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"Breaking Through: Impaired/heightened Senses", Paris, 8-9 Jan. 2016

updated: 
Friday, May 29, 2015 - 1:41am
Line Cottegnies / University Sorbonne Nouvelle - Paris 3

Breaking Through: Impaired/heightened Senses

8-9 January 2016

Université Sorbonne Nouvelle – Paris 3, Institut du Monde Anglophone, 6 rue Ecole de Médecine, 75006 Paris, France.

CFP " Beautiful Vessels and Shrouded Ghosts: Harbors and Enslavement" 24-26 September 2015 Naples, Italy (deadline June 3)

updated: 
Friday, May 29, 2015 - 1:35am
Sonia Di Loreto and Katherine Lynes / 23rd AISNA (Italian Association of North American Studies) Biennial Conference

23rd AISNA Biennial Conference "Harbors -- Flows and Migrations of Peoples, Cultures, and Ideas -- The U.S.A. in/and the World" 24-26 September 2015 Naples, Italy (deadline June 3)

Panel: "Beautiful Vessels and Shrouded Ghosts: Harbors and Enslavement"

The Metropolitan Individual in the Early Republic (Proposed ALA Symposium Panel)

updated: 
Friday, May 29, 2015 - 12:47am
Ashley Rattner, The University of Memphis

How does a particular city shape, hinder, or enable the life (career, agenda, domestication, nationalism) of a character? As urban populations grew in the Early Republic, cities both shaped and were indebted to public figures who came either to rise to prominence on account of a quality that flourishes in such an environment or a manipulation of the characteristics of the city to accomplish one's ends. Consistent with the symposium's theme of "The City and American Literature," successful proposals will explore the relationship between individual men and women and their urban environments in regard to habits, qualities, identity, or behavior.

[UPDATE-deadline extended] CFP: Repetitons, Permutations, Becoming -- SFSU Cinema Studies Conference [Oct 22-24, 2015]

updated: 
Thursday, May 28, 2015 - 2:31am
Cinema Studies Graduate Association / San Francisco State University

In our rapidly shifting culture, what defines the contemporary moment is fluid and impossible to pin down. This conference will look at the relations between newness, sameness, fluidity, and change in cinema and cinematic technologies from all eras. The cinematic apparatus itself is a technology of repetition and replication, and the effects of postmodern culture are marked by self-replication, simulation, and mediation. Postmodernism is about the now, and borrows from the surfaces of history while losing the history itself. Cinema and the cinematic is increasingly marked by intermediality of both culture and "text" and constant expansion of what these terms can mean.

[UPDATE] The Feeling of Time in Contemporary American Literature [EXTENDED DEADLINE]

updated: 
Wednesday, May 27, 2015 - 2:41pm
2015 PAMLA Conference - Nov. 6-8 in Portland, OR

Briefly: A reader's sense of time in literature rests upon a fully embodied and affective reading experience. Amongst an author's mechanisms for communicating a shared sense of time with one's readers is the use of highly affective, visceral, and/or proprioceptive linguistic cues. I'm looking for work that either explains or demonstrates how the affective communication of felt time works in contemporary American literature. Interdisciplinary work especially encouraged. Panel to take place at the 2015 annual PAMLA conference in lovely Portland, OR, Nov. 6-8, under the title "Ethics and Affect III: Temporalities." Submit 300-word paper proposal to pamla.org/2015 by June 10 (this is an extended deadline).

The Worlds of William Penn

updated: 
Wednesday, May 27, 2015 - 2:17pm
Rutgers British Studies Center

The Worlds of William Penn
November 19-20, 2015
Rutgers University, New Brunswick

REQUEST FOR RESUBMISSIONS DUE TO TECHNICAL PROBLEMS WITH SUBMISSION SITE

NOTE: Due to a technical problem with the email address dedicated to receiving submissions for the "Worlds of William Penn" conference, we are re-posting this announcement with a request for colleagues to resubmit submissions made to the conference prior to May 4, 2015. We apologize for the inconvenience and thank you, in advance, for your patience. We will accept submissions until June 1, 2015.

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