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CFP: [Collections] Book Reviewers

updated: 
Thursday, June 26, 2008 - 12:38am
Jeri Pollock

The book review editors at /Green Theory and Praxis: The Journal of
Ecopedagogy/ 
(http://greentheoryandpraxis.ecopedagogy.org/index.php/journal), a
peer-reviewed, open-source academic journal, are looking for reviewers in
various areas of Green Studies. /GTP/ takes as its mandate critical
analysis of the root causes of various ecological crises and the linking of
theory to concrete prospects for social change through pedagogy, conceived
broadly. We are committed to publishing papers and reviews on more radical
ecological matters that will seldom if ever be found in many of the

CFP: [Medieval] Call for Papers

updated: 
Wednesday, June 25, 2008 - 9:10pm
M. C. Bodden

44th International Congress on Medieval Studies, Kalamazoo,
MI, 2009

Call for Papers

UPDATE: [Theatre] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:38pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [General] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:37pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Travel] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:37pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Religion] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:37pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Science] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:37pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Poetry] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:37pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Gender Studies] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:36pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Cultural-Historical] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:36pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

CFP: [Romantic] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:35pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

CFP: [Romantic] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:34pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

CFP: [18th] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:33pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

CFP: [Renaissance] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:32pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

UPDATE: [Medieval] GEMCS: Appetite, Desire, and Gargantuan Pleasures (6/20/08; 11/20-23/08)

updated: 
Wednesday, June 25, 2008 - 7:31pm
Deborah Montuori

Group for Early Modern Cultural Studies 2008
"Appetite, Desire, and Gargantuan Pleasures"

November 20-23, 2008, Philadelphia

* * * The deadline for submissions of proposals for panels, workshops,
and individual papers has been extended to July 11, 2008. * * *

Pre-constituted panels or workshops should be comprised of no fewer than
four and no more than five participants, and in order to allow the
greatest possible amount of discussion, we ask that presenters in these
panels limit their comments to ten minutes each.

CFP: [General] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:12pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [Cultural-Historical] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:11pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [Theory] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:11pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [American] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:11pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [20th] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:11pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [Poetry] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:11pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [General] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:06pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [Cultural-Historical] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:06pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [Theory] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:06pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [American] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:06pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

CFP: [20th] Journal issue: genre and form

updated: 
Wednesday, June 25, 2008 - 5:06pm
Madeleine Monson-Rosen

Packingtown Review, an interdisciplinary literary journal, seeks essays on
the topic of genre and form. PR emphasizes experimental literature,
translation, and literature that crosses boundaries between genres and
forms. We are therefore soliciting submissions of scholarly and critical
essays that explore similar ground. What does it mean when poetry and prose
are indistinguishable? What is lostâ€" or foundâ€"in translation? When
literary form is entirely fluid, what is the relationship between art and
criticism? Between the creative and the scholarly?
While we are particularly seeking essays that explore the relationships
between genre and form in situations where both are indeterminate or

UPDATE: [Collections] Special Issue on Waste - Iowa Journal of Cultural Studies

updated: 
Wednesday, June 25, 2008 - 2:53pm
Joshua Gooch

“As the capitalist mode of production extends, so also does the utilization
of the refuse left behind by production and consumption. Under the heading
of production we have the waste products of industry and agriculture, under
that of consumption we have both the excrement produced by man’s natural
metabolism and the form in which useful articles survive after use has been
made of them.” Marx, Capital, vol. 3 (195)

UPDATE: [20th] Etudes Irlandaises: French Journal of Irish Studies (Peer review)

updated: 
Wednesday, June 25, 2008 - 9:45am
Philippe Cauvet

ETUDES IRLANDAISES
French Journal of Irish Studies (Peer review)
Spring 2009 issue/Numéro de Printemps 2009

DATE LIMITE POUR SOUMETTRE / DEADLINE FOR SUBMISSION: 30 SEPT . 2008

English version
The Editorial Board of Etudes Irlandaises is seeking submissions for the
Spring 2009 volume of the journal.

UPDATE: [Postcolonial] Etudes Irlandaises: French Journal of Irish Studies (Peer review)

updated: 
Wednesday, June 25, 2008 - 9:45am
Philippe Cauvet

ETUDES IRLANDAISES
French Journal of Irish Studies (Peer review)
Spring 2009 issue/Numéro de Printemps 2009

DATE LIMITE POUR SOUMETTRE / DEADLINE FOR SUBMISSION: 30 SEPT . 2008

English version
The Editorial Board of Etudes Irlandaises is seeking submissions for the
Spring 2009 volume of the journal.

Pages