The Eleventh Native American Symposium will held on November 5-6, 2015 at Southeastern Oklahoma State University. Papers, presentations, panels, creative projects, and films addressing all aspects of Native American life and studies are welcome, including but not limited to archaeology, history, literature, law, medicine, education, religion, politics, social science, and the fine arts. The keynote speaker will be Richard Green, tribal historian for the Chickasaw Nation. All papers presented at the symposium will be eligible for inclusion in a volume of published proceedings, which will also be posted on our website at http://homepages.se.edu/nas/.
This panel seeks to explore the category of disability as something that is perceived and performed in the visual sphere. Papers might include discussions of voyeurism, spectacles and spectatorship, self-fashioning, visual art, undetectable or ambiguous disability, the body as evidence, erasure and exposure, sensory impairment, perception and interpretation, and questions of legibility and truth. Open to scholars working in any geographical region or period.
Please submit abstracts up to 300 words with a short (1-2 sentence) bio. DO NOT EMAIL YOUR ABSTRACT. You must go through the NeMLA site:
We are seeking abstracts (300 words) for essays (7500-8500 words, excluding notes) on the topic of the "Afterlife in the African Diaspora" for an edited collection on this important and underexplored area of inquiry.
For this collection, three more papers from any discipline are welcome; however, advantaged are those focusing on a gendered or religious moral message. And I am looking for ONE paper which is willing to argue that the monsters represented are simply that, monsters, and that utilizing them as a tool toward acceptance of diversity is not a good thing. The latter is, I understand, a controversial view. This book wishes to explore all views and not promote one view by excluding another.
United States Association for Commonwealth Literature and Language Studies (USACLALS) panel on Local and Global Transgressions invites papers that address transgression in literature and art as well as transgressive art in general. The panel seeks to explore the complexity of transgression as it crosses cultural boundaries in terms of both production and reception. Papers are encouraged to consider but not limited to the following aspects:
100 Years of D.W. Griffith's Intolerance
The long twentieth century offers multiple examples of dramatic progress brought to a halt or even seemingly thrown into reverse: Freud writes about the first World War as foreclosing faith in human progress; the late '60s and early '70s brought complications to the Civil Rights movement and student movements; and the destruction of the Twin Towers on 9/11/2001 undermined the narrative of American capitalist triumph that had held sway since the end of the Cold War.
Metaphors make the detective. Whether Poe's "clew," Doyle's game metaphor ("the game's afoot"), or film noir's labyrinths, the governing metaphors of the great fictional detectives encapsulate the underlying social, hermeneutic, and cultural assumptions that govern their methods.
This roundtable seeks papers on any aspect of the guiding metaphors of detective fiction from the genre's origins to the present day. Short presentations on detective narratives in any genre, language, or medium are welcome; talks on a single metaphor, author, or nexus of metaphors and authors are of particular interest.
Comunichiamo che il comitato direttivo di SEMPER - Seminario permanente di poesia diretto da Pietro Taravacci e Francesco Zambon ha stabilito di prorogare di dieci giorni la deadline per l'invio di proposte per il convegno Brevitas. Percorsi estetici tra forma breve e frammento nelle letterature occidentali, che si terrà nei giorni 4-6 novembre presso l'Università di Trento.
Un breve testo di presentazione e le linee di indagine proposte possono essere consultate all'indirizzo
This panel seeks to explore how medical narrative was used in nineteenth-century fiction and medical texts as a counterargument to the medical gaze, thereby rewriting the medical history of the period from the patient's prospective. The use of medical narrative as a counter-current to the profession's paternalism indicates the subversive nature of nineteenth-century literature and reinforces the value of storytelling and narrative within the "factual" world of medicine.