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The American Romance in 2016

updated: 
Monday, August 15, 2016 - 1:33pm
Society of Early Americanists (SEA)
deadline for submissions: 
Tuesday, August 30, 2016

his panel addresses the American romance in light of recent developments in early American studies. While many Britishists accepted the ascendancy of the anglophone novel, others challenged this teleology, and the transatlantic turn has invited us to consider whether the romance genre survived the New World. The existence of a colonial romance would challenge the “birth” of the American genre in the wake of Scott’s Ivanhoe (1819), and revising that literary history could in turn broaden American romance beyond a hoary pro-slavery ideology. Post-WWII critics arguing for an American romance tradition often cite Hawthorne’s own christening of his novels as “romances” as a key piece of evidence.

The Russians Were Coming

updated: 
Friday, August 12, 2016 - 8:50am
Bulldog Review
deadline for submissions: 
Tuesday, November 1, 2016

The Bulldog Review invites scholarly and research papers, personal essays, interviews and creative content on the theme of the manifestation of Soviet paranoia in pop culture, the arts and American society from the mid 1950s through the 1980s for its inaugural issue. There has been a resurgence of the topic as of late with projects like The Americans and Bridge of Spies, as well as the invasion of the Crimean Peninsula and Russian Federation doping scandal at this year's Olympics.  We encourage submissions which approach the subject directly and specifically, as well as papers which interpret the theme in a broader sense.

 

Call for Papers: American Borderlands of Race and Ethnicity (Philosophy & Literature)

updated: 
Friday, August 12, 2016 - 8:52am
Dylan Winchock / CSU San Marcos
deadline for submissions: 
Friday, September 30, 2016

We are currently seeking finished, previously unpublished articles for an edited anthology under contract, entitled “Transgressing the Limit: Borders and Liminality in Philosophy and Literature.” This article will serve as a substitute piece for an author who has dropped out of the process.

 

Teaching War Literature Since 9-11 (Roundtable Session)

updated: 
Friday, August 12, 2016 - 8:53am
Northeast Modern Language Association (NEMLA)
deadline for submissions: 
Friday, September 30, 2016

Many faculty came of age in the Post-Vietnam War era. This time period was shaped by the writings of Tim O’Brien in The Things They Carried and the films Platoon directed by Oliver Stone, Full Metal Jacket directed by Stanley Kubrick, and The Deer Hunter directed by Michael Cimino. These stories challenged the image of the United States as a land of righteous warriors protecting the world from oppression. Instead, soldiers were the pawns of forces they didn’t understand, forces that were bent on a neo-colonial domination of the world. Then came 9/11 and everything changed. Or did it?

The Symbolic Role of Agriculture in Anglophone/American Fiction

updated: 
Friday, August 12, 2016 - 8:53am
Northeast Modern Language Association (NEMLA)
deadline for submissions: 
Friday, September 30, 2016

“Those who labour in the earth are the chosen people of God, if ever he had a chosen people…” (Jefferson, Notes on the State of Virginia, Query XIX). This quote from Thomas Jefferson’s Notes on the State of Virginia (1785) represents an attitude towards agriculture and specifically the family farm that remains influential in the United States today. Connection to the land is still viewed as sacred even as less people work on the land as farmers and ranchers (two percent according to the last census) and environmentalists struggle to reclaim the “soul” of agriculture from the industrial interests that have reshaped farming and the American farmer.

Trans Atlantic Shell Shock

updated: 
Tuesday, August 16, 2016 - 2:27pm
Trans Atlantic Shell Shock
deadline for submissions: 
Tuesday, January 31, 2017

Although the phenomenon of World War I trauma, particularly shell shock (a term that this volume understands as denoting specifically mental trauma unique to World War I), greatly influenced both British and American literary modernism, the trauma, and its reception, was different on each side of the Atlantic, both in its scale and its quality. This proposed peer-reviewed comparative collection seeks essays on both British and American literary and cultural representations of World War I trauma, particularly shell shock. Essays that compare and contrast the American and British experiences and representations of shell shock are particularly welcome, and will be given special consideration.

 

Heritage Tourism and Race in the early Americas

updated: 
Tuesday, August 9, 2016 - 3:24pm
Cathy Rex for Society of Early Americanists (Tulsa, March 2017)
deadline for submissions: 
Sunday, August 21, 2016

Dear colleagues,

Below is a call for proposals for a traditional panel at the SEA in Tulsa March 4-7, 2017.
Please feel free to be in touch with questions. 

 

Heritage Tourism and Race in the Early Americas

Cathy Rex, University of Wisconsin-Eau Claire

REXCJ@uwec.edu

This panel seeks to explore the ways in which early American landmarks, events, sites,

and even gift shops, are marketed as authentic “heritage” tourist experiences but often

ignore the complex racial dynamics that undergird them and recolonize historic peoples

Special Issue: Economies of the Gift in an Age of Austerity

updated: 
Monday, September 26, 2016 - 3:38pm
NANO: New American Notes Online
deadline for submissions: 
Friday, November 11, 2016

Gift exchange is odd, even paradoxical. Giving requires calculation; one must consider the recipient’s need and one’s capacities. And, after the gift is given, expectation sets in. Was it well received? Will it be reciprocated? As many have noted, the gift, though ostensibly selfless, is very much an interested activity. All the calculations leading up to and following a gift exchange reveal the rules that govern a society, even the tacit ones. The gift is an object and a process. The gift moves, and it also—as a keepsake or memorial—stays put. The gift is personal, social, and cosmic.

 

World Pictures: Rethinking Encyclopaedic Fictions (ACLA 2017, Utrecht, July 6-9)

updated: 
Tuesday, August 9, 2016 - 3:30pm
Kiron Ward (University of Sussex)
deadline for submissions: 
Friday, September 23, 2016

Encyclopaedic fictions are being studied increasingly comparatively: with such studies as Hilary Clark’s The Fictional Encyclopaedia (1990), Franco Moretti’s Modern Epic (1996), Stefano Ercolino’s The Maximalist Novel (2014), and Paul St. Amour’s Tense Future (201 5), as well as forthcoming studies like Nick Levey’s Maximalism in Contemporary American Literature (2016) and Antonio Barrenechea’s America Unbound (2016), critical attention has turned to assessing the commonalities between these daunting, ambitious, totalising texts—and away from single-author approaches.

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