A recent trend has seen many writers create literary narratives that confront twentieth-century events while inscribing into that past the authors’ contemporary selves (e.g.: Binet 2009; Jablonka 2012; Foenkinos 2014). These biographical meta-narratives seem dictated by the impossibility to construct one’s own subjectivity without facing the very notions of civilization and humanity that our violent pasts have reconfigured.
Call for chapters
Extrapolating Nostalgia: Special issue of Science Fiction Studies
Translation Reviewis a peer-reviewed journal committed to publishing the best new scholarship on all aspects of literary translation studies. Each issue highlights a translator in an interview and features articles and essays on the history, practice, and theory of translation, as well as translations of contemporary international writers into English.
Please see instructions for authors available at the link:
The University We Want
This seminar asks when we let ourselves engage in utopian thinking, what do we want the university to be? We recognize that the university needs to change, but what should we change it into? How should teaching and learning happen? Who should make decisions and how? What should these institutions identify as their mandate, and how should they exist within their community? What might radical approaches rooted in ecologically responsible practices or decolonization look like?
From the restorative wines of Marko Kraljevic to the apple wedges festering in Gregor Samsa's back and the grand feasts peppering the novels of Gogol and Dostoevsky, images of food and drink in the Russian and Eastern European literary imagination are tantalizingly abundant. Collectively, they appear in novels, films, folktales and works of art as consumed objects and metonymic representations of the landscapes and human practices that cultivate and prepare them. However, these images also form a constellation of symbols and metaphors through which we can trace the particularities of identity and social belonging, historical experience, and the engagement of the individual with the local and global environment.
Call for contributions to an edited collection
Writing STEAM: Composition, STEM, and a New Humanities
Deadline for Proposal Submissions: September 30, 2019
Editors: Dr. Vivian Kao, Assistant Professor of Composition, Department of Humanities, Lawrence Technological University; Dr. Julia Kiernan, Assistant Professor of Communication, Liberal Studies Department, Kettering University
Contact email: VKAO@LTU.EDU
Call for Papers: BARS PG/ECR Conference 2020, ‘Romantic Futurities’
Call for Papers:
British Association for Romantic Studies Early Career and Postgraduate Conference
Keats House, London, 12-13 June 2020
Professor Michael Gamer (University of Pennsylvania)
Dr Emily Rohrbach (University of Manchester)
Dates: 6-7 April 2020
Venue: University of Insubria, Como, Italy
Call for papers deadline: 24th November 2019
Committee: Paola Baseotto (Insubria University), Omar Khalaf (Insubria University), Marie-Christine Munoz-Levy (Université Paul Valéry, Montpellier 3)
Confirmed keynote speakers: Andrew Hadfield (University of Sussex) – Alessandra Petrina (University of Padova)
The role of education in shaping and impacting the world has never been contested and will certainly be held as an unwavering belief as long as there is life on earth. However, human capacity to provide the appropriate education that would meet the needs of every generation has always been doubtful. Countries across the globe have invested large amounts of money on reforms that were intended to improve education, yet the results have often been unsatisfactory.
EJAS (European Journal of American Studies) is accepting submissions for a special issue on the American neuronovel to be released in April 2021.
The word “neuronovel” was coined by American critic Marco Roth in a famous 2009 article, “The Rise of the Neuronovel.” According to Roth, in contemporary Anglo-American fiction “the novel of consciousness or the psychological or confessional novel—the novel, at any rate, about the workings of a mind—has transformed itself into the neurological novel, wherein the mind becomes the brain.” To illustrate his statement, he then quotes a long list of examples:
Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold at a price the working classes could afford, though they were popular with all classes, including president Woodrow Wilson. The earlier magazines, such as All-Story, were general fiction magazines, though later they diversified and helped solidify many of the genres we are familiar with today, including western, detective, science fiction, fantasy, horror, romance and sports fiction.
A kairotic moment, 2019 marks a surge in US state legislatures establishing laws tied to reproductive rights, health, and justice, some of which are intended to challenge and overturn Roe v. Wade. While Alabama, Arkansas, Georgia, Kentucky, Louisiana, Mississippi, Missouri, Ohio, and Utah passed bills that limit abortions, Illinois, Maine, Nevada, New York, Rhode Island, and Vermont have established laws protecting abortion access. At the same time, no policy changes to the Hyde Amendment, which prohibits Medicaid coverage of abortion, are in sight. But abortion is just one issue of reproductive rights, health, and justice—concerns that affect people in local, national, and global contexts.
A decade ago, Dipesh Chakrabarty declared in “The Climate of History: Four Theses” that understanding climate change required a transformation in our concept of history. This seminar poses history as a limit-problem for contemporary literary and critical responses to climate change. How do existing responses, in light of their various theoretical provenances, contend with a phenomenon whose nature is diachronically outside an anthropocentric critical framework and irreducible to the terms and temporalities of human history, economics, and social structuration? Under the heading “speculative ecology,” our panel aims to bring together literary, theoretical, and historical responses to the ecological crisis of our time.
A large number of graduate students are first-generation. This session seeks to cultivate a discussion about common questions, concerns, and advice for graduate students and postdocs as they navigate academia. However, this isn’t designed only for students, but it also aims to provide mentors with advice on how to better support students’ success and retention rates. This roundtable is intended to create a space in which seasoned professionals and early career scholars can share tips and ideas for first-generation graduate students, describe mentoring experiences, and foster mentorship relationships.
