The MU Cross-Disciplinary Project (formerly known as "The Body Project") invites all graduate students and related researchers to submit proposals for our fifth annual conference. The 2012 theme is "Animals in Society." We welcome proposals for research or creative projects, including artworks, literature, performances, posters, papers and/or panels, and various other forms that escape our imagination but may live in yours.
Please join us for the 2012 Popular Culture Association/American Culture Association National Conference, in Boston, MA, April 11-14, at the Marriott Boston Copley Place. Below is information you need to submit a paper or panel and attend the conference. Feel free to cross-post.
Please note: conference dates are one week later than usual, avoiding the religious holidays, and making it easier for all to partaicipate.
To submit a proposal: http://ncp.pcaaca.org.
CALL FOR PRESENTATIONS: EIGHTH ANNUAL TEACHING MUSIC HISTORY DAY
RIDER UNIVERSITY, LAWRENCEVILLE, NJ
SATURDAY, MARCH 31, 2012
The Pedagogy Study Group of the American Musicological Society, the Greater New York Chapter of the AMS, and Rider University announce the Eighth Annual Teaching Music History Day, to be held Saturday, March 31, 2012. Teaching Music History Day is a forum for exchanging ideas on effective teaching, and is open to all who have an interest in teaching music history. We extend a special invitation to those who are involved in public musicology, as well as scholars who teach related courses.
Call for Presentations
Date: March 29th and March 30th, 2012
Location: The Graduate Center, CUNY
365 Fifth Ave., New York, NY
Does a story ever truly finish, or does it carry on when translated into another medium? When a work of art is reinscribed into a cinematic or televisual text, does it in some ways get a new lease on life? For instance, does David Cronenberg's M. Butterfly (1993), based on the play by David Henry Hwang which itself uses Puccini's Madama Butterfly as a source, rely on audiences to know and recognize its previous source texts to make a larger point? Is this a case of artistic vampirism or taking advantage of the originary text to gain traction and promotion?
We invite you to submit a paper to The 1st International Conference on Speech and Multimodal Interaction in Assistive Environments (SMIAE 2012): http://www.informatik.uni-bremen.de/smiae/2012/ , to be held at the 50th Annual Meeting of the Association of Computational Linguistics (http://www.acl2012.org/), on July 8th - 14th, 2012, in Jeju, Republic of Korea.
We invite papers that explore the impact of the Iron Curtain on alliances forged by black intellectuals after World War II for a Journal of Postcolonial Writing special issue on Alternative Solidarities: Black Diasporas and Cultural Alliances During the Cold War. The aim of the volume is to explore the intersection between diaspora studies (especially Black Atlantic research), postcolonial criticism, and Cold War theory.
The University at Albany English Graduate Student Organization presents its 10th annual graduate conference:
March 30-31, 2012
There are as many ways to conceptualize waste as there are ways in which waste permeates our world. It is ubiquitous; it figures into existence at every level. The history of waste is a history of equivocation, affirmation, disavowal, subsistence, persistence, inconvenience, differentiation, destruction, and decay. From the pragmatics of city sanitation to the logistics of disaster relief, from the remainders of mathematical equations to the emotive excesses of sentimental novels, the problem of "what remains" is central to the practice of academic inquiry.
At the Heart of the American Empire(s), a session at
American Studies Association Convention
November 15-18, 2012: San Juan, Puerto Rico
Emerging Scholars Panel 2012 - Religion and Theatre Focus Group
The Association for Theatre in Higher Education (ATHE) 2012 Conference
Washington, DC, August 2-5, 2012
Hyatt Regency Capitol Hill
"Performance as/is Civic Engagement: Advocate, Collaborate, Educate"
The Religion and Theatre Focus Group is invested in assisting scholars who work with the intersection of theatre/performance practice with religion/spirituality. How have theatre and performance coincided with religiously motivated innovation? What are the religious or spiritual components of theatrical, artistic, cultural, political, linguistic, or economical innovation, and what are their performative counterparts?
CALL FOR PAPERS
Poetry and Revolution Conference
Contemporary Poetics Research Centre, Birkbeck College, University of London, 26-27th May 2012
The proposed publication aims at harnessing research results in the pragmatics of the varieties of English in Africa in the context of Computer-Mediated Communication (CMC). We encourage papers representing current state of the art research in linguistics/discourse pragmatics seen in the broad sense as a functional (i.e. social and cultural) perspective on digital discourse.
We invite scholars doing research in any of the varieties of new world Englishes particularly of African origin (e.g. Nigerian English, Cameroonian English, Kenyan English, South African English, Sierra Leonean English, Kenyan English, Tanzanian English etc) and CMC to submit proposals in the following subject areas:
• Electronic Mailing (Email)
***DEADLINE EXTENDED TO DEC. 15 BY MIDNIGHT***
Call for Papers: Native/Indigenous Studies Area
*CALLALOO SUBMISSION UPDATE: WHEN SUBMITTING WORK, PLACE THE FOLLOWING INFORMATION IN THE AUTHOR COMMENTS SECTION OF THE ONLINE FORM—SPECIAL ISSUE: POSTCOLONIAL*
CALLALOO CALL FOR PAPERS
POSTCOLONIALITY AND BLACKNESS: RISKING THE MOMENT
Ed. Shona N. Jackson and Mikko Tuhkanen
All of our pasts are therefore futural in orientation. They help us make the unavoidable journey into the future. There is, in this sense, no "desire for going back," no "pathological" nostalgia that is also not futural as well.
- Dipesh Chakrabarty, Provincializing Europe
CATR Conference 2012, Wilfrid Laurier University and the University of Waterloo, Waterloo, Ontario
(La version française suit la version anglaise.)
CATR/ACRT has extended the closing date for 2012 Open Paper Proposals
until Dec. 15, 2011.
Please remember that applying to present an open research paper does
not limit your application to and participation in other seminars
and/or roundtables. You are encouraged to apply to as many sessions as
you'd like to participate in.
The idea for this special issue of kadar koli emerged from a question posted by British poet Keston Sutherland to the UK poetry listserv and to the Sous Les Pavés online discussion group in response to "calls for violence" during and after the U.K. protests: "I … want to know what people think about the wishing for and urging of violence (against whom? just the police, or who else? how?)." One example cited by Sutherland is Justin Katko's "Lines for a Protest Song, After 9 December":
"Sometimes I wish that instead of their horses
They'd call up the hold where they store their guns;
And when they shoot one of us down we'll rise up stronger,
For in the taste of our blood be remembered we are one."