This panel seeks papers that explore the literary output, authors, genres, publication practices, or publics associated with Dave Eggers's McSweeney's books and magazines. How does the imprint's contemporary readerships and its publication practices influence or chafe against reading practices in the academy or popular culture? Does it suggest larger trends in the direction of contemporary fiction? What does the McSweeney's network reveal about the state of "serious literature" and the profession of academic reading?
Please submit a 300-word abstract and a brief CV to firstname.lastname@example.org by March 15, 2012.