Poe’s global influence and affinities have been a mainstay of Poe studies for decades, and various literary critics have argued that his foreign admirers (especially his French advocates) have shaped our current understanding and appreciation of Poe. Few scholars, however, have written about how they teach Poe in global terms.
Critical Approaches to Twin Peaks: The Return
Edited by Antonio Sanna
CALL FOR PAPERS: PRISON NARRATIVES AND CRIMINALIZATION
Anthurium: A Caribbean Studies Journal is seeking submissions for a special issue on “Prison Narratives and Criminalization.” Submissions may include scholarly essays, research articles, personal narratives, interviews, and oral histories or commentary. Articles should focus on any aspect of criminalization and/or imprisonment in North America.
Possible themes for submissions include:
“[E]ven the most abstract theories are, to varying degrees, informed by their subjective conditions of existence: by, that is, the inner psychic dynamics of the theorist” -- Stuart Hall, Familiar Stranger
“[T]heory can do more the closer it gets to the skin.” -- Sara Ahmed, Living a Feminist Life
HAS RECOVERY RUN OUT OF STEAM?PERSPECTIVES FROM THE BLACK NINETEENTH CENTURY
In 1950, Charles Olson published “Projective Verse,” an essay that deeply influenced many poets who would form the corps of the American poetic avant-garde from the 1950s into the present day. But his legacy for contemporary women poets is quite complicated. When he says in that essay, “keep it moving as fast as you can, citizen,” it’s unclear whether he means women poets to be fully and equally included in that poetic citizenry. Some women poets have included themselves as addressees of Olson’s universal male pronoun in his prose and poems by unquestionably taking up the imperatives of projective verse, even in the face of direct sexism from their male colleagues. Others, however, approach Olson’s work much more skeptically, seeing in Olson’s discour
EBAAS 2018 Call for Papers
The 32nd European Association for American Studies and 63rd British Association for American Studies Conference
4-7 April 2018
King’s College London, University College London and the British Library
Keynote Speakers: Bettye Collier-Thomas (Temple University), Jo Gill (University of Exeter), Pekka Hämäläinen (University of Oxford)
Donald Trump was a public figure long before he became President of the United States, one who became familiar to American audiences through his appearances in a wide variety of media over a period of several decades. While much has been made of Trump’s selling of himself to the American public in branded productions that identified him as their author or producer, ranging from books such as Trump: The Art of the Deal to his reality-TV Apprentice franchise, less attention has been paid to the treatment of Trump in works of fiction produced by authors other than Trump. This panel will examine the treatment of Trump and his fictional analogues in films, television programs, and literature, with an emphasis on works that took up the subj
Los Angeles: Grounds for protest
For writers and artists such as David Hockney, Christopher Isherwood, John Rechy, Paul Monette and Gore Vidal, Los Angeles provided the literary backdrop for gay communion and protest. As part of the upcoming EBAAS conference in London in April 2018 (https://www.kcl.ac.uk/artshums/depts/history/eventrecords/2017-18/EBAAS-...), we are recruiting papers for a panel session exploring how and why Los Angeles has represented such a crucial stage for dissent for homosexual writers over the course of the twentieth century.
The World of Trump / Trump and the World
Pierre Guerlain (Université Paris-Nanterre) et Raphaël Ricaud (Université
Paul Valéry-Montpellier 3)
Trumpland isn’t just hell for Muslims, Hispanics, women, and other
vulnerable populations; it is hell for anyone trying to make sense of what
is going on. It is a topsy-turvy world, a world turned upside down, a
world where absurdity reigns .