The purpose of the Southeast Indian Studies Conference is to provide a forum for discussion of the culture, history, art, health and contemporary issues of Native Americans in the Southeast. The conference serves as a critical venue for scholars, students and all persons interested in American Indian Studies in the region.
Call for Panel Papers : NeMLA Conference 2019
Sounding the alarm: ecological crimes and transnational crises
Faced with ecological disaster and the migratory crisis, what roles can literature, cinema and popular culture play in raising awareness and empowering human beings? This session welcomes contributions in the fields of contemporary francophone literature and cinema that address the problem of violence against wildlife and explore solutions to this violence in a transnational context.
Animaux et animalité dans les arts francophones
NeMLA Annual Convention - Washington, D.C., March 21-24, 2019
NeMLA Annual Convention - Washington, D.C., March 21-24, 2019
Call for Chapters: “Being Dragonborn: Critical Essays on The Elder Scrolls V: Skyrim” (edited collection)
Call for Papers
MLA International Symposium
Lisbon, Portugal – July 23-25, 2019
What do you imagine when you hear the word “family?” How do our traditionally nuclear imaginings of family serve to marginalize non-normative formations of family and kinship? Which iterations of family get left out of discourses of family values, are subjected to hate speech, or are somehow forgotten when the mainstream media talks about family?
Transcultural Encounters: Italian Americans and Greek Americans
World Picture Conference 2018
University of Cambridge
12 & 13 December
(Kansas City Art Institute/University of Cambridge)
Since 2005, when Sianne Ngai first developed the concept of “animatedness” to describe the ways that racialized bodies are made machine-like through external manipulation, Ngai’s work has continued to provide a useful foundation for investigating representations of black voices and black bodies in African American literature and culture. This session seeks papers that will contribute to this broader scholarly conversation by considering the ways in which black bodies have continued to be voiced, mediated, automatized, and silenced by external forces.
We seek intelligent critical articles written in a clear, readable style that offer our readers thoughtful, useful, pedagogically sound, and innovative ideas for teaching American literature. We are also interested in articles about new American authors or lesser known authors who haven't seen much study, particularly in ways that they could add to students' experiences of American literature. All articles go through a blind peer review process with editorial staff making all final publishing decisions.
Walt Whitman Birthplace Association (WWBA) invites you to attend the inaugural Walt Whitman International Festival (WWIF) to be held August 9-11, 2019 at Walt’s Birthplace on Long Island, NY, in celebration of Whitman’s Bicentennial birthday. Join this historic celebration.
Walt was born here in 1819 in a home built by his father. In Walt’s poem, “There Was a Child Went Forth,” he commemorates his Birthplace environs that “became part of that child who went forth every day, and who now goes, and will always go forth every day.”
UNSW, Sydney Australia, March 15 2019
Convenors Brigitta Olubas and Elizabeth McMahon
Keynote Speaker: Sneja Gunew
How does medieval war resonate beyond the battlefield? This roundtable session invites papers that consider the relationship between medieval literature and wartime. War punctuates our understanding of the Middle Ages, providing us with frameworks for comprehending and interpreting the events of history, and the corpus of literature created in response to these conditions is equally broad. In its most literal sense, wartime literature is the narration or memorialization of events on the battlefield, from the Battle of Maldon to the work of Jordan Fantosme and the poetry attributed to Laurence Minot. Wartime, however, is less a temporal or veridical marker than a loaded conceptual term. What counts as wartime? When does it begin and end?
Poems Invited for Dec. 2018 Issue of Taj Mahal Review 34th Issue
CALL FOR PAPERS: TRANSITIONS 8 – new directions in comics studies 2018
Birkbeck, University of London
Saturday 10th November 2018
After a year’s hiatus we are delighted to announce this call for papers for the interdisciplinary Transitions 2018 symposium. Originally convened by PhD students in 2010, Transitions at Birkbeck is a platform for emerging research that is free to attend and participate in.
Echoing Theseus in A Midsummer Night’s Dream, Claude McKay notes, “You place your Seers with madmen, fools and rogues, Their words distort and twist.” This panel will explore the “distort and twist” of words, examining how Shakespeare’s literary work (re)defines and intersects with race and community today. How is Shakespeare recovered within minority communities? How is his work used in music to address race and contemporary issues? Why is his work subverted and reconfigured to address contemporary issues of race and nation? Do performances place the audience in a place of complicitness? This session invites papers that explore the intersection of his literary recovery and race.
Topics may include:
CFP: ICMS 2019 "Rhetoric of Resistance"
The International Association of Robin Hood Studies is sponsoring a session on “Rhetoric of Resistance” at the 2019 International Congress on Medieval Studies at Kalamazoo (ICMS 2019).
50th Anniversary Convention: Northeastern Modern Language Association (NeMLA)
March 21-24, 2019
Host Institution: Georgetown University
This special issue of the journal Humanities is dedicated to a field that is currently experiencing a veritable explosion: contemporary historical fiction. In recent years the genre has been successful in securing coveted literary prizes and in attracting the efforts of some of the best contemporary writers of fiction.
The Society for the History of Authorship, Reading & Publishing (SHARP) will sponsor up to four panels at the Renaissance Society of America’s annual meeting in Toronto, ON on 17-19 March 2019. SHARP @ RSA brings together scholars working on any aspect of the creation, dissemination, and reception of manuscript and print and their digital remediation.
“Something must be said. Must be said that has not been and has been said before.” —Minh-ha Trinh, from Woman, Native, Other: Writing Postcolonialism and Feminism
Mainstream journalism and non-fiction reports on war and conflict often reinforce the same injustices they address, even when their goal is to critique human rights violations. On one hand, they can spectacularize suffering; on the other hand, they can de-emphasize individual suffering through “us versus them” rhetoric or distancing imagery, such as the US media’s focus on “shock and awe” tactics in the “war on terror.”
Call for papers for the special issue: “Translating and Interpreting Linguistic and Cultural Differences in a Migrant Era”
The next monographic issue of the I-LanD Journal will be centred on exploring the role which translation and interpreting play as activities which potentially foster the recognition or misrecognition of, amongst others, sexual, ethnic, racial and class differences in an era of great waves of migrations, and will be edited by Eleonora Federici (University L'Orientale, Naples), and Rosario Martín Ruano and África Vidal Claramonte (University of Salamanca). Contributions should adhere to any of the following:
Translating gender and sexualities;
Translation and interpreting as cultural mediation;
EGE UNIVERSITY 17TH INTERNATIONAL CULTURAL STUDIES SYMPOSIUM
“NATURE VS. CULTURE”
Ege University, Faculty of Letters, İzmir, TURKEY
May 8-10, 2019
The panel invites theoretical reflections and/or case studies on questions of influence, convergence, correspondence, contagion, intertextuality, and cross-fertilization in the discourses of contemporary literature and literary criticism, critical theory, visual arts, and art criticism. Where, why, and how do (or may) the discourses of the three seemingly independent disciplines intersect? How has the vocabulary of one helped shape the conceptual tools of another? What new possibilities of interarts comparison does this hybridation open for the Comparative Literature of the 21st century?
Special issue on children’s literature originally published in a language other than English
Academic Articles, ca. 4000 words
Bookbird is inviting submissions in all categories (academic articles; letters; postcards; children and their books; authors and their books). Full papers should be submitted to the editors, Petros Panaou (firstname.lastname@example.org) and Janelle Mathis (email@example.com) by October 1, 2018. For further information, please visit the Bookbird website at http://www.ibby.org/bookbird.