This is a call for essay abstracts for an edited collection on depictions of children's play in nineteenth and twentieth-century literature.
***DEADLINE EXTENDED to September 20, 2015***
• What makes an environmental crisis common or uncommon?
• How do our understandings of environments depend on causes—both as ideas of causality and ideas of action?
• What ways of imagining, re-imagining and making our environments are held in common, or perhaps just as valuably, are uncommon?
• What can our common and uncommon cultures contribute in addressing environmental crisis?
• How might we understand culturing as an experiment, and thus as a means of creation and conversation? What might we seek to culture?
• What kinds of environmental commons and means of conversation do we already have, or should we create?
CALL FOR PAPERS: Margaret Walker Centenary Anthology (Poetry and Fiction).
Below, please find a cfp for a panel to be held at the American Society for Eighteenth-Century Studies (ASECS) Annual Meeting in Pittsburgh, PA, March 31 - April 3, 2016.
"Making Sense(s) in the Eighteenth Century"
First Annual Post45 Graduate Student Conference
February 5 & 6, 2016
The University of North Carolina at Chapel Hill
Keynote Speech by Danielle Christmas
Post45 and the University of North Carolina at Chapel Hill English Department seek graduate-level works-in-progress in post-1945 American literature and culture. Works-in-progress may range from conference papers to article or dissertation chapter drafts.
On this panel, we would like to consider the concept of incest in relation to society across a number of time periods and cultural forms. Incest may stem from an impulse to purity – keeping bloodlines clean and families insular – and at the same time it may result in deformity and monstrosity. Regardless of the particular character of an incestuous liaison, however, incest is in every instance bound up with the patriarchal, heteronormative social structure of the family, either disrupting this order or constituting it.
No Straight Lines: Sexuality and LGBT Identities in Sequence
RACE, GENDER AND SEXUALITY IN THE WALKING DEAD FRANCHISE
Co-organizers: Jacquelyn Ardam, UCLA; Ronjaunee Chatterjee, CalArts
2015 marked the 30-year anniversary of the publication of Donna Haraway's "A Cyborg Manifesto," whose radical questioning of the divisions between human and machine, matter and meaning, and gendered and "postgendered" existence continues to animate our social reality. Recent discussions in the field of new materialism, which grapple with questions of embodiment and materiality, have opened up new avenues for theorizing femininity outside of conventional frameworks.
Susan Glaspell's one-act play, "Trifles," premiered in Provincetown in 1916, during an era of historic upheaval in American gender relations. That same year, Margaret Sanger opened the first birth control center in the United States and Jeanette Rankin became the first woman elected to the US House of Representatives. The Nineteenth Amendment, of course, would be passed within three years. In the intervening century, the position of women in American society has evolved dramatically – 2016 may see the election of the first woman president – and yet the depiction of gender relations portrayed in "Trifles" remains trenchantly familiar to twenty-first-century readers.