With Health Humanities programs on the rise and medical memoirs flooding our bookshelves, it is easy to forget that the alliances forged between literary representation and medical discourse are new and fragile. From the 19th century onwards, writers from a multitude of traditions have squared off against doctors for the right to diagnostic prominence, particularly in capturing the "essence" of disease and the dis-eased body/mind. Their motivations, meanwhile, have spanned from the starkly political -- such Joseph Brodsky's mid-century assault on Soviet psychiatric norms -- to the intensely personal -- the use of faux-medical terminology in the memoir of French writer Camille de Peretti to expose the subjectivity at the heart of clinical observation.
This seminar invites papers on stylistic production in any medium and genre, in any period or place.
DEADLINE EXTENDED: 30 September 2019
Aristotle à rebours:
Unconventional Aristotelianism in Medieval Italy and Beyond
Sponsored by Italians & Italianists at Kalamazoo
ICMS Kalamazoo 2020, May 7-10
Aristotle’s transformation from heretical source to intellectual authority testifies to the fact that his scholastic assimilation was uneven and often controversial, and it is the aim of this panel to explore those figures whose Aristotelianism has been perceived, by either their contemporaries or their scholars, as historically peculiar or unorthodox.
“‘Uncertain Terrain’: Negotiating Identities in the Global Community”
Two-Day National Conference for Research Scholars
Department of English, Jadavpur University
7th and 8th November, 2019
P. Sainath. Founder/Editor of People's Archive of Rural India
Uma Chakravarti. Feminist Historian and Filmmaker
51st Northeast Modern Language Association Convention
March 5-8, 2020
CFP: "Narrative Hysterics: Feeling and Form in Women's Experimental Fiction"
Colleges and universities have witnessed great shifts in student populations over the last few decades, including new populations of veteran and adult students. Now, as the traditional aged student continues to decline in numbers, one additional population of potential students appears to continue to grow: prison inmate students. College prison programs include both credit programs and enrichment programs. Through programs such as Shakespeare Behind Bars, the recidivism rates have declined as the men and women in these programs discover empathy, a love of language, and the value of community. This panel will explore college prison programs.
Simon Armitage: Probation Officer to Poet Laureate
International conference at the Université de Lille, France. 12 – 13 March 2020.
With a reading by Simon Armitage
Keynote speaker: Terry Gifford
Organisation Committee: Claire Hélie (Senior Lecturer, Lille), Samuel Trainor (Senior Lecturer, Lille), Marc Porée (Professor, Ecole normale supérieure, Paris), Carole Birkan Berz (Senior Lecturer, Sorbonne Nouvelle, Paris 3), Juliette Utard (Senior Lecturer, Sorbonne, Paris 4), David Creuze (PhD student, Lille)
International Congress on Medieval Studies (ICMS), Kalamazoo 2020
Cross-platform video games are now so popular as to constitute a financial threat to Netflix and other digital content services. One feature of many of these games is the ludic outlaw figure—found, for example, in the 2016 multiplayer Overwatch—that works to resist oppression within the game world. Because they signify popular definitions of justice and communal welfare, modern digital outlaws frequently evoke medieval outlaw representations, such as Robin Hood. In what specific ways do enduring medieval outlaw tropes function as model responses to oppression in modern games?
In recent years, subtle discussions of beneficiaries (Bruce Robbins), bystanders (Robert Meister), spectators (Luc Boltanski), and implicated subjects (Michael Rothberg) have drawn attention to the political, ethical, and aesthetic imperatives emanating from occupying positions of complicity in structures propped up by historical injustice. While much of this scholarship zeroes in on atrocities and events of historical significance, Robbins and Meister, at least, also wedge open space for considering complicity at the level of everyday life. What does it mean for someone to feel depressed by diagnosis of climate catastrophe? To feel overwhelmed by capitalism? To desire escape routes in the face of resurgent racist nationalisms around the world?
Deadline Extended for Submission!
The Illinois Medieval Association welcomes individual proposals and complete sessions that engage with this year’s conference theme, “Medieval Futures,” from a range of disciplinary, interdisciplinary, and temporal perspectives. Paper proposals might consider, for example:
Medieval perspectives of futurity within religious and literary contexts, including interrogations of prophecy and eschatology;
The ways in which medieval individuals or regions planned for the future (i.e. urban design, military strategy, crusade proposals, logistics, economic sustainability, etc.);
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
Edited volume--#MeToo and Literary Studies: Reading, Writing, and Teaching about Sexual Assault and Rape Culture
CALL FOR ABSTRACTS
Editors: Professors Heather Hewett and Mary Holland, SUNY New Paltz
REVISED deadline to submit abstracts: December 15
Whatever Happened to Baby Cain?
