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Proposed Edited Collection on American Women Writers and Liminality 10 Dec 2015

updated: 
Saturday, July 18, 2015 - 3:03pm
Society for the Study of American Women Writers

CALL FOR PAPERS FOR A PROPOSED SSAWW EDITED COLLECTION
CALL FOR SENIOR SCHOLAR TO WRITE PREFACE

The Society for the Study of American Women Writers (SSAWW) is seeking abstracts (250 words) for essays (7500-8500 words, excluding notes) on American women writers and liminality for a proposed edited collection. We also seek a senior scholar in the field of American women writers to write the preface to the collection and, if interested, join the team as a co-editor.

The Weird & the Southern Imaginary - Edited Collection

updated: 
Saturday, July 18, 2015 - 2:06pm
Travis Rozier / Johannes Gutenberg University of Mainz; Bob Hodges / University of Washington

Keynote: The Weird & the Southern Imaginary will introduce the aesthetics and generic conventions of the Weird to cultural studies of the U.S. South and the region's local, hemispheric, and (inter)national connections. Contributions from literary critics, film and popular culture scholars, philosophers, and critical theorists will consider forms of the Weird in a range of texts (literature, art, film & television, comics, music) from, about, or resonant with conceptions of different South(s).

Don DeLillo: "Fiction Rescues History" Conference - Paris, February 18-20, 2016

updated: 
Saturday, July 18, 2015 - 12:35pm
Antoine Cazé / Université Paris Diderot - LARCA (Laboratoire de Recherche sur les Cultures Anglophones)

"Don DeLillo: 'Fiction Rescues History'" Conference
Paris - February 18-20, 2016

Guest of Honor: Don DeLillo (with the support of Actes Sud Editions)

Plenary Speakers:
Peter Boxall, University of Sussex
Michael Naas, DePaul University

LARCA – Laboratoire de recherches sur les cultures anglophones (UMR 8225, Université Paris Diderot)
VALE – Voix anglophones, littérature et esthétique (EA 4085, Université Sorbonne Paris 4)
ERIAC – Équipe de recherche interdisciplinaire sur les aires culturelles (EA 4705, Université de Rouen)

ACLA 2016: Pedagogy, in Theory

updated: 
Saturday, July 18, 2015 - 12:02pm
Carolyn Laubender/ Duke University

As two of the three famous "hermeneutics of suspicion", Marxism and psychoanalysis both have an important but conflicted relationship with the work of education. As Lenin writes in 1918, "Marxism educates the vanguard of the proletariat which is capable of assuming power … of being the teacher, the guide, the leader of all the laboring and exploited people" (The State of the Revolution). Less than twenty years later, Freud will pessimistically reflect on the state of the psychoanalytic "cure", saying that "it almost appears that the analyst's work might be the third of those 'impossible' professions in which, even before you begin, you can be sure you will fall short of complete success.

A CRITICAL COMPANION TO TIM BURTON (Abstr. by 30 September)

updated: 
Saturday, July 18, 2015 - 6:29am
Prof. Adam Barkman and Dr. Antonio Sanna

Tim Burton is certainly one of the most popular directors of contemporary Hollywood. His oeuvre includes blockbuster films such as Batman (1989), Planet of the Apes (2001) and Alice in Wonderland (2010) as well as less profitable– but still highly recognizable - films such as Ed Wood (1994). His work with stop motion, evident in Tim Burton's The Nightmare Before Christmas (1993), Tim Burton's Corpse Bride (2005) and the recent Frankenweenie (2013) has further popularized and updated a technique that has been fundamental in cinema since the silent era.

Looking for Public Humanities Pieces on "America"

updated: 
Friday, July 17, 2015 - 8:55pm
'Merica Magazine: for the unlikely patriot......

It is our contention that a magazine like this has needed to exist for a while. There needs to be a home for the complicated patriot, the unlikely patriot.The sociologist Robert Bellah believed that the United States had a civil religion that was to be contrasted with that of other nations. If that's true – and we think it is – then this is a magazine for the agnostics. What can one say? America seems like a pretty good idea – we should try it some time.

To get what we're up to check out our website at mericamagazine.org (that's "Merica," not "America," lest you accidentally go to the other - though excellent - magazine of that name). Check out especially the "About" section and the "Submission" section for a fuller idea of our concept.

Perry, Politics, and Propaganda

updated: 
Friday, July 17, 2015 - 8:16pm
NeMLA (Northeast Modern Language Association)

Tyler Perry has become an African-American cultural icon through his stage plays, films, sitcoms, and now, primetime dramas. As such, his works have come under scrutiny for their representations of the African-American family unit as well as representations of race, class, and gender. Though Perry has an avid fan base, all do not agree with the ways in which his "art" functions culturally within the African-American psyche. W.E. B. DuBois states in his 1926 article which was published in The Crisis, "I do not care a damn for any art that is not used for propaganda.

CFP: "A Feel for the Text: Affect Theory and Literary Critical Practice" (Edited collection)

updated: 
Thursday, July 16, 2015 - 11:57am
Stephen Ahern

Ever since Massumi posited the autonomy of affect and Sedgwick called for us to pay more attention to the felt "texture" of experience, there has been a surge of interest across the humanities and social sciences in how we are affected by and affect our environments. Affect theorists share an interest in the contingencies of being and in a model of becoming, offering an ontology that accounts for the complexities of lived experience and that promises a space for freedom resistant to the prisonhouse of discourse, to normative ideology, to state thinking.

Reading Risk in Contemporary U.S. Fiction and Culture (02/10/15) - A Postgraduate and Early Career Rersearcher Colloquium

updated: 
Thursday, July 16, 2015 - 11:03am
University of Birmingham, UK

Five days after 9/11, Republican Party activist James Pinkerton proclaimed that 'the World Trade Center has been destroyed, but this has also been a crushing defeat for irony, cynicism and hipness. Here in New York, the city that gave the world Seinfeld, Sex and the City and Studio 54, the victors now are sincerity, patriotism and earnestness' (Newsday, September 16th, 2001). Has Pinkerton's claim come true? If traditional values like sincerity, patriotism and earnestness are ascendant, what space is left for texts that risk to contest or query the status-quo? Should we abhor risk as the cause of the financial crash, or pine for risky artistic practices that might instigate change? Do we need the texts we study to be risky?

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