Critics have begun to reassess Chesnutt's legacy over the past two decades, but his novels, including those published posthumously, have not received the critical attention they deserve. I am proposing a new volume on Chesnutt's novels, with special attention paid to the truly neglected ones (*The Colonel's Dream* and the four posthumously published novels) as well as new approaches to the two novels that have been the subject of more critical work (*The Marrow of Tradition* and *The House Behind the Cedars*). 500-word abstracts and brief CVs due by November 1.
The editors of Alphaville: Journal of Film and Screen Media seek conference and film festival reports from doctoral, postdoctoral and early career researchers for Issue 4, to be published Winter 2012. Potential contributors are invited to submit a conference or film festival report, along with a short bibliography (in MLA style) and contact information to the editors by 1 October 2012. We particularly welcome reports on large annual Film Studies conferences such as NECS (21-23 June, New University of Lisbon), Screen (29 June-1 July, University of Glasgow) and Film-Philosophy (12-14 September, King's College, Queen Mary and Kingston University, London), as well as reports on national and international film festivals.
This panel invites papers on Victorian motherhood: the literal figure and/or its literary incarnations. What is the evolution of this role, its ideals and their practicality? What is the intersection between literature and these concepts? Topics to consider include but are not limited to: philosophical constructs of motherhood, societal expectations and realities, idealizing the Victorian mother, radical motherhood, and literary mothering. Please email 250-500 word abstracts to Kristin.LeVeness@ncc.edu.
Proposals are invited for the annual Gender and Medieval Studies conference that will meet on the theme of 'Gender in Material Culture' at Bath Spa University (Corsham Court campus) from 4th to 6th January 2013.
The Conference will consider the gendered nature of social, religious and economic uses of 'things', exploring the way that objects and the material environment were produced, consumed and displayed in medieval culture. Papers will address questions of gender from a range of interdisciplinary perspectives, embracing literature, history, art history, and archaeology. Plenary papers will be delivered by Prof. Catherine Karkov, University of Leeds and Dr Simon Yarrow, University of Birmingham.
This panel seeks papers about film adaptations of medieval and Renaissance English drama, both in English-speaking countries and around the world. Papers might compare different adaptations of the same play, discuss problems associated with the notion of fidelity to text or of relocating a play in a different historical or cultural milieu, or consider the effectiveness for use in scholarly work or in the classroom. We seek investigation of continuities across disciplines: medieval/Renaissance, cinema studies/literature. What is at stake in these adaptations? What do these directors, writers, performers, and audiences bring to the table?
Call for Papers: Mystery/Detective Fiction
34th Southwest/Texas and American Popular Culture Association Conference
February 13-16, 2013
This year's theme: "Celebrating Popular/American Culture(s) in a Global Context."
Proposal submission deadline: November 16, 2012
Hyatt Regency Albuquerque
300 Tijeras Avenue NW
Albuquerque, NM 87102
Further conference details are available at http://www.swtxpca.org
The Journal of Organic Systems invites new papers on any aspects of organic food, organic farming, organic forestry, organic floristry, and current food issues including GMOs, nanotechnology, urban agriculture, slow food, obesity and other food challenges.
The Journal of Organic Systems is a free, open access, peer reviewed academic journal.
Submissions to: firstname.lastname@example.org
Guide to authors: http://www.organic-systems.org/authors.html
One of the largest and most vibrant of the association, the Science Fiction and Fantasy (SF/F) Area invites proposals for its 2013 national conference. The goals of our area are (1) to share and support research, scholarship, and publication and (2) to mentor emerging scholars. As a result, we invite proposals from professors, independent scholars, graduate students, and undergraduates (with the guidance of a professor).
We invite Master's students from all departments to submit work on a range of topics related to Middle Eastern studies. We encourage papers that explore the political, linguistic, and cultural significance of the Middle East that transcend limitations across formal/generic cultural, ideological boundaries, and/or within varying aesthetic approaches. Book reviews, critical, analytic, creative fiction, creative nonfiction, photographic, artistic, narrative, and poetic pieces related to Middle Eastern studies are welcome.
Deadline: Friday, Oct. 5, 2012, 5pm
Please send submissions electronically to:
CFP: Urban Identities
2013 Northeast Modern Language Association Convention
Boston, MA, March 21-24, 2013
This panel proposes to examine the various ways in which marginalized subjects appropriate and / or adapt to the spatial practices of exclusion and marginalization in contemporary neo-liberal societies. The panel will question the identity claims and spatialized performances of marginalized subjects in the urban context, particularly in terms of class, race, and gender. Please send 300-500 word abstracts in either English or French and brief biographical statements by 15 September 2012 to Domenico.Beneventi@usherbrooke.ca
The Digital Americanist Society seeks speakers who will articulate a clear, interpretive intervention that digital scholarship has made (or could make) in their areas of study. Our goal will not be to describe digital projects, but instead to demonstrate how those projects advance, supplement, or disrupt the scholarly conversations of our respective literary subfields. We encourage "non-DH" scholars whose work has benefited from DH scholarship to contribute. Submit abstracts to Ryan Cordell, Northeastern University, email@example.com, by September 30, 2012. Please note: the session has already been accepted to the conference, so accepted papers will be included in the program.
The eighteenth century's fascination with everyday life can be detected in a wide range of genres and cultural practices, including the novel, familiar essay, satire, drame bourgeois, biography, autobiography, genre painting, letter-writing and journalizing. This panel invites an interdisciplinary exploration of this new interest in the ordinary, focusing especially on issues of aesthetics: How did everyday life come to be seen as a worthy subject of aesthetic representation? What were the privileged modes of narrativity or protocols of description used for these representations, and where did they come from? How, in turn, did new aesthetic forms allow individuals to see and think about ordinary life in new ways?
Proposed New Book
Call for papers for publication
Working title: Othello's Island: Mediaeval and Renaissance Cyprus in art, literature and wider culture
We invite written academic papers on the theme of "Mediaeval and Renaissance Cyprus in visual art, literature and wider culture" for a proposed new book on the subject to be published jointly by the Cornaro Institute (Cyprus) and the Orage Press (UK).
Call for Papers
Narratives of Travel in Middle Eastern Literatures
44th Annual Convention, Northeast Modern Language Association (NeMLA)
March 21-24, 2013
Host Institution: Tufts University
From Medieval saints' lives to Renaissance tragedies, much early English literature portrays public displays of punishment. While the structures of these scenes may seem similar, the rhetorical aims of these bloody episodes have been as diverse as the genres in which they are found. How do these texts represent the consequences (intended and unintended) of watching such horrors? What are the differences between the effects on the spectators within the text and the implied audience without? The multi-period approach to this panel should prove especially fruitful. For instance, how does Jeff Dolven's work on punishment's failure to shape individuals in The Faerie Queene reveal fresh approaches to medieval depictions of similarly forceful fashioning?