As elucidated by Tim Lanzendoerfer, et al. within the forthcoming essay collection _The Contemporary Novel and the Politics of Genre_ (Lexington Press, Winter 2015), contemporary writers have been increasingly blending genre fiction tropes (i.e. from horror, fantasy, romance, science fiction, mystery) into literary fiction – and/or blending literary fiction into genre fiction. This technique surfaces in the work of high caliber American authors such as Joyce Carol Oates, Kurt Vonnegut, Bret Easton Ellis, and Cormac McCarthy – as well as more genre focused writers such as William Gibson, George R.R. Martin, Gene Wolfe, Anne Rice, among others.
Sigma Tau Delta Far Western Regional Conference
November 13th-14th, 2015
Organized by the Sigma Tau Delta chapter at California State University, Fullerton
Will be held on the campus of California State University, Fullerton
Abstracts due October 10, 2015
Sigma Tau Delta English Honors Society at California State University, Fullerton invites submissions—from all disciplines and levels—to this year's Far Western Regional Conference, "Perspectives from the Margins: Reexamining Movements, Figures, and Texts," on November 13-14, 2015.
CFP: Monsters, Demons and the Jewish Fantastic (Special Issue of Jewish Film & New Media) [Deadline: 1 October, 2015)
Oy! Have We Got a Monster for You!
Monsters, demons and the Jewish Fantastic
Special Issue of Jewish Film & New Media
Guest editor, Mikel J. Koven (University of Worcester)
In the past two decades, universities, professional organizations, and businesses around the western world have placed a great emphasis on celebrating diversity on their grounds, welcoming members, students, faculty, and employees from different ethnic, religious, gender, sexual, and class identities. This trend toward embracing otherness has often been instituted and protected by laws and policies in different countries, and employees have been trained to effectively maintain agreeable and harmonious work atmosphere with each other.
CFP: "The Critical 'I'"
NEMLA Mar 17-20, 2016, Hartford. CT
Abstract deadline Sep 30, 2015
This roundtable examines the explored and unexplored possibilities (and challenges) of the autobiographical "I" in academic scholarship and literary criticism, both inside and outside the academy.
India is one of the few countries in the world to have a film censor board. And one of its recent casualties is a lesbian film significantly titled "Unfreedom." The current government has upped the ante by extending the ban culture of censorship from the aesthetic realm to the realm of everyday consumption with the ban on beef. The ban on Jafar Panahi, the Iranian filmmaker, continues and he continues to express himself in his art form in house arrest. The recent Charlie Hebdo massacre in Paris has put the limelight back on censorship.
This roundtable provides an opportunity to reflect on the representation of one of America's most unpopular and violent wars of the twentieth century: the Vietnam War. In particular, this roundtable will investigate the role of collective memory and artistic representation of this highly politicized and casualty-laden war.
47th Annual NeMLA Convention
March 17-20, 2016 Hartford, CT
Hosted by the University of Connecticut
Abstract Submission Deadline: September 30th, 2015
"Shut Up and Send Me More Pigs to Kill!": Contemporary WWII Film
Slick, lubed, squirting, dry: bodies, fluids and the act of sex have long been sensually, erotically intertwined. But what would it look like to move from a poetics to a queer politics of fluids? From the fluids of the sex act to liquid metaphors employed to express trans*/gender/sexual fluidity, to a broader, critical exploration of new (sensual, fluid) materialisms, this seminar centers on a hypothesis: a closer reconsideration of fluids, both literal and figurative, may open up new approaches to queer analysis.
NEW DEADLINE - AUGUST 25, 2015
Adaptation studies has grown into a vibrant, wide-ranging field of study. Scholars in literary, media, and cultural studies have used the concepts of adaptation and intertextuality to explore how content negotiates the transition from text to image, image to text, and across media platforms and/or cultures of production and reception.