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CFP: Historical Perspectives SIG Paper or Panel/ALISE 2012 (January 17-20: Dallas, Texas)

updated: 
Thursday, June 23, 2011 - 1:23am
Ellen Pozzi/Association of Library and Information Science Educators, Historical Perspectives SIG

Call for Paper or Panel Presentation – DEADLINE: JULY 22, 2011

In keeping with the 2011 ALISE Conference Theme, "Extending our Reach: Expanding Horizons, Creating Opportunities" the Historical Perspectives SIG invites submissions for an individual paper, or for a 3-4 person panel program that highlights the history of new opportunities and connections in the field of LIS (interpreted broadly.) This session offers an opportunity to reveal previously unknown historical instances of times when the field has extended its reach; or to revisit or reexamine those we think we already understand.

[Update] The Aesthetic of Renewal

updated: 
Wednesday, June 22, 2011 - 11:55pm
Canadian Association of American Studies

CRAS is pleased to announce the plenary speakers, they are Linda Hutcheon and Michael Hutcheon, and Anthony Stewart. The new deadline for proposal submissions is 15 July 2011

CALL FOR PAPERS

The Aesthetic of Renewal or "Everything Old is New Again"
3 - 6 November, 2011
Ottawa, Ontario

Carleton University's Centre for Research in American Studies invites submissions for the annual conference for the Canadian Association of American Studies to be held in Ottawa, Ontario from November 3rd - 6th, 2011. This year's theme is: "The Aesthetics of Renewal or 'Everything Old is New Again.'"

Revisiting "The Red Record": Black Women's Lynching Texts-March 15-18, 2012

updated: 
Wednesday, June 22, 2011 - 9:59pm
Northeast Modern Language Association (NeMLA)

This seminar seeks papers exploring African-American women's lynching narratives. How have black women writers used their texts (literary, visual, performance, etc.) to protest 'lynch law' and record its impact on American racial and gender formations? What remains unexplored? Possible authors/artists include Ida B. Wells-Barnett, Kara Walker, Gwendolyn Brooks, and Georgia Douglas Johnson. Please send a 1-page abstract and brief biographical statement to Courtney D. Marshall (courtney.marshall@unh.edu) with 'NEMLA' in subject line.

The NeMLA conference takes place from March 15-18, 2012 in Rochester, New York.

Sylvia Plath's The Bell Jar (August 1, 2011)

updated: 
Wednesday, June 22, 2011 - 12:04pm
Don Tresca

Rodopi Press Amsterdam / Atlanta announces a new series of literary studies entitled Dialogue under the general editorship of Michael J. Meyer. The series will offer new and experienced scholars the opportunity to present alternative readings and approaches to classic texts (those which have received canonical acceptance in either American or Continental Literature). The call for papers on Sylvia Plath's The Bell Jar will work as follows: the series editor or a guest editor will list several different topics or approaches to Plath's novel. These topics should have in the past elicited a significant level of disagreement among critics or have an inherent controversial element.

The Entrepreneurial Principles of the Cultural and Creative industries

updated: 
Wednesday, June 22, 2011 - 11:28am
Utrecht University / School of the Arts

Submissions are invited for a forthcoming special book to be published in early 2012, entitled The Entrepreneurial Principles of the Cultural and Creative industries, compiled by Prof. Dr. Giep Hagoort (Utrecht University/Utrecht School of the Arts), assoc. Prof. Dr A. Thomassen (Auckland University of Technology), Drs. R. Kooyman (Ars Nova).

MACOMÈRE: Special issue on Dionne Brand

updated: 
Wednesday, June 22, 2011 - 10:46am
MACOMÈRE (THE JOURNAL OF THE ASSOCIATION OF CARIBBEAN WOMEN WRITERS & SCHOLARS)

This special issue of MaComère is focused on Caribbean Canadian writer Dionne Brand. For over thirty years, Dionne Brand has been testing the capacity of poetic language to address ethical questions of global consequence. She has published in a wide range of genres, including poetry, novels, short stories, essays and non fiction, and documentary film, and is Poet Laureate of the City of Toronto (2009-2012). Brand has won many awards for her writing, including most recently the prestigious 2011 Griffin Poetry Prize for her narrative poem Ossuaries.

