This conference is dedicated to exploring the interplay and divide between thinking and feeling in poetry. In what ways might poetry embody a process of thinking? What's the role of emotion in recent poetry? Can thinking be divided from feeling? Does a poetry of the head preclude a poetry of affect, and vice versa? Are these the terms of competing antagonisms or productive dialogues? What's the relationship between the intellect and affect?
CFP: ACLA 2016
Seminar: "To Die Content": Death, Writing, and Creativity
Location: Harvard University
Time: March 17-20, 2016
Abstract Submission Deadline: September 23rd, 2015
Contact: Mavis Tseng
Assistant Professor, Taipei Medical University
More Middle Ages on Screen? Reconsidering The Reel Middle Ages (A Roundtable)
Sponsored by the Virtual Society for the Study of Popular Culture and the Middle Ages
51st International Congress on Medieval Studies
Western Michigan University, Kalamazoo, Michigan
12-15 May 2016
Proposals due by 15 September 2015
Bakhtin For Tomorrow!
We seek additional presenters for a panel aimed at contributing to conference discussion about intersections between formally innovative poetry and recent findings in empirical linguistics speech research. Please send an expression of interest and 100-word bio by September 8 so that we can constitute a 4-5-member panel. Conference abstracts (250 words) for 10-12 minute papers would be due 15 September (extended deadline).
British Romanticism and American Literary Naturalism might seem an unlikely pairing. Romanticism's investment in a sublime yet beneficent natural world and the power of the individuated self contrasts starkly with Naturalism's interest in deterministic doom and urban degeneration of. Yet the relationship between the two movements is more complex than this binary allows. This panel seeks papers that consider the ways British Romanticism as practiced by poets, essayists, prose stylists and other writers of the early 19th century was repurposed in the works of late 19th and early 20th American literary naturalism.
Text in Context is a graduate student and post-graduate journal published electronically by current graduate students and post-graduates of the English Department at Southern Connecticut State University.
This seminar seeks papers that interrogate, trouble, and (re)articulate the interrelations of performance, poetics, and community within a critical hemispheric lens. Papers that examine how publics enacted through poetry and/in performance can potentially reaffirm, realign, and reorganize themselves out from the obfuscations of contemporary living are particularly welcome.
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
In their 1999 essay "Deformance and Interpretation," Lisa Samuels and Jerome McGann propose deformative criticism against a rigid, theoretical, informative mode of reading in humanities. Deformance is an action, an imaginative, creative poiesis that does not necessarily aim to set a meaning of a text but reimagines it as a performance. Usually perceived in opposition to the more analytical camp of Digital Humanities, deformative criticism or deformance seems to be one of the very real and material alleys that Digital Humanities has offered to the structured, institutional, and perhaps all too ossified forms of production and exposition of knowledge.