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Motherhood and Popular Culture, April 11-14, 2012, Boston

Monday, June 20, 2011 - 12:29pm
Popular Culture Association/American Culture Association (PCA/ACA)

Julie Tharp and Susan MacCallum-Whitcomb write in This Giving Birth:
"Now that the baby boom generation has come of age in America, mothers are suddenly back in Vogue - and in Time, The New Yorker, and The Wall Street Journal too. Indeed, mothers are suddenly everywhere and their influence is everywhere felt. Pollsters and policy-makers count them; manufacturers cater to them; and corporations work to accommodate them. Marketers adjust to meet their demands and desires, while medical practitioners keep pace by emphasizing prenatal education and offering non-traditional birthing options.

Race, Class, and Sentimentalism in the 20th Century (NeMLA 2012)

Monday, June 20, 2011 - 12:27pm
Jenn Williamson

As African American men and women began to appropriate sentimental tropes and the sentimental novel form in the nineteenth-century, they argued for their humanity and alignment with social norms while simultaneously critiquing the ways in which sentimentalism marginalized African American identities by excluding them from class and racial ideologies that promote white dominance. This panel invites papers examining uses of sympathy and sentimental forms in 20th century American literature to address issues of race, class, gender, sexuality, and/or national belonging. In what ways do 20th century authors strategically deploy modes of sentimentality in their writings? Do writers in the 20th century recognize the political efficacy of sentimental writing?

[UPDATE] CFP: 20th Century Sentimentalism: From Modernism to Media

Monday, June 20, 2011 - 12:20pm
Jenn Williamson

This collection will feature essays that examine how authors of the twentieth and twenty-first century continue the use of sentimental forms and tropes of nineteenth-century literature. Current literary and cultural criticism maintains that American culture engaged in a turn-of-the-century refutation of the sentimental mode; however, the analysis of twentieth- and twenty-first-century narratives contained within these essays reveals ongoing use of sentimental expression that draws upon its ability to instruct and influence readers through emotional identification.

NeMLA March 15-18 2012, Rochester, NY:

Monday, June 20, 2011 - 11:53am
Jeffery C. Blanchard / Northeast Modern Language Association

This panel will seek to address the role Modern and contemporary literature play during wartime and whether or not they provide a culturally valuable response to conflict. As we move further into the 21st century, and our wars deepen as well, the need to examine our representations of war in literature become more important. Wartime generates a need for many things, but is literature one of them? In a world where science and the military dominate by taking swift, concrete actions during war, it is critical for our discipline to consider the significance of wartime literature and its potential value as a medium of response. Does literature facilitate recovery from trauma? Does it help represent the horror of battle to those removed?

CFP: Ist Global Conference : Writing 1 (November, 2011; Prague, Czech Republic)

Monday, June 20, 2011 - 11:16am
Dr. Rob Fisher/ Inter-Disciplinary.Net

Call For Papers:
The inaugural launch of this global research and publications project on Writing will explore the many facets of writing from an interdisciplinary perspective. It seeks to explore the many intertextual and intersemiotic facets of writing as they exists in the digital age but also taking into account the historical forces, process and mechanisms, their relationships to contemporary writing forms, and the possibilities of future directions. 'All writing comes from somewhere' and with this axiom in mind this project will not only examine the pragmatic elements of writing but also the complex issues concerning the metafunctions of writing as a creative and purposeful process across various disciplines.

