graduate students.
The question of the relation of language to voice traces back to Aristotle’s De interpretatione, with its definition of speech as the sign of thought, and writing the sign of speech. In Jacques Derrida’s account of this phonologocentric model, voice is the ligature of “phōnē and logos,” securing their essential proximity. But if voice is only a mediation, then, as Barbara Johnson writes, voice is no longer “self-identity but self-difference.” Paradoxically, the voice marks the singular but is itself plural, sweeping the self up into an ever-ramifying play of differentiation. As David Lawton proposes, “voice is both a signature, ‘I,’ singularity, and a clear marker of difference, ‘not I,’ multiplicity”.
CALL FOR PAPERS
from current and prospective undergraduate students
28th Annual St. Francis Writers’ Conference
to be held at the
University of St. Francis in Joliet, IL on Saturday, November 16, 2019
featuring poet, editor and English teacher Peter Kahn as keynote speaker
Please submit abstracts for papers or presentations or samples of creative writing no later than Sept. 30, 2018 in any of the following categories:
For the past two years, NeMLA’s keynote speakers have evoked the image of barbarians at the gates, and they are not alone in their use of this powerful image. Barbarians evoke a particular kind of wildness and danger that continues to resonate in popular culture, from the Dothraki and Wildlings in Game of Thrones, to the raiders in Parable of the Sower. In response to NeMLA 2020’s theme, “Shaping and Sharing Identities: Spaces, Places, Languages and Cultures,” we invite presentations that interrogate the idea of barbarism in speculative fiction. How is the barbaric defined and located? Can the racist and colonialist implications of the term ever be shed or inverted?
Deadline for chapter contributions and/or expressions of interest is October 1. We have special need for contributions that consider transnational fan communities or texts, historically marginalized communities, and understudied media texts.
CFP: Fandom: The Next Generation
Transgenerational Fans and Long-Running Media Franchises
FemUn at the NEMLA 2020: Boston, MA – March 5-8, 2020
Fluid Identities in the Globalizing World (Feministas Unidas Session)
Feministas Unidas invites you to join our panel on fluid and hybrid identities and their impact on feminist thought, as well as on art created by female and feminist artists in the Hispanic world. We will talk about the ways in which globalization is shaping our understanding of hybridity and its relationship to feminism.
51st Northeast Modern Language Association Convention
March 5-8, 2020
Below is an updated list of texts available for review in The Journal for the Study of Radicalism. Reviewers must be professors, independent scholars, or professionals who hold a PhD or terminal degree in their field. Advanced graduate students are also encouraged to reply.
Email the Book Review Editor at email@example.com in order to review a text listed below. We also welcome and encourage ideas on other texts related to radicalism.
The Oswald Review is a refereed undergraduate journal of criticism and research in the discipline of English. Published annually, The Oswald Review accepts submissions from undergraduates in this country and abroad.
Submit each manuscript as a separate email attachment in Microsoft Word. TOR discourages simultaneous submission to other journals. Each submission must be accompanied by the relevant professor’s endorsement of its originality.
All text must be in current MLA format, justified left only and without headers and footers. Endnotes, if absolutely necessary, should be minimal.
CALL FOR PAPERS: CAAS at Congress 2020
Western University, May 30-June 1, 2020
The Canadian Association for American Studies invites paper proposals for our 2020 conference, which will be held in conjunction with the Congress of the Humanities and Social Sciences at Western University in London, Ontario, Canada. Applicants may submit a proposal to one of our CAAS-sponsored panels or roundtables (listed below), or to our General CFP.
Deadline for Paper Proposals: November 15, 2019
In the last few years, attention to the adjunct plight, to include poverty-level pay, limited job security, as well as lack of respect for us personally and acknowledgement of our professional credentials and accomplishments, seems to have intensified, reflected in a variety of media outlets, from more liberal ones like The Atlantic and Washington Post to even the ultraconservative Fox News.
That reading and literacy rates are falling is no news: regardless of medium, we seem to be reading less and less, and doing so less well, whether in terms of comprehension, retention, or critical thinking. What potential does detective fiction hold to reverse this trend and even enable literacy, however defined, to survive and thrive in our digital era and beyond? The very traits of the genre that cause some to hold it in disdain, still, may hold the promise of rescuing reading and literacy. Firstly, the very disregard with which the genre is still treated by some, despite growing scholarship on same, allows it to be interrogated more easily; thus, critical and readerly standards can be exposed and challenged more easily.
Call for Papers
Conference title: Disability Studies and Literature
Date of conference: 6th- 7thMarch 2020
This conference will be a student-led academic event organized by the English Department of the Chinese University of Hong Kong, and supported by the University’s Wellness and Counselling Centre under the Office of Student Affairs.
Scope and delimitation:
CALL FOR PAPERS / Etudes Irlandaises
French Journal of Irish Studies
Fall/Winter 2020 issue/
DEADLINE FOR SUBMISSION: January 15, 2020
The Editorial Board of Etudes Irlandaisesis seeking submissions for the Fall/Winter2020 issue of the journal.
Recent work in the field of disability studies by scholars like Ato Quayson (2007), Tobin Siebers (2010), Maren Linett (2016), and Suzannah Biernoff (2017) has considered modernism’s appropriation of disabled bodies. This seminar thus seeks to better understand the role of disability in modernist literary and visual aesthetics. In particular, we encourage papers that consider how writers and artists borrowed from, mimicked, or otherwise recast disability as uniquely modernist literary and artistic subjects. Secondly, this seminar is interested in the ways modernism was cast as disabled in varied attacks on its aesthetic projects.