CSAA Annual Conference 2011: 'Cultural ReOrientations and Comparative Colonialities', Adelaide, Australia, 22-24 November 2011

updated: 
Wednesday, June 22, 2011 - 7:25am
The MnM Centre, University of South Australia

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The International Centre for Muslim and non-Muslim Understanding (the MnM Centre) is proud to host the CSAA Annual Conference on 22-24 November, 2011 with the theme 'Cultural ReOrientations and Comparative Colonialities'. A pre-conference postgraduate and early career research day will be held on 21 November for all postgraduate or ECR delegates.

Conference Theme: 'Cultural ReOrientations and Comparative Colonialities'

NeMLA 2012: "Of Queen's Gardens": Victorian Ecofeminism

updated: 
Tuesday, June 21, 2011 - 9:10pm
Margaret S. Kennedy, SUNY Stony Brook

Call for Papers: "Of Queen's Gardens": Victorian Ecofeminism
This panel invites ecofeminist readings of Victorian literature
(novels, poetry, prose), wherein women are frequently given "natural" traits or are associated with the earth. Ecofeminist interpretations may highlight the damaging consequences of this link, or celebrate women's potential to reform cultural/environmental attitudes because of it. In what ways does the woman/nature link function in Victorian literature? What do these interpretations reveal about Victorian attitudes about gender and the environment, and the treatment of each? Please e-mail abstracts of 300-500 words to Margaret Kennedy,
mswright@ic.sunysb.edu.

Victorian Clichés and Orthodoxies (NVSA): Columbia University: April 13-15, 2012

updated: 
Tuesday, June 21, 2011 - 6:56pm
Northeast Victorian Studies Association

NVSA solicits submissions for its annual conference; the topic this year is Victorian Clichés and Orthodoxies.

The conference will feature a keynote panel including Nicholas Dames, Yopie Prins, and Jim Secord, and a visit to the Columbia Rare Book and Manuscript Library.

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NeMLA Conference, March 2012: The Role of the African-American Body in Twentieth-Century American Drama

updated: 
Tuesday, June 21, 2011 - 6:51pm
Jenna Clark Embrey, ART/MXAT Institute at Harvard University

This panel seeks papers concerning the stage life of African-American characters in 20th century drama. How has the portrayal of the black body changed in the last hundred years? What signifance does the historical traditions of blacks in theater play in current performance? How has the adaptation of literature to the stage aided or hindered the portrayal of African-Americans in modern productions? Please send 300-500 word abstracts to Jenna Clark Embrey (jennaclarkembrey@gmail.com)

No Man Left Behind: Homosocial Masculine Obligations in American War Literature (3/15-3/18/12)

updated: 
Tuesday, June 21, 2011 - 6:12pm
Northeast Modern Language Association

When a man is left behind after battle—captured, killed in action, injured beyond help—the burden of his life lies heavy on his former comrades, who carry post-war survivor trauma. This hegemonic masculine ethos of homosocial obligation carries into the larger culture and reflects in literature from the Revolutionary War through the Wars in Iraq and Afghanistan. When these characters should be illustrating Anthony Rotundo's chronological models of American manhood, the scene of the soldier left behind impedes a fully individualized development into adult masculinity because trauma has become a constant companion in place of the fallen comrade.

[UPDATE] Mind, Body, Cinema extended deadline: 7/15/11

updated: 
Tuesday, June 21, 2011 - 12:47pm
Cinema Studies Graduate Student Association at San Francisco State University

The Cinema Studies Graduate Student Association at San Francisco State University is happy to announce its 13th annual Fall Conference, "Mind, Body, Cinema."

Keynote address: Melinda Barlow (Ph.D., New York University).

When it comes to cinema, the words "mind" and "body" evoke concepts that surpass definition. The physical representation of characters is central to cinematic pleasure; however, the relationship of the mind to the bodies of celluloid, narrative, landscape, and theatre must also be taken into consideration. The goal of this conference is to dissect minds and bodies, to take this dualism and produce something akin to a Cartesian nightmare: in what ways can cinematic renderings of minds and bodies transcend convention?

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