The Editors are seeking essays that examine the ways that women from around the world have served as the oppressive hand in the lives of other women. In this new feminist theory text entitled Her Own Worst Enemy: The Eternal Internal Gender Wars of Our Sisters, the book's ultimate goal is to discuss, explain, and explore the following areas of concern: how women were prevented from being helpful to their sisters; how they may have been encouraged to dismiss woman-centered calls for equality, political clout, or sexual power; or when and how some women were actually forced to turn their backs on their sisters as a means of protecting themselves and what little power they actually possessed.
In "An Atlas of World Cinema," Dudley Andrew states that though "we still parse the world by nations," "a wider conception of national image culture is around the corner, prophesied by phrases like 'rooted cosmopolitanism' and 'critical regionalism'." Taking up the directions in which Andrew sees the concept of national cinema opening up, this panel explores the borders of, and within, French cinema. It does so along two main strands. First, it examines the role and visibility of the French regions (or provinces) in French national cinema. French cinema for a long time having been concentrated in only a few places (especially Paris, Nice, Marseille), in recent decades more and more films have been set, shot and produced in the regions.
We invite articles on any topic relating to New Literatures in English from
2. New Zealand
4. Asia (excluding India)
i. We invite submission of visual works and poetry.
i. Please submit review of books on the areas mentioned above (not older than two years).
"Travelling Back": History and the Contemporary Moment in the Work of Dionne Brand
Seeking to celebrate Dionne Brand's keynote address at NeMLA 2013 – and to complement the "Caribbean Literature and History" roundtable – this panel will take up the ways that Brand brings history (or histories) into a critical and profound engagement with the contemporary moment, on both individual and national levels. Submissions (max. 500 words) are invited that consider this or related questions in any of Brand's works. Rachel Mordecai, University of Massachusetts Amherst.
CALL FOR PAPERS: 'So Bad It's Good' (Society for Cinema and Media Studies conference panel, Chicago, March 6-10, 2013)
'So bad it's good' is a familiar enough concept. It has often been invoked by fans, critics and academics in connection with certain kinds of movies and certain kinds of reception, being associated especially with cult film. Yet 'bad' can carry a multitude of meanings in a cult context. For this SCMS conference panel we seek work whose focus is specifically texts that are valued, by fans or critics, for their aesthetic ineptitude or failure – what in film studies is often called 'badfilm'.
Cultural anxieties concerning biological reproduction often pivot around the notion of the non-reproductive body, in which intersecting fears about class, race, sexuality, gender and disability are encoded. Media discussions of abortion rates, teenage use of contraception, and gay marriage all register the perceived threat of sex without procreation. In a broader sense, the imperative to safeguard the future by 'thinking of the children' is powerful ideological currency, animating activists on both the left and the right.
This panel will explore the 'cognitive turn' in literary studies as it emerges in contemporary American fiction and non-fiction. Since George H. W. Bush declared the 1990's the "decade of the brain," there has been a surge of cross-disciplinary work done at the site of cognitive studies, neuroscience and the humanities. For example, scholars such as Lisa Zunshine and Paul John Eakin have called for literary methodologies that account for cognition and perception in their analyses. Additionally, a growing number of fiction and non-fiction texts use cognitive studies and neuroscientific research to upend generic constraints, as well as challenge assumptions about how we construct, perceive, and describe the world and ourselves within it.
We are seeking abstracts for inclusion in a proposal for an edited volume on the subject of steampunk. The anthology will present a varied look at steampunk culture and criticism, presenting a comprehensive look at the genre's impact and development in the fields of art and material cultural. Accordingly, we seek proposals that explore any of a range of iterations of the genre. These may include, for example, analysis of:
FOURTH ANGLO-ITALIAN CONFERENCE ON EIGHTEENTH CENTURY STUDIES
5-7 September 2013
Hosted by the Dipartimento DISTU Istituzioni Linguistico-letterarie, comunicazionali, storico-giuridiche dell'Europa, University of Tuscia (Viterbo)
The Society for Textual Scholarship
Seventeenth Biennial International Interdisciplinary Conference
March 6-8, 2013
Loyola University Chicago
"The Objects of Textual Scholarship"
Program Chairs: Steven Jones, Peter Shillingsburg, Loyola University Chicago
Deadline for Proposals: November 1, 2012
DIRK VAN HULLE, University of Antwerp
PAULIUS SUBACIUS, Vilnius University
PAUL GEHL, The Newberry Library, Chicago
ISAAC GERWITZ, The Berg Collection, New York Public Library
I have received a contract for a volume of critical/scholarly essays--currently titled Class and Culture in Contemporary Crime Fiction--from McFarland & Company. (I have already published two previous collections of essays on detective fiction through McFarland.)
Please submit your abstract (250 words) and a brief cv by September 1, 2012, to be considered for this collection.
I am looking to put together 10-12 original essays (which I will edit and introduce) with the following (loosely defined) sub-categories, on works published since the mid-1970s:
From Revolutionary Road to American Beauty and Desperate Housewives, some of the most popular works of fiction, television and film are those that focus in on the 'ordinariness' of suburban living. In drawing on this framework, these works expose the nature of human desperation, the values attached to American patriotism and the anxieties faced in adjusting to modern living. This panel will seek to question why suburban-based narratives have proven to be so successful within mainstream popular culture. Is it perhaps because we as readers/ viewers find a certain liberating accessibility in experiencing a social reality which reflects so closely on our own?
Over the past few years, medievalists' interest in new media has overwhelmingly focused on the remediation of medieval works and data: the Piers Plowman Electronic Archive, the Mapping Medieval Chester project, and animated game-like spaces such as Kapi Regnum exemplify only a few of the innovative applications of new media to our study of the medieval world. Shared amongst these projects' use of digital tools is their emphasis on remediation: that is, they take data in one form and transform it into another form of media; the process as well as the end results of this remediation open fresh avenues through which to explore medieval cultures.
WOMEN WRITE RESISTANCE: POETS RESIST GENDER VIOLENCE (Blue Light Press, 2013), a new anthology of American poets, seeks poetry submissions to round out the collection. The poets in this anthology intervene in the ways violence against women is perceived in American culture by deploying techniques to challenge those narratives and make alternatives visible. See description below. More information: