The OED defines 'refuge' as "the state of being safe or sheltered from pursuit, danger or difficulty." As this all-encompassing definition suggests, refuge is a multifarious concept, subject to many interpretations. Conditions of economic, social and political crisis in our contemporary world have, however, rendered achieving 'refuge' an ever more elusive state.
Call for Papers
VI Lisbon Summer School for the Study of Culture
Lisbon, June 27 – July 2, 2016
Deadline for paper proposals: January 31 2016
* Travel grants available *
Call for Presenters: The North American Conference for British Studies
Where: Washington, D.C.
When: November 11-13, 2016
Abstract due: January 30, 2016
Panel Topic: The Eighteenth-Century Transatlantic Britain
As part of the NACBS protocol, I'm soliciting for paper proposals to be submitted as a full panel to this year's conference in Washington. The panel will give focus to new scholarship on transatlantic Britain in the eighteenth century. As it strives to be interdisciplinary, scholars from all fields may submit an abstract.
Supporting Diversity, Equity and Inclusion in Honors Education
March 9-11, 2016 | Oakland University | Rochester, Michigan
To launch the National Society for Minorities in Honors (NSFMIH), a two day conference is being held, offering a key opportunity for discussion and networking.
Registration is now open at:
Call for papers closes February 5, 2016
25th Annual CDE Conference, Eichstätt, 26-29 May 2016
The German Society for Contemporary Theatre and Drama in English (CDE) is pleased to announce its 25th Annual Conference (26-29 May 2016). It is organized by the Chair of American Studies, Faculty of Languages and Literatures, at the Catholic University of Eichstätt-Ingolstadt/Germany, and will be held as a residential conference at the Collegium Willibaldinum in Eichstätt.
THEATER AND MOBILITY
The 2016 CDE conference addresses the ongoing debate on issues of mobility in relation to contemporary drama and theater in English worldwide.
Powerlines Issue 4 – Call For Papers
Submissions are due by January 20, 2016
CFP: Console-ing Passions Conference
Panel: Teen TV Comes of Age: Industry and Representation in Young Adult Television
Console-ing Passions: International Conference on Television, Audio, New Media, and Feminism
Date: June 16-17, 2016
Location: University of Notre Dame
Web link: http://www.console-ingpassions.org/conf-nd/
Since its lean beginning in the concrete jungles, Hip Hop has grown into a national and international movement that stretches far beyond the streets of its urban environment(s). While the 1970s Hip Hop exposed the complexity and angst of urban youth culture, the rise of rap music in the 1980s began to create new stories about the state of affairs in black and urban spaces throughout the U.S. With such rise and popularity, Hip Hop has become a mainstream phenomenon with commercial appeal that often deviates from its core principle elements. This year's conference begs to ask what is the current state of Hip Hop and Rap today? How and where are the elements being used?
"The imaginary" invokes spectres, memories, what is sensed, felt, and wanted, the fanciful, visionary, shadow, illusory, what is not visible or legible, a past and a future we can not perceive. This conference features keynote speakers Mya Poe of Northeastern University and Donald Pease of Dartmouth College.
For Lacan, the imaginary is the beginning: "I began with the Imaginary, I then had to chew on the story of the Symbolic ... and I finished by putting out for you this famous Real." For sociologist John B.Thompson, the social imaginary is "the creative and symbolic dimension of the social world, the dimension through which human beings create their ways of living together and their ways of representing their collective life."
We are writing to let you know about an exciting partnership which has developed as we move forward with plans for our annual "Free Exchange Conference" this year. We are pleased to be now be joining with
"The Insurgent Architects," a research group founded at the University of Calgary, and dedicated to the intersections of creative writing and social justice research. This is a particularly complementary partnership because the stated agenda of their group segues with our chosen topic for this year, "Power and Politics in Print."