Freedom and Oppression in 1960s Britain

Monday, June 20, 2011 - 11:12am

> > Call for papers
> >
> > International conference
> >
> > Université François-Rabelais de Tours, France
> > November 17-19, 2011
> >
> > In the United Kingdom, according to the canonical interpretation, the sixties were characterized by an almost revolutionary spirit of contestation: the thirst for freedom
and the strong wish to free oneself from social and moral constraints were illustrated in a rich, varied, often provocative and subversive artistic production, as well as in
many a societal phenomenon. There was to the "Sixties", or to what could be referred to as the golden age of youth, with its mods and rockers, but also to popular

Call for papers: ASECS March 22-25: "Bellies and Underbellies: Waste, Consumption, and the Eighteenth Century"

Monday, June 20, 2011 - 9:38am
43rd ASECS Annual Meeting San Antonio, TX March 22 – 25, 2012

"Bellies and Underbellies: Waste, Consumption, and the Eighteenth Century"


The Eighteenth Century has been dubbed the nascent moment of consumerism and consumer society. Yet, in an ever increasing world of goods, what becomes of the bad? How does an expanding Empire and an increasingly urbanized populace deal with the aftermath of its excesses? This panel seeks to ponder issues of waste in the Eighteenth Century. In seeking to understand how notions of excess and excrement might inform larger concerns of the period proposals considering both personal issues of waste and societal issues of waste are encouraged.

Materializing Verse: ASECS 2012 (San Antonio)

Monday, June 20, 2011 - 9:33am
Dustin D. Stewart / U of Texas at Austin

How did verse materialize in the long eighteenth century? This ASECS session will explore questions about the material contexts and conditions of British poetry between the Restoration and early Romanticism. Material should be construed broadly, as indeed should poetry. How was verse produced? What unexpected shapes did it assume? In what surprising and complicated ways was it embodied and performed?

NeMLA March 15-18, 2012, Rochester, NY: Apocalyptic Projections in Sci-Fi and/or Fantasy Literature for 2012 and Beyond

Sunday, June 19, 2011 - 11:38pm
Annette M. Magid/ Northeast Modern Language Association

This panel provides an opportunity to explore the ramifications of the 2012 doomsday prophesiers on cultural behavior as witnessed within the genre of science fiction literature and cinema. The term apocalyptic may include any means of total or near-total destruction, whether it is caused by humans, aliens or Nature. Papers analyzing the role apocalyptic sci-fi and/or fantasy have played and continue to play in literature, cinema, theater and other aspects of culture will be the main emphasis of this panel. Focus can be on apocalyptic visual arts and cinema, but written literature is also appropriate.
Please send e-mail abstracts of 200-250 words in MS Word .doc or .docx.

Anthology of criticism on queerness in film and television

Sunday, June 19, 2011 - 9:49am
Meghna Mudaliar

Proposals are invited for a collection of essays on the topic of queerness in film and television. Please email inquiries asap with a short bio of the author, a working title of the paper, and a brief summary of the article. Deadline for completed abstracts is August 2011.

The Public Life of Literature: April 18-20, 2012 (proposals due November 1, 2011)

Saturday, June 18, 2011 - 2:59pm
Conference on Christianity and Literature: Midwest Regional Meeting

The Public Life of Literature
April 18-20, 2012, Calvin College, Grand Rapids, Michigan
Midwest Regional Meeting of the Conference on Christianity and Literature:
in conjunction with The Festival of Faith and Writing (April 19-21, 2012, Calvin College, Grand Rapids, Michigan)

Featured Speaker: Marilynne Robinson, author of Housekeeping, Gilead, Home, Mother Country, The Death of Adam, and Absence of Mind

Playful Interruptions in Recent Film (7/1; 11/3-6/11, M/MLA, St. Louis)

Saturday, June 18, 2011 - 4:57am
Drs. Comer and Vayo

Playful Interruptions in Recent Film

New deadline, July 1, and update.

In Jean-Luc Nancy's The Inoperative Community representations are not just works of art (oeuvre); they also, in fact, work. Representations present "community" and thereby give a disparate group of beings an identity, borders, and a body. If representations work, what happens when a work founders, when it falls apart, and opens onto something else? Would this opening then be the place or space of play, even serious play? What does this "absence of work" look like formally? What are the ethical consequences of such playful interruptions? Papers on non-mainstream directors are of particular interest.