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Dissecting the Lower Sensorium: Understanding Smell, Taste, and Touch in Renaissance Literature (NEMLA Mar 15-18, 2012 [UPDATE]

updated: 
Friday, June 17, 2011 - 7:50pm
Colleen Kennedy & Christopher Madson/ NeMLA

This NeMLA seminar (March 15-18, 2012 in Rochester, NY) will examine Renaissance drama and poetry via the history of the lower sensorium—the senses of smell, taste, and touch. Though the lower senses were often relegated to a secondary position in medical and philosophical texts, they defined every moment of a subject's daily movements through his or her world. From the taste of the bread and beer that comprised most meals to the overwhelming range of smells that filled every crevice of the early modern city, men and women understood and maneuvered their bodies, encounters, desires, and labor through the three senses comprising the lower sensorium.

[UPDATE] CFP "Circulations between Art Forms: Questioning Intersemioticity" Toulouse, France, March 31, 2012

updated: 
Friday, June 17, 2011 - 4:42pm
Marie C. Bouchet, University of Toulouse

"Circulations between Art Forms: Questioning Intersemioticity"

The purpose of this conference is to investigate how one conceives or experiences the circulation of representation between codes in intersemiotic works. It aims at examining what is at stake when one moves from one art form to another, as in adaptations, or when works themselves circulate between semiotic codes and combine them (operas, films, graphic novels, installations, iconotexts…). Is trans-code circulation fluid, or does one code predominate? Is intersemioticity merely the illusion of circulation, with codes remaining hermetic to one another, or is it the "effect" of another code instead of an actual circulation between systems of representation?

Weird Tools and Strange Investigations

updated: 
Friday, June 17, 2011 - 3:27pm
Preternature: Critical and Historical Studies in the Preternatural | http://preternature.org

Weird Tools and Strange Investigations

CFP: Paranormal Mysteries (theme issue of Clues: A Journal of Detection)

updated: 
Friday, June 17, 2011 - 3:10pm
Clues: A Journal of Detection

Submission deadline: December 29, 2011
Guest editor: A. B. Emrys (University of Nebraska–Kearney)

Paranormal mysteries often feature the usual suspects (ghosts, vampires, werewolves, and so forth) but also branch into the gothic, spirituality (as in Tony Hillerman's skinwalkers, Michael Gruber's shaman trilogy), and other magic realism, as well as biochemical transformation (as in the Relic series) and a wide variety of mystery hybrids with horror and dark fantasy. For this theme issue of _Clues_, potential contributors are urged to think outside the normal boxes. Thematic analysis might include (but is not limited to):

Educating the Imagination: A Conference in Honour of Northrop Frye on the Centenary of His Birth October 4,5,6 2012

updated: 
Friday, June 17, 2011 - 2:24pm
Centre for Comparative Literature, University of Toronto

Twenty years after his death, Northrop Frye, the author of Fearful Symmetry and Anatomy of Criticism, continues to be one of the most read and the most quoted of literary critics. His attention to form, specifically to genre and mode, and his understanding of literature as a totality have directly influenced two later generations of critics, including Hayden White Fredric Jameson, and Franco Moretti. In order to celebrate this ongoing legacy, the Department of English and the Centre for Comparative Literature at the University of Toronto, Frye's home throughout his career, have organized a three-day symposium in his honour.

Non-Theatrical Films during World War II (Boston: Society of Cinema and Media Studies, 3/21/12 to 3/25/12)

updated: 
Friday, June 17, 2011 - 1:33pm
Dr. Douglas A. Cunningham

This panel will explore the production and use of non-theatrical films during World War II. Such films might include: films produced for military training; films produced by the Office of War Information or other federal, state, corporate, religious, educational, or non-profit agencies; non-theatrical films produced by and within other countries; or even home movies produced for public consumption.

Making Meaning: Language, Rhetoric, and the Power of Access - Deadline for Submissions: 7/15/2011

updated: 
Friday, June 17, 2011 - 1:19pm
Language and Rhetorical Studies Group

Contemporary theories of discourse remind us that language functions in a reflexive relationship with social realities. Language in use can either give or deny access to individuals and communities, and to the cultural values and institutions of power that shape the ways meaning is made. As a result, we can use linguistic and rhetorical analyses to uncover, uphold, dismantle, or reshape structures of power. This conference encourages us to think about the ways that language and rhetoric function in a complex political and social world.

CFP: Rupkatha Journal: Hierachical Economies, Globalization, Terrorism

updated: 
Friday, June 17, 2011 - 9:36am
Rupkatha Journal on Interdisciplinary Studies in Humanities

Call for Papers Hierachical EconomiesRupkatha Journal on Interdisciplinary Studies in Humanities (Volume 3, Number 3,ISSN 0975-2935, www.rupkatha.com)

Hierarchical Economies
Globalization
Terrorism

Editors
Tirtha Prasad Mukhopadhyay (Editorial)
Reynaldo Thompson (Latin American Section and Creative Section)
Tarun Tapas Mukherjee (Asian Section)

Fresno: A History of Burdens; A Future of Opportunities

updated: 
Friday, June 17, 2011 - 7:08am
Dr. A. Sameh El Kharbawh; California State University, Fresno

Much of the recent debate on the development of urban downtowns in the U.S. has focused on two sets of interrelated questions: one focusing on their raison d'être in an era of economic deindustrialization, population decentralization and globalization; the other on the identities, cultures, make-up and development of their constituent communities.

The World to Come—International Short Story Collection—Due Date for Stories: 29 February 2012

updated: 
Thursday, June 16, 2011 - 8:56pm
Dr Om Dwivedi & Dr Patrick West

A CALL FOR SHORT STORIES

INTERNATIONAL SHORT STORY COLLECTION

THE WORLD TO COME

All writing anticipates the future if only because it presupposes the reception it will receive there. The very notion of reading compels writing to speak of the world it is destined to inhabit—the world to come. Even those writers who write only of the past still end up producing shadowy forms of the future.

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