While earlier centuries had witnessed the global spread of print, the nineteenth century contributed a new major chapter to the history of print in the Atlantic world, a chapter full of unsettling ironies. In this century, print became more accessible, since printing offices, owing to improved printing technologies, effective dissemination channels, and low-cost formats, were able to produce more efficiently. With print more accessible and affordable, printed material soon developed into a product of mass consumption that formed an integral part of everyday culture in the nineteenth century. Consequently, nineteenth-century print generated new audiences throughout the Atlantic world, such as working-class, black, and female readers.
Papers are invited for the Volume 3, Issue 2 of the Global Journal of English Language and Literature (ISSN 2320-4397) to be published in August 2015. The forthcoming issue will be an Open Issue. The journal features densely theoretical and analytical writings that focus on various aspects of English Studies which address/approach the research problems with methods of and insights borrowed from multiple established disciplines. Accepted papers will be published after peer-review process. This is an online electronic journal and there will be no hard copy of the issues. There are no publication fees or handling charges. The last date for submission is 10th August, 2015.
Society for Cinema and Media Studies Annual Conference
Hilton Atlanta, March 30 - April 3, 2016
The irony of the title A Star Is Born is no longer surprising, as new histories have examined the way that publicity before, during, and after the Hollywood Classical Cinema has changed and developed the reception of films, stars, and more. While studying films can tell us much about the way they figure into larger histories, studying the way studios, agencies, and other distributors have presented and sold their work to the public can reveal much about both the economic and social issues of the time.
The Eleventh Native American Symposium will held on November 5-6, 2015 at Southeastern Oklahoma State University. Papers, presentations, panels, creative projects, and films addressing all aspects of Native American life and studies are welcome, including but not limited to archaeology, history, literature, law, medicine, education, religion, politics, social science, and the fine arts. The keynote speaker will be Richard Green, tribal historian for the Chickasaw Nation. All papers presented at the symposium will be eligible for inclusion in a volume of published proceedings, which will also be posted on our website at http://homepages.se.edu/nas/.
This panel seeks to explore the category of disability as something that is perceived and performed in the visual sphere. Papers might include discussions of voyeurism, spectacles and spectatorship, self-fashioning, visual art, undetectable or ambiguous disability, the body as evidence, erasure and exposure, sensory impairment, perception and interpretation, and questions of legibility and truth. Open to scholars working in any geographical region or period.
Please submit abstracts up to 300 words with a short (1-2 sentence) bio. DO NOT EMAIL YOUR ABSTRACT. You must go through the NeMLA site:
We are seeking abstracts (300 words) for essays (7500-8500 words, excluding notes) on the topic of the "Afterlife in the African Diaspora" for an edited collection on this important and underexplored area of inquiry.
For this collection, three more papers from any discipline are welcome; however, advantaged are those focusing on a gendered or religious moral message. And I am looking for ONE paper which is willing to argue that the monsters represented are simply that, monsters, and that utilizing them as a tool toward acceptance of diversity is not a good thing. The latter is, I understand, a controversial view. This book wishes to explore all views and not promote one view by excluding another.
United States Association for Commonwealth Literature and Language Studies (USACLALS) panel on Local and Global Transgressions invites papers that address transgression in literature and art as well as transgressive art in general. The panel seeks to explore the complexity of transgression as it crosses cultural boundaries in terms of both production and reception. Papers are encouraged to consider but not limited to the following aspects:
100 Years of D.W. Griffith's Intolerance
The long twentieth century offers multiple examples of dramatic progress brought to a halt or even seemingly thrown into reverse: Freud writes about the first World War as foreclosing faith in human progress; the late '60s and early '70s brought complications to the Civil Rights movement and student movements; and the destruction of the Twin Towers on 9/11/2001 undermined the narrative of American capitalist triumph that had held sway since the end of the Cold War.