Childhood Unbound, Childhood Tamed, Childhood Eternal
Growing up is a perennial feature of human societies. While anxieties surrounding childhood are universal, the manifestations of these concerns vary between cultures. This series of sessions proposes to shed light upon the nexus of ambiguity surrounding the medieval child, as depicted in contemporaneous literature. We invite abstracts for papers that will explore the representation of childhood in texts of any language, genre, and period within the Middle Ages. Topic may include, but are not limited to:
Ever since the inception of #MeToo, conversations have largely circled around the movement as it evolved and exists in the United States. Despite multiple sessions on #MeToo at multiple conferences, I failed to find any that specifically focuses on the reception, translation, and adaptation of #MeToo in non-Western and postcolonial contexts. To fill this gap, this session, “The Other #MeToos,” aims to explore how #MeToo, a popularly Western-centric feminist movement, translates to religiously, geographically, politically, and academically Othered places and Othered women.
A new preference for the production and consumption of lyric forms of poetry, over that of more narrative options like the epic, often coincided with a governing body’s establishment of courtly norms and practices. This trend is consistent across a multitude of seemingly disparate cultures. The popularity and refinement of the ghazal during the Ghaznavid dynasty and the sonnet at the Elizabethan court are just two examples of similar formal developments arising within different cultural contexts. Shorter lyrics were often formally rigorous, but also highly customizable, and many of these forms also called for a new emphasis on the construction and expression of self.
This roundtable explores the collapsing of the separate media concepts of film and television as "TV" becomes more filmic than film, more cinematic than movies themselves. We are witnessing the confluence of production values, means of production, narrative form and style, and the ways in which content is consumed, reviewed, funded, and awarded. The two media have seemingly become synchronous, simultaneous and potentially interchangeable. This Roundtable will focus on film, television, and streaming content, and the places that they will inhabit and occupy in the future of visual media and the cultural imagination.
Northeast Modern Language Association Conference, Boston, MA March 5th-8th, 2020
The 21st-century Disaster Film: Now It Gets Real
The Material Turn in Comparative Literature: The Old and the New, A Conversation
Gender, Race, and Beyond in Contemporary Superhero Cinema
NeMLA 51th Annual Convention
5-8 March 2020,
Material Religion and the Market
“The familiar observation that the Bible is the best-selling book of all time obscures a more startling fact: the Bible is the best-selling book of the year, every year. Calculating how many Bibles are sold in the United States is a virtually impossible task” says “The Good Book Business” article published in The New Yorker in 2006, underlines the billion dollar industry of Bible-publishing in the U.S.
Georgia State University’s 2020 New Voices Conference: February 7-8th, 2020 in Atlanta GA.
Submission Deadline: October 1st, 2019z
Artistic products are cultural artifacts; language and symbols exist as methods of representing new feelings, ideas, and experiences. In turbulent and profound moments of history and personal experience, art and literature attempt to capture and retell the experiences of restlessness, feelings of movement, and reactions to disorder. The 2020 New Voices Graduate Conference invites submissions that consider concepts of (un)rest.
Panel: Afro-diasporic Futures Before Afrofuturism
Northeast Modern Language Association Annual Conference
March 5-8, 2020
Seeking papers on the politics of futurity in Afro-diasporic writing from before the mid-twentieth century for the following guaranteed session at NeMLA 2020. Abstracts due by September 30 on NeMLA's website. Visit https://www.cfplist.com/nemla/Home/S/17890 to submit.
Inviting paper abstracts for a proposed session for the upcoming American Comparative Literature Association conference, to be held in Chicago, March 19-22, 2020. Submit abstracts by 9 a.m. EST on September 23, 2019, via the ACLA website: https://www.acla.org/comparative-socialisms-and-literary-imagination-age-decolonization
Comparative Socialisms and Literary Imagination Before the Age of Decolonization
American Comparative Literature Association Annual Conference 2020, Chicago
Rabindranath Tagore was the first Nobel Laureate of Asia. He was a multi-talented genius. He experimented in several fields of creativity namely, song, dance, poetry, dramas, short stories, novels, novellas, essays, education, painting and social reformation to name a few. Even after 150 years of his birth, how or why do humankind across the globe still find Tagore universally relevant? This panel aims to explore these diverse facets of Rabindranath Tagore as perceived from a contemporary perspective. The panel welcomes papers which examines Tagore’s works in comparison to other practitioners, either his contemporaries or in the contemporary society.
XXII Generative Art International Conference
deadline for submissions:
September 15, 2019
full name / name of organization:
Generative Design Lab, Argenia Association
GENERATIVE ART 2019
GA2019 , the 22nd Generative Art Conference, Exhibition, Live Performances
Location: Italy, Rome, Villa Giulia, National Etrurian Museum, the 19, 20 and 21 of December 2019
Art&Science - Image&Space - Music&Poetry - Visionary Scenarios - Infinity&Identity
Women’s corpses, such as those of Snow White or Ophelia, are often depicted as a beautiful and passive objects, which has led scholars to posit cultural reflections concerning tacit assumptions in the link between femininity and death. In relation to modern literature and art, scholars such as Elizabeth Bronfen (Over Her Dead Body), Elizabeth Grosz (Volatile Bodies), Sarah Goodwin (Death and Representation) argue that dead women are an nexus of morbidity, alterity, and beauty that unconsciously encapsulates the anxiety of the inexpressible event of death, and, as such, dead women are given the value of the “other” in the most macabre fashion.