“Are you game?”
For an upcoming issue of Angles: New Perspectives on the Anglophone World, a peer-reviewed journal indexed by MLA, ERIH-Plus, EBSCO and others, we welcome proposals on “Are you game?”
This issue will be guest edited by Gilles Bertheau (firstname.lastname@example.org).
Call for papers
You know how
I feel about painters. I sometimes think poetry
Frank O’Hara, ‘John Button Birthday’ (1957)
The supposed similarity between poetry and painting was famously characterized in Horace's ‘Ars Poetica’ by the dictum ‘ut pictura poesis’ (‘as is painting, so is poetry’). Yet in 1766, Gotthold Ephraim Lessing influentially argued for the limits that condition these different art forms — how could a visual scream ever be rendered linguistically?
Please consider submitting your work to the following roundtable for the NEMLA conference 2020 in Boston, MA. Title: Female Voices of Dissent in Italian Transnational LiteratureChairs: Lidia Radi (University of Richmond) and Simona Wright (The College of New Jersey)
This roundtable will explore voices of female dissent in the literature produced by transnational writers. How do women writers, narrators or protagonists assert themselves when they are relegated to the confined spaces of their country of origin or that of arrival? What do their stories tell us about the nuanced nature of dissent? What challenges do women face when they denounce the unjust systems they belong to? How does their dissent revolutionize their communities?
From the most sophisticated theoretical discourses to the most banal clichés, translation continues to be understood in terms of such marital metaphors as fidelity and faithfulness. Lawrence Venuti theorizes this way of looking at translation as instrumentalism. According to Venuti, the instrumentalist model of translation is concerned with “the reproduction or transfer of an invariant that is contained in or caused by the source text, an invariant form, meaning, or effect.” Since any meaning of any text is contingent upon various values and functions that a source text supports in its original language, no translation can provide “direct or unmediated access” to it.
Call for Proposals—Special Issue of Computers and Composition:Digital Bridges: Using Networked Technologies to Connect Composition’s Stakeholders
Guest Editors: Savanna Conner (Arizona State University) and Patricia Webb Boyd (Arizona State University)
Call for Papers, Academic Administrative Leadership at CEA 2020
March 26-28, 2020 | Hilton Head Island, South Carolina
Hilton Head Marriott Resort and Spa
The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Academic Administrative Leadership for our 51st annual conference. Submit your proposal at www.cea-web.org
Anglo Saxonica is a multidisciplinary journal that publishes original and innovative research on a variety of issues relevant to the study of English(es), broadly understood both as language and as all the literatures and cultures of the English-speaking world. In so doing, Anglo Saxonica also promotes dialogue among English-speaking geocultural areas. Its editorial policy promotes the thematic cohesion of each volume, open to different academic approaches on current issues in English and American studies, including original research articles, reviews, interviews and selections of creative writing. The journal also publishes special issues with a particular thematic focus that are guest-edited by leading scholars in the field.
Call for Paper Proposals
ASECS Conference in St. Louis, March 19-21, 2020.
Society of Early Americanists (SEA)--ASECS Affiliate Panel
Panel Organizer: Patrick M. Erben, email@example.com (SEA President 2019-2021)
Panel Title: “Those Fair Seats:” Early American Immigrant Materialities
Medieval Virtualities (A Roundtable)
A Sponsored Session from the Program in Medieval Studies, Rutgers Univ.
55th International Congress on Medieval Studies (ICMS Kalamazoo), May 7-10, 2020
IX International Gothic Literture Congress:
“Internationalizing the Gothic”
Objective: To continue the study of the plural presence of the Gothic in various modes of art, as well as time and space contexts.
Dates: December 2, 3 & 4, 2020 (Wednesday, Thursday and Friday).
Place: School of Modern Languages, University of Costa Rica
Call for Papers: We are calling for papers centered upon the idea of the Gothic as a timeless and intertextual mode that surpasses the limits of genre and nation.
We are inviting scholars and graduate students to participate in our seminar at the American Comparative Literature Association (ACLA) 2020 annual conference, titled “Decolonial Epistemic Resistances and (Trans)local Practices.” This conference will be held at the Sheraton Grand Hotel in Chicago on March 19-22. Please see our seminar description below or via this link: https://www.acla.org/node/26205. The ACLA portal submission is opened until September 23, 2019. You may find more updates via this link about paper submission: https://www.acla.org/annual-meeting.
Renaissance Conference of Southern California
64th Annual Conference
Saturday, 21 March 2020
The Huntington Library and Gardens
Interdisciplinary Research and the Renaissance: How to Do It
Amy Buono (Art History, Chapman University)
Katherine Powers (Music, California State University, Fullerton)
Martine van Elk (English, California State University, Long Beach)
International Pearl-Poet Society
Call for Papers — ICMS 2020
“In aventure þer mervayles meven”: The Mystical Tradition in the Pearl-poet and Analogues
International Pearl-Poet Society
Call for Papers — ICMS 2020
Form and Structure in the Cotton Nero A.x. Manuscript (Roundtable)
Following the success of previous ACLA seminars, “The Story of Memory: Remembering, Forgetting, and Unreliable Narrators” and “The Story of Remembrance: The Future of Memory and Memories of the Future” in 2018 & 2019, this seminar invites paper proposals to discuss the relationship between memory and photography and its representation in literature and film.