cfp.english.upenn.edu

LITERARY JOURNALISM STUDIES, a peer-reviewed journal sponsored by the International Association for Literary Journalism Studies (IALJS), invites submissions of scholarly articles on literary journalis

We are pleased the announce the launch of an open-access online video archive and research project on Asian performances of Shakespeare.

http://web.mit.edu/shakespeare/asia/

In keeping with SAMLA’s theme for this year (Human Rights and the Humanities) this panel aims to examine the ways in which the scrutinizing view of the public eye impacts the construction of a chara

We are now accepting submissions for a collection of stories, essays, and poems for a proposed book on comparative American spatial concepts, partially titled “Stories the Land Holds.” The editors

CFP: El Paso in the Comics II: “The Southwest in the Comics”

“New Grounds: Ecocriticism, Globalization and Cultural Memory”

13 – 15 January 2010
Radboud University, Nijmegen (the Netherlands)
http://www.ru.nl/hlcs/newgrounds/

CALL FOR PAPERS

JOHN ASHBERY IN PARIS – INTERNATIONAL CONFERENCE
March 11-14, 2010
Université Paris 7 Diderot – LARCA (Laboratoire de Recherche sur les Cultures Anglophones)

Call for Papers

Charlie in the Heartland
An International Charlie Chaplin Conference
October 28, 29, and 30, 2010
Ohio University Zanesville, Zanesville, OH USA

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

_“Catastrophe and the Cure”: The Politics of Post-9/11 Music_ is the title of a proposed anthology examining “post-9/11” music. Abstracts are sought for articles attempting to theorize what post-9/11 music is, if such a category can be said to exist, and what political action it takes (or needs to take), if any. Proposed articles should be theoretically engaged and should be written with an academic readership in mind. Of particular interest are abstracts that seek to extend discussions of post-9/11 music beyond the bands/musicians/albums—U2, _The Rising_, The Dixie Chicks, Toby Keith, etc.—typically associated with 9/11. Topics may include, but are not limited to, the following:

Modernist Languages of Feeling

Abstracts sought for a proposed panel at the 11th Annual Modernist Studies Association Conference in Montreal, Canada, November 5-9, 2009.

Call for Papers: WSQ (Women’s Studies Quarterly) Special Issue on Market
Guest Editors: Mara Einstein and Joe Rollins

The modernists’ innovations in art, literature, and design were not only aesthetic reactions to traditional forms—they were also critical responses to the idea of taste.

An international celebration of Poe's bicentennial

CALL FOR PAPERS
Manufacturing Happiness: Investigating Subjectivity, Transformation, and Cultural Capital

Religion and Literature: "Migration, Diaspora, and Identity." In the self-identity of many religious groups, the historical experience of diaspora is an important theme.

MODERN MAGAZINES:

In Capital: Volume One, Karl Marx writes that the commodity fetish develops when we "bring the products of our labour into relation with each other as values." In the process, we convert "every produc

Cultures of Recession
An Interdisciplinary Graduate Student Conference Hosted by The Program in Literature, Duke University
November 20 & 21, 2009

Keynote Speaker: Stanley Aronowitz (CUNY), author of How Class Works and Just Around The Corner: The Paradox of a Jobless Recovery

An international conference on film theory and analysis held in Morelia, Mexico from October 1-3 in tandem with the Morelia International Film Festival.

Keynote: Robert Stam, New York University

For all their complexity, recent discussions of cosmopolitanism, comparativism, and world literature have tended to privilege the global over the local, the macro over the micro, and the city over the

Updated CFP: Medieval TV Collection (proposals by 7/15/09)
ESSAYS ARE STILL BEING ACCEPTED FOR THE FOLLOWING:

Updated CFP: Beowulf on Film/TV/Electronic Games Collection (proposals by 12/15/09)
ESSAYS ARE STILL BEING ACCEPTED FOR THE FOLLOWING:

JEWISH COMICS: SPECIAL ISSUE OF THE JOURNAL SHOFAR

Eldred and Mortensen, in their article “Reading Literacy Narratives” published in College English (1992), call for the movement of literacy studies “in one important direction: into the

We are now accepting submissions for a collection of stories, essays, and poems for a proposed book on comparative American spatial concepts, partially titled “Stories the Land Holds.” The editors

CFP: Gender, Sport, and the Olympics (deadline: May 15, 2009)

I posted before in January about seeking submissions for an upcoming book collection on the personal impact of globally significant traumatic events, such as disasters or epidemics, on the work of mot

If the Holocaust motivated aesthetic theorists and writers to rethink the premise of the literary mode altogether, stated in one form by Theodore Adorno in his 1951 claim that to write “poetry after

Dear Humor / Horror, SF, Fantasy Scholar:

This panel submission to the Conference on College Composition and Communication (CCCC) will examine literacy narratives (broadly defined) that show a link between human dignity and the acquisition or practice of literacy (reading or writing), or the influence of literacy on interpersonal communication and relationships.

The MPCA/ACA is seeking paper proposals that address any aspect of 19th century American popular culture.

In current debates about the War in Iraq, it has become commonplace for politicians and journalists to conjure the specter of the Vietnam War as a means of quantifying the impact of the current war in American culture and throughout the world. Surprisingly, though, few have scrutinized these comparisons to examine the differences between the popular music of the Vietnam era and the music of the current post-9/11 era. While the Vietnam era found countless bands and musicians responding in protest to that war, there has arguably been a significantly smaller amount of contemporary musicians who have taken overt stances, in their music, about the politics of post-9/11 life, in America and elsewhere.

_“Catastrophe and the Cure”: The Politics of Post-9/11 Music_ is the title of a proposed anthology examining “post-9/11” music. Abstracts are sought for articles attempting to theorize what post-9/11 music is, if such a category can be said to exist, and what political action it takes (or needs to take), if any. Proposed articles should be theoretically engaged and should be written with an academic readership in mind. Of particular interest are abstracts that seek to extend discussions of post-9/11 music beyond the bands/musicians/albums—U2, _The Rising_, The Dixie Chicks, Toby Keith, etc.—typically associated with 9/11. Topics may include, but are not limited to, the following:

RE(VIEWING) THE LANDSCAPE OF VISUAL RHETORIC: TOPICS IN VISUAL RHETORIC